It was a bad week for Virginia, and if we ever needed Kurt (by which I mean Vonnegut, not Cobain) it was in these recent days of mourning. “So it goes” can’t begin to cover it. In the wake of one of my absolute favorite author’s passing, I heard one tribute mention an epitaph Vonnegut said he would like:
“The only proof he needed of the existence of God was music.”
As usual, he said what I felt. So let’s resume our musical musings and hope that the future offers some reason to hope. Going, going, Gone-zales, perhaps?
Catching up with some recent Post previews, these are new in the Archives:
Austin rock hero Bob Schneider
NPR news quiz host Peter Segal
local roots masters Dead Men’s Hollow
uber indie guy Andy Zipf
And resuming the O/CD Project, here are (some of) the recent acquisitions…
My Own Cash Money:
1. BRIGHT EYES – CASSADAGA (Saddle Creek)
Hands down the coolest CD cover of the year, possibly the last decade, and a Top Ten for all time. After I pulled the clear logo/title sticker off the plastic wrap, I noticed the smudgy lines on the textured gray cover. Inside the fold-out digipack is a “Spectral Decoder” which, when you hold it over the smudgy spots reveals beautiful lenticular, nearly holographic images. So freakin’ cool!
And, so far at least, the music is leaving a solid first impression. Though I’ve never doubted Conor Oberst’s talent, I’ve thought him a bit overwrought in the past, but this time he seems to have found a sense of balance to match his ambitions. I’d probably be playing this CD a lot more if it wasn’t for…
2. PETER BJORN and JOHN – Writer’s Block (Almost Gold)
…which is in permanent rotation in my car. And it’s not just “Young Folks” (a.k.a. “The Whistling Song”) and no, I don’t care one bit that it was used on “Grey’s Anatomy” ‘cause I don’t watch the show (I tried, but my daughters kicked me out when I started calling Lizzie a psychopath). No, this song got me for its own wicked, gimmicky charm and then convinced me to stay ‘cause it’s just too much fun to ignore. And, happy surprise, the rest of the album is catching fire, too. The trio echoes other acts I love, like Eno/Bowie (“Amsterdam”) and uses unexpected instrumentation (are those steel drums on “Let’s Call It Off”?) and harken back to the better acts of the synth-pop era without the bad hair. Catchy, catchy stuff that’s growing with each listen.
3. BEYONCE – B-Day (Sony Urban Music/Columbia)
To the left, to the left…my husband can’t ask for directions anymore without Grace and I using every opportunity to sing his next turn. I put the album in the queue at my YourMusic account (one CD per month via automatic delivery for $6.99, shipping included) just to have “Irreplacable.” And so far, I’ve barely touched the other songs there.
4. The ACADEMY IS… - Sante – (Fueled by Ramen/Atlantic)
Purchased for High School Girl. Produced by Bruce Walker. No impression yet, though I’ve seen – and enjoyed – the band twice in concert with HSG.
5. MODEST MOUSE – We Were Dead Before the Ship Even Sank (Epic)
The combination of Brock and Marr is hereby declared a success. “Dashboard” is such a great song, so I’m surprised it’s not the first single, and the rest have unfolded slowly, surely and quite deliciously. It made the grade for our long car trip, satisfying me, the hubby and HSG all at once, and we listened from beginning to end, rare for us in our car-induced ADD.
6. KINGS OF LEON – Because of the Times (RCA)
I love this band so much that I’m surprised I haven’t listened more than once since getting it the week it was released. No smack to the Kings; I just haven’t had the time.
7. VARIOUS ARTISTS – Have You Heard the New Sound of Alternative Rock (EMI Music Special Markets)
$2.24 at Target, so I couldn’t resist.
8. CECIL B. DEMENTED – Music from the Motion Picture (RCA)
Six bucks at the Andy Warhol Museum gift shop (a great shop stop the next time you’re in Pittsburgh). I haven’t seen many John Waters movies (I’m a wimp, not a prude) but I love his writings, his general persona, and he always does right by the music in his films.
9. The GOOD, The BAD & The QUEEN – S/T (Virgin)
You could call it a “super group" with Damon Albarn (Gorillaz), Paul Simonon (The Clash), Tony Allen (Fela Kuti) and Simon Tong (The Verve) and Danger Mouse in the mix, but the results have proven to be not-so. Each time I put this CD on, I’m initially intrigued but lose interest as the songs roll on and nothing seems to develop. By the arrival of the Big Important Long Song at the End, I’ve stopped caring.
Thrift store steals ($1.50 each)
10. The CARDIGANS – First Band on the Moon (Mercury)
Worth it just for “Lovefool” and “Your New Cukoo” and I’m curious to heat the rest.
11. JACK’S MANNEQUIN – Everything in Transit (Maverick)
This is on Madonna’s label? I wouldn’t think she had enough taste to sign an act this good. Grace and I both know this music real well from a CD burned for us by the College Girl, but I like having the official release.
12. VARIOUS ARTISTS - That’s Squintertainment (Zondervan Interactive)
I bought it because it offered “The best digital clip art for your youth ministry publicity” so I figured it might have some Jesus fun, and then I discovered it had music as well, so it makes the list.
Missing from the last CD trade-in store visit:
13. WBCN Naked Too
Unreleased live performances, mostly by those I don’t care about (Creed, Scott Weiland, Eve 6, Jewel) and a few I do (David Bowie, Barenaked Ladies). Actually, most of them are drips, but I can resell on ebay.
Sent by the PR Peeps:
14. POKEMON X: 10 Years of Pokemon (KOCH)
15. The WIGGLES – Racing to the Rainbow (KOCH)
16.UMPHREY’S McGEE – The Bottom Half (SCI)
17.JOSS STONE – Introducing (Virgin)
18.FAVORITE SONS – Down Beside Your Beauty (Vice/Atlantic)
19.DANIEL LEE MARTIN – On My Way to You (ChinMusic)
20.ANTSY McCLAIN and the TRAILER PARK TROUBADOURS – Trailercana (DPR Records)
21.UTAH CAROL – Rodeo Queen (self-released)
Advances:
22.RAY’S VAST BASEMENT – Starvation Under Orange Trees (Howells Transmitter)
July 3rd release for this “folk of the retro-future.”
23.SUZANNE VEGA – Beauty & Crime (Blue Note/EMI)
Out July 17th
I know I’m keeping:
24. CORINNE BAILEY RAE – S/T (Capitol)
The newly issued double CD version of the fine young singer’s debut includes a second disc of new tunes and a few covers, including a wonderful take on one of 2006’s best songs, The Editors’ “Munich.”
Good First Impressions:
25. READYMADE BREAKUP – Isn’t That What It’s For? (self-released)
26. JE SUIS FRANCE – Afrikan Majik (Antenna Farm Records)
All around the block and then some, starting with an energizing instrumental (“Sufficiently Breakfast”) and sprawling on through a highly entertaining and invigorating mess o’ styles. The PR kit called it, “Here Come the Warm Jets as played by Pavement.” I’ll buy that.
27. SOMEONE STILL LOVES YOU BORIS YELTSIN – Broom (Polyvinyl)
28. GRUFF RHYS – Candylion (Rough Trade)
29. The ALTERNATE ROUTES – Good and Reckless and True (Vanguard)
30.The SAPS – C’mon Already – Start a Fire (self-released)
Coming/Came to town:
31. BALKAN BEAT BOX – Nu Med (JDUB)
32. BOB SCHNEIDER – The Galaxy Kings (Shockorama/Vanguard)
33. BOB SCHNEIDER – I Have Seen the End of the World and It Looks Like This (Shockorama/Vanguard)
34. BOB SCHNEIDER – The Californian (Vanguard)
35. BOB SCHNEIDER & MITCH WATKINS – Underneath the Onion Trees (Shockorama/Vanguard)
36. The NIELDS – All Together Singing in the Kitchen (Peter Quince Productions)
37. DAGMAR and the SEDUCTONES – Come Back to Me (TYM Records)
38. CATIE CURTIS – Long Night Moon (Compass Records)
39. The WAYBACKS – From the Pasture to the Future (Compass)
40. 41.PAM TILLIS – Rhinestoned (Stellar Cat)
Actually, I got two copies of this; one, an advance some weeks ago, and a second in conjunction with the show, at Wolf Trap.
42. DAVID VANDERVELDE – The Moonstation Mouse Band (Secretly Canadian)
43. MATT WERTZ – Everything in Between (Nettwerk)
It was sent in a generic cardboard envelope that label info but no other identifying information, so I’m always forgetting what’s inside. A simple omission that always works against the artist. Where’s my sharpie?
YTD Total: 133
words and pictures about music
Sunday, April 22, 2007
Monday, April 09, 2007
Road Trippin' in the Twilight Zone
We took a Spring Break drive out to the midwest to show High School girl some colleges, Try as we might to listen to local radio on the ride, there was little to amuse us - too much country, Jesus music and overplayed oldies. So we played CDs and the ipod. David Mead's "Indiana" was a natural as we passed through the state of the same name, but it got rather freaky when we were headed through Illinois, listening to an unmarked CD (I was using the road hours to make up track lists for a pile of blank mixes) and Jack's Mannequin came on with "I Woke Up in a Car." We heard the line, "She wrote me a letter as we passed through Rockford," just as we...literally passed the sign for Rockford, Illinois. Freaky!
In (not so) recent past concert news, I saw Of Montreal at the State Theatre in early March, following a Post preview. Kevin Barnes is one snazzy dude in his fishnet stockings and coy, Peter Pan-style tunic. The music is appealing in a ADD'd pop-lover's carnival way, but nothing has stuck since numerous listenings to the CDs. Still, it was a show that kept me staring at the stage from beginning to end, if only to enjoy Kevin's lovely legs.
The following week, Husband and I went to DAR Constitution Hall to see the Shins (got the tickets at a not-unreasonable mark-up though ebay) and, while we had a perfectly lovely date, the band is at a crucial tipping point that may well expose their limits. The albums are great (the new one isn't holding up as well after these first weeks of intense play) but the hall was too big for the band. Opening act, Viva Voce, made a good first impression - a White Stripes in reverse with a hot shot girl guitarist/singer and a passive guy drummer - but the effect wore off quickly. By the time they got to "We Don't Fuck Around," the novelty was wearing thin, as were the lyrics.
And then Grace and I had the supreme good fortune to be offered tickets to see The Decemberists and My Brightest Diamond at the gorgeous Strathmore Concert Hall, courtesy of MBD's label. I knew Grace was into it when, two songs into MBD's set, she turned to me and asked, "do we have this album?" (Yes, courtesy of my emusic subscription). In fact, it was the rare case when you wished the opening act had more time to stretch out. After a half hour, we were just getting into it.
And oh, Decemberists...! You are a literate college geek's musical joy. And though I may not love "The Crane's Wife" as much as the previous two CDs, it still has wonderful moments, like the propulsive Talking Heads-ian rhythms of "The Perfect Crime." Though I had seen the band in concert before, Grace was enjoying the theatrical pantomime of "Mariner's Song" for the first time, and her joy, like the band's, was contagious. Well played, Decmeberists. Well-played. I had just my little camera, so the pic (TK) is for souvenir purposes only.
And now back to the O/CD Project, long fallow...
Paid Actual Cash:
1. ARCADE FIRE – Neon Bible (Merge)
The rarest of purchases for me – preordered online. I don’t like risking that I won't have a long-awaited CD on the day of release, but the Merge site had such a good deal - $15 for the deluxe edition, free shipping, plus some bonus stuff (the poster and label sticker weren’t such a big deal when I saw them). Better yet, the CD actually arrived on the Monday before the album hit stores. And yes, you can believe the hype. So good!
2. The HOLD STEADY – Boys and Girls in America (Vagrant)
This month’s $6.99 auto-delivery from yourmusic.com. I could swear that Springsteen’s keyboard player was on this album, and the lead singer/songwriter certainly channels vintage Boss with his storylines of young love among the American lower middle class. Hearing all the songs in one sitting can be exhausting (which Bruce never was) but there’s some fine material here.
3. MOJO Presents Love Will Tear You Apart
It’s subtitled “15 hand-picked songs of hurt, pain & despair” and yes, I was in a bad mood when I bought the magazine. Nina Simone, Sparklehorse, Jarvis Cocker, Elbow, Elliott Smith, Galaxie 500.
Also, given away at the Best Buy store:
4. The KILLERS – Read My Mind (Island)
Three remixes of the single, including one by the Pet Shop Boys.
The local thrift store charges only $1.50 for its used CDs so, if they’re not scuffed and scratched (do people treat their music so badly, or is it the rough shelf life on a thrift store that takes its toll?), you can take a chance on just about anything. Then, at the checkout, I discover that it’s half-price on everything, so here’s my 75-cent specials:
5. The PROCLAIMERS – Sunshine on Heath (Chrysalis)
6. TAKE THAT – Nobody Else (Arista)
Robbie Williams is listed in the credits for vocals, but not in the list of band members or on the cover, where there are just four brooding pretty boys. Now it appears that he may be rejoining the band for a reunion (ka-ching!) tour. “Back for Good” is a song that the girls sing out loud – and with deliberately overwrought emotion – in the car when they’re trying to drive us crazy. We pretend to be annoyed, but we actually find it endearing.
Back at the CD trade-in store:
7. VARIOUS ARTISTS – Shop (Patio Music)
The cover caught my eye – a crossword puzzle grid with the name of the artists worked into it. And since those names included Joe Strummer, Annie Lennox and The Rapture, it seemed like a safe bet for $2. There’s a couple of slicksters – Chris Botti and Steve Tyrell – but the overall Adult Alternative vibe makes it a good dinner-with-friends compilation.
More from the under-$2.oo discount pile:
8. ECHO & the BUNNYMEN – S/T (Sire)
I took it as a sign that I was grooving along to a “retro-future” remix of “Lips Like Sugar” as I drove to the CD trade-in store. Sometimes it’s fun to get into the WayBack machine and recall the days when Terry and I were young, together, childless and somewhat mad, living in New York City.
9. BJORK – Venus as a Boy (single)
99.9% sure I have this already, but I couldn’t take the chance to miss out on six tracks, including two unavailable on the full-length CD.
10. BJORK – Big Time Sensuality (single)
75% sure I have this (who can keep track of all Bjork’s remix singles?!) but there’s five tunes, including rarities and remixes. Cheaper than a cup of Starbucks!
11. BJORK – Hyperballad (single)
This one I’m pretty sure I don’t have, which is good since there’s only four tracks here (those longer EPs spoiled me).
12. OF MONTREAL – 7-track sampler (Polyvinyl)
Purchased in prep for the band’s appearance at The State Theatre on March 6th (yep, that’s how far behind the list is!).
13. MIXEL PIXEL – Music for Plants (Kanine Records)
Released in October of last year, but sent as part of my research for the Post preview. They cite Influences – Pink Floyd, Velvet Underground (they say VU), The Flaming Lips and (who can tell me about…?) Quinton & Mrs. Pussycat.
What once were advances are now imminent:
14. CHUCK BROWN – We’re About the Business (Raw Venture Records & Tapes)
15. RYAN SHAW – This is Ryan Shaw (Columbia)
16. SON VOLT – The Search (Transmit Sound/Legacy)
17. KLAXONS – Myths of the Near Future (DGC)
18. RODDY HART – Bookmarks (Compass Records)
19. UMPHREY’S McGEE – The Bottom Half (SCI)
20.MIDNIGHT MOVIES – Lion the Girl (New Line Records)
21. BLACTOP MOURNING – No Regret (T-Recs)
The band was discovered on myspace and signed by Counting Crow Adam Duritz for his new Tyrannosaurus Records label. He also sings on four tracks. Angsty lyrics, rockin’ rhythms, quite at home in our Panic! At The Disco/Fall Out Boy world, though with a bit more of a classic rock sound.
Recent Releases:
22. FULTON LIGHTS – S/T (Android Eats Records)
PR compares them to Massive Attack, John Cale, Grizzly Bear and the Tindersticks. I saw a variation of the band play in NYC last year and was mightily impressed. Also liked the main guy’s previous outfits – John Guilt and Maestro Echoplex. Great sample lyric (from “The Sound of the City”): “New York is the city that never…shuts up.”
23. SIA – Lady Croissant (Astralwerks)
24. The STOOGES – The Weirdness (Virgin)
25. DOYLE LAWSON & QUICKSILVER – More Behind the Picture Than the Wall (Rounder)
A duplicate, official version of a CD I got in advance form a few weeks ago,
YTD Total: 90
In (not so) recent past concert news, I saw Of Montreal at the State Theatre in early March, following a Post preview. Kevin Barnes is one snazzy dude in his fishnet stockings and coy, Peter Pan-style tunic. The music is appealing in a ADD'd pop-lover's carnival way, but nothing has stuck since numerous listenings to the CDs. Still, it was a show that kept me staring at the stage from beginning to end, if only to enjoy Kevin's lovely legs.
The following week, Husband and I went to DAR Constitution Hall to see the Shins (got the tickets at a not-unreasonable mark-up though ebay) and, while we had a perfectly lovely date, the band is at a crucial tipping point that may well expose their limits. The albums are great (the new one isn't holding up as well after these first weeks of intense play) but the hall was too big for the band. Opening act, Viva Voce, made a good first impression - a White Stripes in reverse with a hot shot girl guitarist/singer and a passive guy drummer - but the effect wore off quickly. By the time they got to "We Don't Fuck Around," the novelty was wearing thin, as were the lyrics.
And then Grace and I had the supreme good fortune to be offered tickets to see The Decemberists and My Brightest Diamond at the gorgeous Strathmore Concert Hall, courtesy of MBD's label. I knew Grace was into it when, two songs into MBD's set, she turned to me and asked, "do we have this album?" (Yes, courtesy of my emusic subscription). In fact, it was the rare case when you wished the opening act had more time to stretch out. After a half hour, we were just getting into it.
And oh, Decemberists...! You are a literate college geek's musical joy. And though I may not love "The Crane's Wife" as much as the previous two CDs, it still has wonderful moments, like the propulsive Talking Heads-ian rhythms of "The Perfect Crime." Though I had seen the band in concert before, Grace was enjoying the theatrical pantomime of "Mariner's Song" for the first time, and her joy, like the band's, was contagious. Well played, Decmeberists. Well-played. I had just my little camera, so the pic (TK) is for souvenir purposes only.
And now back to the O/CD Project, long fallow...
Paid Actual Cash:
1. ARCADE FIRE – Neon Bible (Merge)
The rarest of purchases for me – preordered online. I don’t like risking that I won't have a long-awaited CD on the day of release, but the Merge site had such a good deal - $15 for the deluxe edition, free shipping, plus some bonus stuff (the poster and label sticker weren’t such a big deal when I saw them). Better yet, the CD actually arrived on the Monday before the album hit stores. And yes, you can believe the hype. So good!
2. The HOLD STEADY – Boys and Girls in America (Vagrant)
This month’s $6.99 auto-delivery from yourmusic.com. I could swear that Springsteen’s keyboard player was on this album, and the lead singer/songwriter certainly channels vintage Boss with his storylines of young love among the American lower middle class. Hearing all the songs in one sitting can be exhausting (which Bruce never was) but there’s some fine material here.
3. MOJO Presents Love Will Tear You Apart
It’s subtitled “15 hand-picked songs of hurt, pain & despair” and yes, I was in a bad mood when I bought the magazine. Nina Simone, Sparklehorse, Jarvis Cocker, Elbow, Elliott Smith, Galaxie 500.
Also, given away at the Best Buy store:
4. The KILLERS – Read My Mind (Island)
Three remixes of the single, including one by the Pet Shop Boys.
The local thrift store charges only $1.50 for its used CDs so, if they’re not scuffed and scratched (do people treat their music so badly, or is it the rough shelf life on a thrift store that takes its toll?), you can take a chance on just about anything. Then, at the checkout, I discover that it’s half-price on everything, so here’s my 75-cent specials:
5. The PROCLAIMERS – Sunshine on Heath (Chrysalis)
6. TAKE THAT – Nobody Else (Arista)
Robbie Williams is listed in the credits for vocals, but not in the list of band members or on the cover, where there are just four brooding pretty boys. Now it appears that he may be rejoining the band for a reunion (ka-ching!) tour. “Back for Good” is a song that the girls sing out loud – and with deliberately overwrought emotion – in the car when they’re trying to drive us crazy. We pretend to be annoyed, but we actually find it endearing.
Back at the CD trade-in store:
7. VARIOUS ARTISTS – Shop (Patio Music)
The cover caught my eye – a crossword puzzle grid with the name of the artists worked into it. And since those names included Joe Strummer, Annie Lennox and The Rapture, it seemed like a safe bet for $2. There’s a couple of slicksters – Chris Botti and Steve Tyrell – but the overall Adult Alternative vibe makes it a good dinner-with-friends compilation.
More from the under-$2.oo discount pile:
8. ECHO & the BUNNYMEN – S/T (Sire)
I took it as a sign that I was grooving along to a “retro-future” remix of “Lips Like Sugar” as I drove to the CD trade-in store. Sometimes it’s fun to get into the WayBack machine and recall the days when Terry and I were young, together, childless and somewhat mad, living in New York City.
9. BJORK – Venus as a Boy (single)
99.9% sure I have this already, but I couldn’t take the chance to miss out on six tracks, including two unavailable on the full-length CD.
10. BJORK – Big Time Sensuality (single)
75% sure I have this (who can keep track of all Bjork’s remix singles?!) but there’s five tunes, including rarities and remixes. Cheaper than a cup of Starbucks!
11. BJORK – Hyperballad (single)
This one I’m pretty sure I don’t have, which is good since there’s only four tracks here (those longer EPs spoiled me).
12. OF MONTREAL – 7-track sampler (Polyvinyl)
Purchased in prep for the band’s appearance at The State Theatre on March 6th (yep, that’s how far behind the list is!).
13. MIXEL PIXEL – Music for Plants (Kanine Records)
Released in October of last year, but sent as part of my research for the Post preview. They cite Influences – Pink Floyd, Velvet Underground (they say VU), The Flaming Lips and (who can tell me about…?) Quinton & Mrs. Pussycat.
What once were advances are now imminent:
14. CHUCK BROWN – We’re About the Business (Raw Venture Records & Tapes)
15. RYAN SHAW – This is Ryan Shaw (Columbia)
16. SON VOLT – The Search (Transmit Sound/Legacy)
17. KLAXONS – Myths of the Near Future (DGC)
18. RODDY HART – Bookmarks (Compass Records)
19. UMPHREY’S McGEE – The Bottom Half (SCI)
20.MIDNIGHT MOVIES – Lion the Girl (New Line Records)
21. BLACTOP MOURNING – No Regret (T-Recs)
The band was discovered on myspace and signed by Counting Crow Adam Duritz for his new Tyrannosaurus Records label. He also sings on four tracks. Angsty lyrics, rockin’ rhythms, quite at home in our Panic! At The Disco/Fall Out Boy world, though with a bit more of a classic rock sound.
Recent Releases:
22. FULTON LIGHTS – S/T (Android Eats Records)
PR compares them to Massive Attack, John Cale, Grizzly Bear and the Tindersticks. I saw a variation of the band play in NYC last year and was mightily impressed. Also liked the main guy’s previous outfits – John Guilt and Maestro Echoplex. Great sample lyric (from “The Sound of the City”): “New York is the city that never…shuts up.”
23. SIA – Lady Croissant (Astralwerks)
24. The STOOGES – The Weirdness (Virgin)
25. DOYLE LAWSON & QUICKSILVER – More Behind the Picture Than the Wall (Rounder)
A duplicate, official version of a CD I got in advance form a few weeks ago,
YTD Total: 90
Thursday, March 29, 2007
"The Evening Was Purely Orgasmic"
A publicist sent out this posting from a blog...
He's promoting the upcoming release from a former member of Savage Garden, an act referred to in my home as the Koala Boys, since their music had as much edge as a marshmallow.
"The concert was amazing! Darren has a way of interacting with the audience that makes you feel like you are his best friend; he shares the most intimate, energetic, blissful, and painful experiences of his life through his music. His first single to be released Step Into the Light features the lyric "I've never been in love before" which paves they way into the emotional and personal journey of his new album. His dance singles are incredible, one in which he mixes Rock me Amadeus -- a excellent throwback into the 80's synth revolution. But perhaps my favorite was How to Build a Time Machine -- the title alone gives me tingles. Words, another track from his new album, ripped my heart out in a way that only he could. But the absolute best was Me Myself and I which, let me tell you, has to be played in every dance club come the release in August. One of my favorite moments was when Darren was speaking to the audience and accidentally introduced the wrong song. "Forgive me, I don't have my glasses on. I have glasses now ... and I'm gay." This is met by thunderous applause, followed by "Yes, I look quite nice in glasses." The evening was purely orgasmic, followed by Vicki and I meeting Darren. He was sooooo sweet and his husband Richard is adorable. Let me tell you, this album is going to be Insatiable. And can I just brag once more, I hugged Darren Hayes tonight!!!! :)"
He's promoting the upcoming release from a former member of Savage Garden, an act referred to in my home as the Koala Boys, since their music had as much edge as a marshmallow.
"The concert was amazing! Darren has a way of interacting with the audience that makes you feel like you are his best friend; he shares the most intimate, energetic, blissful, and painful experiences of his life through his music. His first single to be released Step Into the Light features the lyric "I've never been in love before" which paves they way into the emotional and personal journey of his new album. His dance singles are incredible, one in which he mixes Rock me Amadeus -- a excellent throwback into the 80's synth revolution. But perhaps my favorite was How to Build a Time Machine -- the title alone gives me tingles. Words, another track from his new album, ripped my heart out in a way that only he could. But the absolute best was Me Myself and I which, let me tell you, has to be played in every dance club come the release in August. One of my favorite moments was when Darren was speaking to the audience and accidentally introduced the wrong song. "Forgive me, I don't have my glasses on. I have glasses now ... and I'm gay." This is met by thunderous applause, followed by "Yes, I look quite nice in glasses." The evening was purely orgasmic, followed by Vicki and I meeting Darren. He was sooooo sweet and his husband Richard is adorable. Let me tell you, this album is going to be Insatiable. And can I just brag once more, I hugged Darren Hayes tonight!!!! :)"
Thursday, March 08, 2007
Clearing the Decks...
Just a quick hit tonight, while I enjoy "30 Rock," in an effort to bring things up to date.
Here are the latest Washington Post previews:
Alexandria Symphony Orchestra
Of Montreal
Liz Carroll and John Doyle
And the next one resumes the long-lost CD Aquisition Year-to-Date tally.
The show in question - two local acts at the Barns of Wolf Trap - Fighting Gravity and the Niki Barr Band
The management for these two acts is really on the case. Prompt reply to my emails, overnight delivery of the CDs – some of them including bonus discs of additional press materials. Funny, though, only B&W pics sent digitally.
1.NIKI BARR – Lush (Self-released)
Extra CD with reviews, photos, and video materials
2.NIKI BARR – Go (Self-released)
Bonus DVD of her Armed Forces Entertainment Tour in 2006
3.FIGHTING GRAVITY – Blue Sky & Black (self-released)
4.FIGHTING GRAVITY – Blue Sky & Black (self-released)
Different edition, this one with a CD of acoustic tracks from the band’s archives and demos of the studio CD, plus an electronic press pack.
Next week's Post previews (you heard it here first):
5. UNCLE EARL – Waterloo, Tennessee (Rounder)
Out next week (March 13th) as will be my interview/preview. The all g'Earl string band is playing the Birchmere on the 16th, promoting a lovely new CD that was produced by Led Zeppelin's John Paul Jones. An odd pairing, but we had fun talking about how four strong women related to the former heavy metal wild man.
6. BOX - Just a Phase (Boy Dog Records)
"The band of busy beavers" is playing a show at the Firehouse Grill on St. Patty's Day. I woder how many members of the audience will really hear the words of "Lezzies for the Lord"?
Also coming to town (though I didn't preview):
7.LOS LOBOS – Acoustic En Vivo (Los Lobos Records)
Appearing at the State Theatre tomorrow night, March 9th.
Two new winning additions to the shelves:
8. AIR – Pocket Symphonies (Astralwerks)
Played this one two times in a row last week on an evening drive home from the Jacks Mannequin show and loved the spacey vibe.
9.SANJAY MISHRA – Chateau Benares (Akar Music)
A good companion to the Air album, in a mellow “Music from the Hearts of Space” way. It’s chill without having that sleepy new age feel.
Stuff that just didn’t do it for me:
10. UNCLE MONK – S/T (Airday Records)
Tommy Ramone goes all acoustic country on your ass with Claudia Tienan.
11. KATHIE BAILLIE – Love’s Funny That Way (Aspirion)
Country pop shlock.
12. PORTER BLOCK – Suburban Sprawl (Engine Room Recordings)
I got a second copy of this CD, slightly different than the one that came last year (single mixes of two tracks, and a new one), but it doesn’t impress the second time around. The PR people stress comparisons to XTC and Fountains of Wayne, but not this is simple pop at best, not to those higher levels of either melody or cleverness.
13.MATTHEW RYAN - From a Late Night High Rise (00:02:59)
Written in response to the sentencing of his brother to 30 years in prison (there’s no mention of why) and the death of a good friend, the vibe here is pretty much as downcast as you’d expect.
Desperate times call for desperate measures. I don’t have anything to say about these albums yet, so let’s just make some lists...
Advances:
14. RICKY SKAGGS & BRUCE HORNSBY – Self-Titled (Sony Legacy)
Out March 20th.
15.MIDNIGHT MOVIES – Lion the Girl (New Line Records)
oops, sorry. Not sure of the release date.
16.DOYLE LAWSON & QUICKSILVER – More Behind the Picture Than the Wall (Rounder)
Out March 27.
17. PAM TILLIS – Rhinestoned (Stellar Cat)
Out April 17th.
Various Artists:
18.VARIOUS ARTISTS – Valentine’s Sampler (Arista)
Skews country with Brad Paisley, Martina McBride, et al. I think I’m getting soft, but I kinda like Paisley’s “Little Moments.”
19.VARIOUS ARTISTS – Find It. Try It. Buy It. Trade It.
Record & Tape Traders 3-act sampler of local music including The Sketches, who didn’t impress me live, but I’ll give ‘em a shot to prove me wrong.
And finally:
20.ADRIENNE YOUNG – Room to Grow (self-released?)
21. Q-BURNS ABSTRACT MESSAGE – Agave Nectar, Vol. 1 (Agave Records)
22. PAULSON – All At Once (Doghouse Records)
23.LEEROY STAGGER – Depression River (Boompa Records)
24.ANNE McCUE – Koala Motel (Messenger Records)
25.JESSE SYKES & The SWEET HEREAFTER – Like, Love, Lust & the Open Halls of the Soul (Barsuk)
26. ELISABETH AMES & the COUNTRYPOLITANS – Anytime (Ultrapolitan Records)
YTD Total: 65
Here are the latest Washington Post previews:
Alexandria Symphony Orchestra
Of Montreal
Liz Carroll and John Doyle
And the next one resumes the long-lost CD Aquisition Year-to-Date tally.
The show in question - two local acts at the Barns of Wolf Trap - Fighting Gravity and the Niki Barr Band
The management for these two acts is really on the case. Prompt reply to my emails, overnight delivery of the CDs – some of them including bonus discs of additional press materials. Funny, though, only B&W pics sent digitally.
1.NIKI BARR – Lush (Self-released)
Extra CD with reviews, photos, and video materials
2.NIKI BARR – Go (Self-released)
Bonus DVD of her Armed Forces Entertainment Tour in 2006
3.FIGHTING GRAVITY – Blue Sky & Black (self-released)
4.FIGHTING GRAVITY – Blue Sky & Black (self-released)
Different edition, this one with a CD of acoustic tracks from the band’s archives and demos of the studio CD, plus an electronic press pack.
Next week's Post previews (you heard it here first):
5. UNCLE EARL – Waterloo, Tennessee (Rounder)
Out next week (March 13th) as will be my interview/preview. The all g'Earl string band is playing the Birchmere on the 16th, promoting a lovely new CD that was produced by Led Zeppelin's John Paul Jones. An odd pairing, but we had fun talking about how four strong women related to the former heavy metal wild man.
6. BOX - Just a Phase (Boy Dog Records)
"The band of busy beavers" is playing a show at the Firehouse Grill on St. Patty's Day. I woder how many members of the audience will really hear the words of "Lezzies for the Lord"?
Also coming to town (though I didn't preview):
7.LOS LOBOS – Acoustic En Vivo (Los Lobos Records)
Appearing at the State Theatre tomorrow night, March 9th.
Two new winning additions to the shelves:
8. AIR – Pocket Symphonies (Astralwerks)
Played this one two times in a row last week on an evening drive home from the Jacks Mannequin show and loved the spacey vibe.
9.SANJAY MISHRA – Chateau Benares (Akar Music)
A good companion to the Air album, in a mellow “Music from the Hearts of Space” way. It’s chill without having that sleepy new age feel.
Stuff that just didn’t do it for me:
10. UNCLE MONK – S/T (Airday Records)
Tommy Ramone goes all acoustic country on your ass with Claudia Tienan.
11. KATHIE BAILLIE – Love’s Funny That Way (Aspirion)
Country pop shlock.
12. PORTER BLOCK – Suburban Sprawl (Engine Room Recordings)
I got a second copy of this CD, slightly different than the one that came last year (single mixes of two tracks, and a new one), but it doesn’t impress the second time around. The PR people stress comparisons to XTC and Fountains of Wayne, but not this is simple pop at best, not to those higher levels of either melody or cleverness.
13.MATTHEW RYAN - From a Late Night High Rise (00:02:59)
Written in response to the sentencing of his brother to 30 years in prison (there’s no mention of why) and the death of a good friend, the vibe here is pretty much as downcast as you’d expect.
Desperate times call for desperate measures. I don’t have anything to say about these albums yet, so let’s just make some lists...
Advances:
14. RICKY SKAGGS & BRUCE HORNSBY – Self-Titled (Sony Legacy)
Out March 20th.
15.MIDNIGHT MOVIES – Lion the Girl (New Line Records)
oops, sorry. Not sure of the release date.
16.DOYLE LAWSON & QUICKSILVER – More Behind the Picture Than the Wall (Rounder)
Out March 27.
17. PAM TILLIS – Rhinestoned (Stellar Cat)
Out April 17th.
Various Artists:
18.VARIOUS ARTISTS – Valentine’s Sampler (Arista)
Skews country with Brad Paisley, Martina McBride, et al. I think I’m getting soft, but I kinda like Paisley’s “Little Moments.”
19.VARIOUS ARTISTS – Find It. Try It. Buy It. Trade It.
Record & Tape Traders 3-act sampler of local music including The Sketches, who didn’t impress me live, but I’ll give ‘em a shot to prove me wrong.
And finally:
20.ADRIENNE YOUNG – Room to Grow (self-released?)
21. Q-BURNS ABSTRACT MESSAGE – Agave Nectar, Vol. 1 (Agave Records)
22. PAULSON – All At Once (Doghouse Records)
23.LEEROY STAGGER – Depression River (Boompa Records)
24.ANNE McCUE – Koala Motel (Messenger Records)
25.JESSE SYKES & The SWEET HEREAFTER – Like, Love, Lust & the Open Halls of the Soul (Barsuk)
26. ELISABETH AMES & the COUNTRYPOLITANS – Anytime (Ultrapolitan Records)
YTD Total: 65
Thursday, March 01, 2007
You Say It's Your Birthday?
It's my birthday, too, yeah!
My dear friend and web/book designer, Eric, created this image for me. It's Marcia the Martian, my mascot and alter-ego. Her/our motto: the pen is mightier than the ray gun!
I was trying to post all day yesterday, but blogger.com was giving me all kinds of error messages. Now that I'm older and wiser - and signed up (reluctantly) for their new Google-associated service - I seem to be back in business. So let's get to it! (We're not getting any younger!)
Time to clear the decks of accumulated musical miscellany. For one, we’ve been out a few times in the recent past, and have pictures to prove it.
After doing a Post preview about the Guggenheim Grotto, which included a lovely phone call with percussioinist/producer Shane Power, I saw the band at Jammin Java and was impressed again with the Irish trio’s quiet power.
They’re also effusively friendly folk, each offering a hug and easy chat to all comers, including yours truly.
Took Grace to see British pop sensation Lily Allen, and she didn’t disappoint at the 930 Club. A bundle of sassy energy, Allen’s live show stressed the reggae rhythms that flow more quietly throughout her debut CD, but the real fun is in her takin’ no BS from nobody lyrics, that are tough but charming and full of playful, cheeky humor.
Grace and her two-teen-pal posse were also smitten with Andrew of Jack’s Mannequin, whom we caught on the second of two nights, also at the 930 Club. He’s a talented, literate emo boy with a piano and a surprisingly big stage show (big but unobtrusive lighting rigs, a confetti explosion at show’s end) that underlined rather than undermined his melodious, heartfelt tunes. He also did a credible cover of Tom Petty’s “American Girl,” which scored well with the parental guardians there with their teenage daughters.
Thanks to the tall, wool-hatted dude who was helping clear the stage, I scored a set list from the show – Andrew’s own, pulled from his next-to-piano bench and still moist from his spilled drink. The girls were mightily impressed.
Openers Head Automatic had a sound designed to appeal to old Costello fanatic like myself – angular melodies, tight rhythms, snarled lyrics – but lead singer Daryl Palumbo put me off the band with his arrogant and f-bomb laden stage patter.
Grace thought he was drunk.
My dear friend and web/book designer, Eric, created this image for me. It's Marcia the Martian, my mascot and alter-ego. Her/our motto: the pen is mightier than the ray gun!
I was trying to post all day yesterday, but blogger.com was giving me all kinds of error messages. Now that I'm older and wiser - and signed up (reluctantly) for their new Google-associated service - I seem to be back in business. So let's get to it! (We're not getting any younger!)
Time to clear the decks of accumulated musical miscellany. For one, we’ve been out a few times in the recent past, and have pictures to prove it.
After doing a Post preview about the Guggenheim Grotto, which included a lovely phone call with percussioinist/producer Shane Power, I saw the band at Jammin Java and was impressed again with the Irish trio’s quiet power.
They’re also effusively friendly folk, each offering a hug and easy chat to all comers, including yours truly.
Took Grace to see British pop sensation Lily Allen, and she didn’t disappoint at the 930 Club. A bundle of sassy energy, Allen’s live show stressed the reggae rhythms that flow more quietly throughout her debut CD, but the real fun is in her takin’ no BS from nobody lyrics, that are tough but charming and full of playful, cheeky humor.
Grace and her two-teen-pal posse were also smitten with Andrew of Jack’s Mannequin, whom we caught on the second of two nights, also at the 930 Club. He’s a talented, literate emo boy with a piano and a surprisingly big stage show (big but unobtrusive lighting rigs, a confetti explosion at show’s end) that underlined rather than undermined his melodious, heartfelt tunes. He also did a credible cover of Tom Petty’s “American Girl,” which scored well with the parental guardians there with their teenage daughters.
Thanks to the tall, wool-hatted dude who was helping clear the stage, I scored a set list from the show – Andrew’s own, pulled from his next-to-piano bench and still moist from his spilled drink. The girls were mightily impressed.
Openers Head Automatic had a sound designed to appeal to old Costello fanatic like myself – angular melodies, tight rhythms, snarled lyrics – but lead singer Daryl Palumbo put me off the band with his arrogant and f-bomb laden stage patter.
Grace thought he was drunk.
Thursday, February 15, 2007
If Music Be the Food of Love...
We were snowed in on Valentine’s Day, second day in a row. Time to get warm by the fire and sort through all the new music that’s come my way in the last few weeks…
Here’s where I spent my own cash money:
1. The SHINS – Wincing the Night Away (SubPop)
Terry plays this just about every day, and it’s a tribute to this band that I haven’t gotten sick of it yet. Terry also tells me that he’s read a number of reviews slamming the Shins for getting big and experimental. I can hear that the sound’s a bit more polished, and there are more strings and keyboards than before, but it still sounds like the Shins to me, and it still sounds pretty damn good,
2. NELLIE McKAY – Pretty Little Head (Hungry Mouse/Sony/BMG)
I was surprised to see the Sony designation on the label. Didn’t those corporate weasels try to shut this release down? I bet I would really love Ms. McKay in concert – she’s a smartass, and I like that in my female singers (see Lily Allen). But this second release, like her debut, is a 2-disc set, and a lot of the songs sound like little throwaways, fun to entertain the concert crowd, and maybe they’re here as a souvenir of great night out, but a lot of them drift by without feeling fully formed.
3. VARIOUS ARTISTS – Different Strokes by Different Folks (Epic/Legacy)
From my yourmusic.com queue, and they’ve raised the price to $6.99 per, which just seems like so much more of a commitment than $5.99 somehow. Having seen this collection in the overpriced Starbucks racks, I will accept that this is still a deal and Terry was delighted’cause he’s a huge Sly fan. I thought he’d find the idea of redoing these classics blasphemous, but he loved it.
4. OF MONTREAL – Hissing Fauna, Are You The Destroyer? (Polyvinyl Record Co.)
This band will play the State Theatre in Falls Church on March 6, and I have my editor’s permission to preview the show. The CD, on first listen, had me grooving along and laughing out loud at the clever lyrics – for about the first half. And then it just got kind of annoying. I will revisit for the story, and hope to see the show. This release is just the tip of the iceberg for a band with a half dozen releases, so I’m betting they can put on a good show.
(After buying this neatly packaged CD at Best Buy for $10, I got a promo copy in the mail, but I will only list it once as I still have the purchased copy in the original shrink wrap, and intend to exchange it.)
5. JOHN MAYER – Continuum (Aware/Columbia)
Subtitled “Music by John Mayer” which adds a layer of pretense to the enterprise, but I will give the guy credit as a guitarist and occasionally great songwriter (“My Stupid Mouth”) with horrifying lapses in taste (“Daughters,” Jessica Simpson). Another yourmusic.com purchase.
6. SUFJAN STEVENS – Presents Songs for Christmas (Asthmatic Kitty)
Yeah, I know I’m far behind to be listing a Christmas CD now, but it is was, indeed, a 2007 purchase. I tried to special order this sweet little boxed set from my local Barnes & Noble in time for the Cool Yule compilation, but the store never got it in. I wound up buying it in early January through amazon.com so as not to miss out on the initial edition, with all the cute stickers and stuff. So it will be the first out of the box next November….
Traded for at the CD Cellar:
7. BREAKING and ENTERING – soundtrack (V2)
Music by Gabriel Yared and Underworld. At first listen, this seemed so soft as to be inconsequential, but I trust these artists to grow with time, and so they had in the second listen. A surprising change of pace for Underworld, known around our kitchen as the high NRG go-to act for boosting our lazy asses, but successful in its quiet grace.
From the $1.99 clearance bin:
8. HOPE OF THE STATES – Winter Riot Dust Rackets (Epic)
I may already have this CD single, but I couldn’t risk it. I have such fond memories of the band’s performance 2 years ago at CMJ, I’m hoping they will return sometime.
9. SHELBY LYNNE – Epic Recordings (Lucky Dog/Sony Music)
Having totally missed the point when they had her on the label, Epic trades in on Lynne’s hard-earned post-Epic credibility by reissuing some early tracks. They didn’t even bother with a nice cover shot or design above the clip art variety. A few keepers, but mostly generic tunes.
10. SPIRALING – Transmitter (Brizmuzik)
Wrote about this band many moons ago, working from a cheap advance, so I picked up this nicely designed official release.
11. VARIOUS ARTISTS – The Best of Broadway: The American Musical (Decca/Columba Broadway Masterworks)
No cover, so I didn’t know what was inside, but it turned out to be a 20+ collection of tracks of singalong fun, and it’s easy to skip the song from “Phantom of the Opera.”
INTERMISSION
This is all you need to know about this:
DIE HUNNS are about to hit the road in support of their new Volcom Entertainment album, “You Rot Me.”
Most of the albums sent to me are done so to pitch upcoming shows, so here’s a sampling of who’s coming to Town:
12.NANCI GRIFFITH – Ruby’s Torch (Rounder)
She’s written some lovely songs, but I’ve never been a big fan of her reedy voice, and it gets particularly squeaky on some of the tracks here – a collection of covert tunes. It’s a fans-only event as far as I can see. How can you not prefer the gruff contrast of Tom Waits’ grizzled voice on the original “Ruby’s Arms”? Anyway, for those who like this kind of thing, she’s playing the Birchmere on March 17th.
13. The BROKEN WEST - I Can't Go On, I'll Go On (Merge)
Yet another fine indie band and there are two chances to catch ‘em soon opening for other fine indie bands - March 23rd with the Walkmen, and
April 3rd with the Long Winters, both at Rock and Roll Hotel.
14. SHAW-BLADES – Influence (VH-1 Classics Records)
So here we have Tommy Shaw (of STYX) and Jack Blades (Night Ranger) and they, too, have recorded an album of cover songs, done in frighteningly similar style to the originals. Wasn’t the first version of Seals & Crofts’ “Summer Breeze” enough to last a lifetime? There’s a serviceable version of Steely Dan’s “Dirty Work,” but I still don’t get the point.
Playing at the Birchmere on March 26th.
15. RICHARD BUCKNER – Meadow (Merge)
Buckner will be appearing at the IOTA on February 19th, part of a US tour with Kent, OH's Six Parts Seven. Frankly, it’s the latter that’s got me intrigued. 6P7 just released Casually Smashed To Pieces (Suicide Squeeze Records) and will serve as both opening act and Buckner’s backing band. 6P7 creates instrumental music that has often been used in music beds for their syndicated programs) and has had friends like Modest Mouse, Iron and Wine, Pedro The Lion re-working some of their older songs. Here’s one called ”Stolen Moments” Coming to Jammin Java February 20th.
16. ERNIE HALTER – CONGRESS HOTEL (Rock Ridge Music)
His press bio says he’s got 72,000 friends on his MySpace and a live "tour van cam" with nightly webcasts of his concerts across the US. He also rounded up some choice players for his album, including Pete Thomas (from Elvis Costello's Attractions).
17. TONY LUCCA – Canyon Songs (Rock Ridge Music)
He’s a veteran of the Mickey Mouse Club, and was heavily inspired by the classic folkies of the Laurel and Beachwood Canyons, where most of this album was either written and or recorded. The trouble with being a singer/songwriter these days is finding a way to stand apart from the pack. How many James Taylors can there be? Lucca strikes me more as a Livingston Taylor – not a major talent, but capable and pleasant, sure to show the audience a good time.
And BTW...
THE YOUNG KNIVES CD “Voices of Animals and Men” was listed here before, and gets a US release through RykoDisc in March. And here’s a heads-up on them coming to town – the Black Cat, March 5th. Suprisingly, they’re playing the back stage.
Promos, but no tour dates ‘round here just yet:
18. CHUCK E. WEISS - 23rd & Stout (Cooking Vinyl)
Subtitled "Deranged Detective Mysteries," this is one for the offbeat, pseudo-jazz Tom Waits fans, of which I am one.
19. 8-BIT OPERATORS - The Music of Kraftwerk Performed on Vintage 8-Bit Video Game Systems (Astralwerks)
Sounds like a gimmick, right? And yeah, it kinda is, but it also zips – and blips – by with a bright bounce. Not something I would have rushed out to buy, but fun to have,
20. FUTURE CLOUDS & RADAR - S/T (??)
You gotta have balls to release a debut CD that runs across 2 discs, but this “polychromatic art-pop” band from Austin, TX makes it worth the listener’s time investment. Frontman and founder Robert Harrison's was in a garage rock band called Cotton Mather, and now he’s heading a group that brings out the Beatlesque harmonies and hooks, “Revolver” era.
YTD Total: 39
Here’s where I spent my own cash money:
1. The SHINS – Wincing the Night Away (SubPop)
Terry plays this just about every day, and it’s a tribute to this band that I haven’t gotten sick of it yet. Terry also tells me that he’s read a number of reviews slamming the Shins for getting big and experimental. I can hear that the sound’s a bit more polished, and there are more strings and keyboards than before, but it still sounds like the Shins to me, and it still sounds pretty damn good,
2. NELLIE McKAY – Pretty Little Head (Hungry Mouse/Sony/BMG)
I was surprised to see the Sony designation on the label. Didn’t those corporate weasels try to shut this release down? I bet I would really love Ms. McKay in concert – she’s a smartass, and I like that in my female singers (see Lily Allen). But this second release, like her debut, is a 2-disc set, and a lot of the songs sound like little throwaways, fun to entertain the concert crowd, and maybe they’re here as a souvenir of great night out, but a lot of them drift by without feeling fully formed.
3. VARIOUS ARTISTS – Different Strokes by Different Folks (Epic/Legacy)
From my yourmusic.com queue, and they’ve raised the price to $6.99 per, which just seems like so much more of a commitment than $5.99 somehow. Having seen this collection in the overpriced Starbucks racks, I will accept that this is still a deal and Terry was delighted’cause he’s a huge Sly fan. I thought he’d find the idea of redoing these classics blasphemous, but he loved it.
4. OF MONTREAL – Hissing Fauna, Are You The Destroyer? (Polyvinyl Record Co.)
This band will play the State Theatre in Falls Church on March 6, and I have my editor’s permission to preview the show. The CD, on first listen, had me grooving along and laughing out loud at the clever lyrics – for about the first half. And then it just got kind of annoying. I will revisit for the story, and hope to see the show. This release is just the tip of the iceberg for a band with a half dozen releases, so I’m betting they can put on a good show.
(After buying this neatly packaged CD at Best Buy for $10, I got a promo copy in the mail, but I will only list it once as I still have the purchased copy in the original shrink wrap, and intend to exchange it.)
5. JOHN MAYER – Continuum (Aware/Columbia)
Subtitled “Music by John Mayer” which adds a layer of pretense to the enterprise, but I will give the guy credit as a guitarist and occasionally great songwriter (“My Stupid Mouth”) with horrifying lapses in taste (“Daughters,” Jessica Simpson). Another yourmusic.com purchase.
6. SUFJAN STEVENS – Presents Songs for Christmas (Asthmatic Kitty)
Yeah, I know I’m far behind to be listing a Christmas CD now, but it is was, indeed, a 2007 purchase. I tried to special order this sweet little boxed set from my local Barnes & Noble in time for the Cool Yule compilation, but the store never got it in. I wound up buying it in early January through amazon.com so as not to miss out on the initial edition, with all the cute stickers and stuff. So it will be the first out of the box next November….
Traded for at the CD Cellar:
7. BREAKING and ENTERING – soundtrack (V2)
Music by Gabriel Yared and Underworld. At first listen, this seemed so soft as to be inconsequential, but I trust these artists to grow with time, and so they had in the second listen. A surprising change of pace for Underworld, known around our kitchen as the high NRG go-to act for boosting our lazy asses, but successful in its quiet grace.
From the $1.99 clearance bin:
8. HOPE OF THE STATES – Winter Riot Dust Rackets (Epic)
I may already have this CD single, but I couldn’t risk it. I have such fond memories of the band’s performance 2 years ago at CMJ, I’m hoping they will return sometime.
9. SHELBY LYNNE – Epic Recordings (Lucky Dog/Sony Music)
Having totally missed the point when they had her on the label, Epic trades in on Lynne’s hard-earned post-Epic credibility by reissuing some early tracks. They didn’t even bother with a nice cover shot or design above the clip art variety. A few keepers, but mostly generic tunes.
10. SPIRALING – Transmitter (Brizmuzik)
Wrote about this band many moons ago, working from a cheap advance, so I picked up this nicely designed official release.
11. VARIOUS ARTISTS – The Best of Broadway: The American Musical (Decca/Columba Broadway Masterworks)
No cover, so I didn’t know what was inside, but it turned out to be a 20+ collection of tracks of singalong fun, and it’s easy to skip the song from “Phantom of the Opera.”
INTERMISSION
This is all you need to know about this:
DIE HUNNS are about to hit the road in support of their new Volcom Entertainment album, “You Rot Me.”
Most of the albums sent to me are done so to pitch upcoming shows, so here’s a sampling of who’s coming to Town:
12.NANCI GRIFFITH – Ruby’s Torch (Rounder)
She’s written some lovely songs, but I’ve never been a big fan of her reedy voice, and it gets particularly squeaky on some of the tracks here – a collection of covert tunes. It’s a fans-only event as far as I can see. How can you not prefer the gruff contrast of Tom Waits’ grizzled voice on the original “Ruby’s Arms”? Anyway, for those who like this kind of thing, she’s playing the Birchmere on March 17th.
13. The BROKEN WEST - I Can't Go On, I'll Go On (Merge)
Yet another fine indie band and there are two chances to catch ‘em soon opening for other fine indie bands - March 23rd with the Walkmen, and
April 3rd with the Long Winters, both at Rock and Roll Hotel.
14. SHAW-BLADES – Influence (VH-1 Classics Records)
So here we have Tommy Shaw (of STYX) and Jack Blades (Night Ranger) and they, too, have recorded an album of cover songs, done in frighteningly similar style to the originals. Wasn’t the first version of Seals & Crofts’ “Summer Breeze” enough to last a lifetime? There’s a serviceable version of Steely Dan’s “Dirty Work,” but I still don’t get the point.
Playing at the Birchmere on March 26th.
15. RICHARD BUCKNER – Meadow (Merge)
Buckner will be appearing at the IOTA on February 19th, part of a US tour with Kent, OH's Six Parts Seven. Frankly, it’s the latter that’s got me intrigued. 6P7 just released Casually Smashed To Pieces (Suicide Squeeze Records) and will serve as both opening act and Buckner’s backing band. 6P7 creates instrumental music that has often been used in music beds for their syndicated programs) and has had friends like Modest Mouse, Iron and Wine, Pedro The Lion re-working some of their older songs. Here’s one called ”Stolen Moments” Coming to Jammin Java February 20th.
16. ERNIE HALTER – CONGRESS HOTEL (Rock Ridge Music)
His press bio says he’s got 72,000 friends on his MySpace and a live "tour van cam" with nightly webcasts of his concerts across the US. He also rounded up some choice players for his album, including Pete Thomas (from Elvis Costello's Attractions).
17. TONY LUCCA – Canyon Songs (Rock Ridge Music)
He’s a veteran of the Mickey Mouse Club, and was heavily inspired by the classic folkies of the Laurel and Beachwood Canyons, where most of this album was either written and or recorded. The trouble with being a singer/songwriter these days is finding a way to stand apart from the pack. How many James Taylors can there be? Lucca strikes me more as a Livingston Taylor – not a major talent, but capable and pleasant, sure to show the audience a good time.
And BTW...
THE YOUNG KNIVES CD “Voices of Animals and Men” was listed here before, and gets a US release through RykoDisc in March. And here’s a heads-up on them coming to town – the Black Cat, March 5th. Suprisingly, they’re playing the back stage.
Promos, but no tour dates ‘round here just yet:
18. CHUCK E. WEISS - 23rd & Stout (Cooking Vinyl)
Subtitled "Deranged Detective Mysteries," this is one for the offbeat, pseudo-jazz Tom Waits fans, of which I am one.
19. 8-BIT OPERATORS - The Music of Kraftwerk Performed on Vintage 8-Bit Video Game Systems (Astralwerks)
Sounds like a gimmick, right? And yeah, it kinda is, but it also zips – and blips – by with a bright bounce. Not something I would have rushed out to buy, but fun to have,
20. FUTURE CLOUDS & RADAR - S/T (??)
You gotta have balls to release a debut CD that runs across 2 discs, but this “polychromatic art-pop” band from Austin, TX makes it worth the listener’s time investment. Frontman and founder Robert Harrison's was in a garage rock band called Cotton Mather, and now he’s heading a group that brings out the Beatlesque harmonies and hooks, “Revolver” era.
YTD Total: 39
Thursday, February 08, 2007
It's Pazz and Jop Time Again
The annual Village Voice Critics Poll came out this week, and – as this is the one poll I’ve participated in for the past 15 years or so - it’s always fun to see what their broad selection (dozens, maybe even hundreds) of music writers considers the best of the year. You can see the overall results here and, if you like, my personal ballot.
Part of the fun is seeing where my picks stand as regards the top ranked CDs. Am I still plugged in? Am I hip to what’s happening? What’s my street cred, dawg? As usual, I’m on the softer side of Sears.
While I was part of the herd for albums like The Decemberists (I still feel bad for leaving them off my list last year), The Thermals and Regina Spektor, all of whom placed in the Top 50, there’s two discs in the Top 10 that I wouldn’t know if they licked my face (more likely they’d just call me names) – Ghostface Killah andClipse. No, I’m just not the hip-hop type, and since I have to buy the majority of my mainstream market CDs, I don’t hear a lot of that brand of buzz stuff. Only 9 other critics joined with me in giving props to Josh Ritter, and no one else at all placed Matt Nathanson, World/Inferno Friendship Society , The Cat Empire or Teitur
in their Top 10.
I was more in tune with the pack on the singles, since those get airplay in the general marketplace. I was in on the #1 single with everybody else –Gnarls Barkley’s “Crazy.” But the success of that group really reinforces my position in a way. It’s a rare hip-hop record indeed that reaches across the demographic (even more than racial) divide to grab me. The single I stood totally alone in praising was The Editors’ “Munich,” but the tally says that a few people had chosen it in 2005.
Does this all mean that, ultimately, I’m more of a pop girl than a rock chick? Nah. I just like what I like.
Part of the fun is seeing where my picks stand as regards the top ranked CDs. Am I still plugged in? Am I hip to what’s happening? What’s my street cred, dawg? As usual, I’m on the softer side of Sears.
While I was part of the herd for albums like The Decemberists (I still feel bad for leaving them off my list last year), The Thermals and Regina Spektor, all of whom placed in the Top 50, there’s two discs in the Top 10 that I wouldn’t know if they licked my face (more likely they’d just call me names) – Ghostface Killah andClipse. No, I’m just not the hip-hop type, and since I have to buy the majority of my mainstream market CDs, I don’t hear a lot of that brand of buzz stuff. Only 9 other critics joined with me in giving props to Josh Ritter, and no one else at all placed Matt Nathanson, World/Inferno Friendship Society , The Cat Empire or Teitur
in their Top 10.
I was more in tune with the pack on the singles, since those get airplay in the general marketplace. I was in on the #1 single with everybody else –Gnarls Barkley’s “Crazy.” But the success of that group really reinforces my position in a way. It’s a rare hip-hop record indeed that reaches across the demographic (even more than racial) divide to grab me. The single I stood totally alone in praising was The Editors’ “Munich,” but the tally says that a few people had chosen it in 2005.
Does this all mean that, ultimately, I’m more of a pop girl than a rock chick? Nah. I just like what I like.
Sunday, February 04, 2007
Things I Learned This Weekend
Even when I'm not "working," music is everywhere, and stuff I want to share/learn more about sneaks up on me, as it did throughout this weekend.
Last night, killing time while waiting for "Saturday Night Live" (wanted to see Lily Allen, and she was worth it), I pulled an old promo VHS out of the box to watch while doing other tasks and grabbed "Swing," a British film starring pop thrush Lisa Stanfield in a "wildly hilarious" (not) movie that also featured the E Street Band's Clarence Clemons. It wasn't much of a plot - guy gets out of prison, puts together a swing band, and wins back the girl who married the cop who put him away. Stanfield has a nice voice, and the soundtrack offered some Louis Jordan, too. Must remember to check into some old swing sounds...
Speaking of soundtracks, am on the lookout for the score to "Babel," a wonderful film the hubby and I caught up with on Friday night. Not as depressing as I feared, and full of heart-breaking moments to remind us of our common vulnerability in this fearful modern world. Beauitful music throughout.
Today, I reached back into the video box and found a promotional tape from the Sundance Film Channel with three episodes of the series "Keeping Time," about American roots music. The first episode had a long look at Nickel Creek, including a great live cover of Nirvana. Another band I need to find out more about. Also fun to see a segment on small labels with plenty of shots from SXSW, which I would like to attend some day.
And now, I've got "Extras" on, with Chris Martin taking a fine piss out of himself to promote the new Coldplay greatest hits collection. Since I've been attempting to organize the photo collection this weekend, I have handy two shots of Mr. Martin, taken at a long-ago HFS-tival. One is a stage shot....
The other picture is, for me, testimony to his good guy-ness. I was in the backstage bowels of RFK Stadium when the band came running by, headed for the stage, about to perform in front of a crowd of 50,000, previewing new material from the "X &Y" album, which was still weeks off. One of the young teens I was with took off after the band, running alongside them and trying to say hello. I tried, but couldn't stop her, and was steeling myself for some kind of negative response - which I could see as deserved, given the high anxiety of those last pre-stage moments. Instead, Chris Martin noticed my young friend, stopped in his tracks and asked "would you like a picture?" And she quickly passed the camera off (to me? to my daughter?) to capture a golden Kodak moment. So here's to you, Chris Martin. Maybe I didn't think "X & Y" was a riveting piece of work, but you've still got soul in my book...
Can't talk about this weekend in music without mentioning Prince at the Super Bowl. Points for a trooper who will put it all out there even with in a downpour - which made "Purple Rain" all that more effecting. And while we didn't get the butt-less trousers, that little trick he pulled, playing behind a scrim which made his guitar even more of a phallic symbol, kept alive the tradition of "WTF?!" Super Bowl musical moments.
Another piece of music news I discovered tonight, upon perusal of the James Brown memorial issue of Rolling Stone, is that my hands-down favorite contemporary music writer, Rob Sheffield, has a book out. This guy is laugh-out-loud funny in his regular columns for the magazine, and the one time I met him - at a CMJ conference a few years back - he came across as a genuinely friendly, no-pretense kind o' guy. The book is called "Love is a Mix Tape," an ode to his late wife, the equally charming Renee Crist, whom I had one delightful dinner with ages ago on a visit to LA. I can't wait to read it - going to Barnes and Noble tomorrow. (Flirted with amazon, but want Rob to get every penny he can.) His column ends with what appears to be an emal link, but it actually just takes you to the RS web site, so I couldn't send him a cyber note of congratulations.
Actually, I did take care of a little bizniz this weekend. Updated the closepersonalfriend web site to include the latest music previews for the washington post:
The Guggenheim Grotto at Jammin Java
Lennex, HumanRoom, et al at Arlington Cinema ‘n’ Drafthouse
I'm way behind on the O/CD tally, but here's a few new ones, with more to follow soon (they're piling up!)
1. SONDRE LERCHE and the FACES DOWN - Phantom Punch (Astralwerks)
Much as I love Lerche, his latest (fourth) full-length album, isn’t doing it for me. He recorded with his Faces Down band, several songs captured live in one take, and he’s clearly going for a more aggressive sound. And that’s the trick. “I didn’t want to be subtle this time around,” he says in the press kit, “I wanted every song to jump out of the speakers.”
Producer Tony Hoffer has worked with Beck, Belle & Sebastian and Marianne Faithful, but here he's more in his Supergrass mode. The problem for me is that Lerche is so charming and distinctive in his classic songbook pop mode, why would he want to trade it for a dime-a-dozen rock sound?
Due February 6th
2. LOST IN THE TREES - Time Haunts Me (Trekky Records)
This is a solo CD from Ari Picker, leader of The Never, who released a storybook album, “Antarctica” (with artwork by Picker), last year. It was quite lovely - as is this one, a compilation of songs, written over the last 7 years, that tends toward the more solemn and personal. A guy who’s spent time at Berklee College of Music in Boston, Picker has a classical flourish to his songwriting and used a 9-piece backing orchestra for this, including violins, viola, cello, upright bass, trombone, melodica and banjo. A nice change of pace. Here’s a link to the track ”Tall Trees”
Due March 20th.
3. The GUGGENHEIM GROTTO - ...Waltxing Alone (UFO)
The afore-mentioned Post preview was one of those I pushed a bit harder for since I really wanted to cover the band. They'll be at Jammin Java this Wednesday and I expect to be there, camera in hand.
YTD Total: 19
Last night, killing time while waiting for "Saturday Night Live" (wanted to see Lily Allen, and she was worth it), I pulled an old promo VHS out of the box to watch while doing other tasks and grabbed "Swing," a British film starring pop thrush Lisa Stanfield in a "wildly hilarious" (not) movie that also featured the E Street Band's Clarence Clemons. It wasn't much of a plot - guy gets out of prison, puts together a swing band, and wins back the girl who married the cop who put him away. Stanfield has a nice voice, and the soundtrack offered some Louis Jordan, too. Must remember to check into some old swing sounds...
Speaking of soundtracks, am on the lookout for the score to "Babel," a wonderful film the hubby and I caught up with on Friday night. Not as depressing as I feared, and full of heart-breaking moments to remind us of our common vulnerability in this fearful modern world. Beauitful music throughout.
Today, I reached back into the video box and found a promotional tape from the Sundance Film Channel with three episodes of the series "Keeping Time," about American roots music. The first episode had a long look at Nickel Creek, including a great live cover of Nirvana. Another band I need to find out more about. Also fun to see a segment on small labels with plenty of shots from SXSW, which I would like to attend some day.
And now, I've got "Extras" on, with Chris Martin taking a fine piss out of himself to promote the new Coldplay greatest hits collection. Since I've been attempting to organize the photo collection this weekend, I have handy two shots of Mr. Martin, taken at a long-ago HFS-tival. One is a stage shot....
The other picture is, for me, testimony to his good guy-ness. I was in the backstage bowels of RFK Stadium when the band came running by, headed for the stage, about to perform in front of a crowd of 50,000, previewing new material from the "X &Y" album, which was still weeks off. One of the young teens I was with took off after the band, running alongside them and trying to say hello. I tried, but couldn't stop her, and was steeling myself for some kind of negative response - which I could see as deserved, given the high anxiety of those last pre-stage moments. Instead, Chris Martin noticed my young friend, stopped in his tracks and asked "would you like a picture?" And she quickly passed the camera off (to me? to my daughter?) to capture a golden Kodak moment. So here's to you, Chris Martin. Maybe I didn't think "X & Y" was a riveting piece of work, but you've still got soul in my book...
Can't talk about this weekend in music without mentioning Prince at the Super Bowl. Points for a trooper who will put it all out there even with in a downpour - which made "Purple Rain" all that more effecting. And while we didn't get the butt-less trousers, that little trick he pulled, playing behind a scrim which made his guitar even more of a phallic symbol, kept alive the tradition of "WTF?!" Super Bowl musical moments.
Another piece of music news I discovered tonight, upon perusal of the James Brown memorial issue of Rolling Stone, is that my hands-down favorite contemporary music writer, Rob Sheffield, has a book out. This guy is laugh-out-loud funny in his regular columns for the magazine, and the one time I met him - at a CMJ conference a few years back - he came across as a genuinely friendly, no-pretense kind o' guy. The book is called "Love is a Mix Tape," an ode to his late wife, the equally charming Renee Crist, whom I had one delightful dinner with ages ago on a visit to LA. I can't wait to read it - going to Barnes and Noble tomorrow. (Flirted with amazon, but want Rob to get every penny he can.) His column ends with what appears to be an emal link, but it actually just takes you to the RS web site, so I couldn't send him a cyber note of congratulations.
Actually, I did take care of a little bizniz this weekend. Updated the closepersonalfriend web site to include the latest music previews for the washington post:
The Guggenheim Grotto at Jammin Java
Lennex, HumanRoom, et al at Arlington Cinema ‘n’ Drafthouse
I'm way behind on the O/CD tally, but here's a few new ones, with more to follow soon (they're piling up!)
1. SONDRE LERCHE and the FACES DOWN - Phantom Punch (Astralwerks)
Much as I love Lerche, his latest (fourth) full-length album, isn’t doing it for me. He recorded with his Faces Down band, several songs captured live in one take, and he’s clearly going for a more aggressive sound. And that’s the trick. “I didn’t want to be subtle this time around,” he says in the press kit, “I wanted every song to jump out of the speakers.”
Producer Tony Hoffer has worked with Beck, Belle & Sebastian and Marianne Faithful, but here he's more in his Supergrass mode. The problem for me is that Lerche is so charming and distinctive in his classic songbook pop mode, why would he want to trade it for a dime-a-dozen rock sound?
Due February 6th
2. LOST IN THE TREES - Time Haunts Me (Trekky Records)
This is a solo CD from Ari Picker, leader of The Never, who released a storybook album, “Antarctica” (with artwork by Picker), last year. It was quite lovely - as is this one, a compilation of songs, written over the last 7 years, that tends toward the more solemn and personal. A guy who’s spent time at Berklee College of Music in Boston, Picker has a classical flourish to his songwriting and used a 9-piece backing orchestra for this, including violins, viola, cello, upright bass, trombone, melodica and banjo. A nice change of pace. Here’s a link to the track ”Tall Trees”
Due March 20th.
3. The GUGGENHEIM GROTTO - ...Waltxing Alone (UFO)
The afore-mentioned Post preview was one of those I pushed a bit harder for since I really wanted to cover the band. They'll be at Jammin Java this Wednesday and I expect to be there, camera in hand.
YTD Total: 19
Sunday, January 28, 2007
OMG! MTV is playing music videos again
Back in The Day, Sunday night was when you heard all the good stuff. Back in NYC, there was Vin Scelsa's "Idiot's Delight" radio show; here in DC, HFS played local music and new releases and true alternatives. And MTV had "120 Minutes," where you could watch the more interesting new stuff from the American indie and underground scenes, plus breaking British stuff. But now, thanks to the teen in the house, I've found MTV2's "Subterranean," where I've just seen videos by The Shins, Postal Service, Beck and now, Interpol. Awright!
I haven't put up any photos in a while, so let me get out these few from the England trip.
It turned out that our artist's sublet was not only in the hipster territory of Hoxton Square, but also literally around the corner from a live concert venue. We didn't realize it the first night, when Terry and I went to the bar for a few drinks, but behind a curtain past the bathrooms was a square room with space for about 100 people and a raised stage. I knew something was up when I saw five guys sporting guitars and teased hair leave with a rowdy entourage. Terry came out of the men's room a few moments later to tell me about the boorish boys he'd just encountered, comparing the size of their manhoods (boyhoods?). I immediately went on a fact-finding mission and discovered the venue area, where the bartender told me that the band in question was "crap" (he didn't know their name), but Amy Winehouse's brother (posters for Ms. Winehouse were all around town during our visit) had also performed that night and he was pretty good.
So, I checked into my copy of Time Out London and lo, the next night was a triple feature of Ghosts, Jesus Licks and Arthur Brick.
(Ooops. Perhaps I spoke too soon. This video station just played Fergie's "London Bridge" nonsense and now there's a trashy Latino pop video. I'm outta here.)
The way TO described the acts it seemed like a good way to spend a night, so we left the kids in the apartment (they had a chance to come, but were tired. HA! Let the old-timers show the kids how it's done) and headed over to the bar, where a mere 5 pound cover got us in.
Can't say much about Ghosts, since we arrived during the last song, but Jesus Licks was almost comically bad. Two men, who seemed to know how to play, and two women - the world's most listless drunmer, plus a "lead singer" whose voice was so fragile that I was reminded of my daughter's vocal recital, where most of the audience held its breath nervously for fear the singers might break and leave the stage crying. The sound - a wannabe Fairport Convention-style folk-rock - and its pained execution seemed better suited to an afternoon arts and crafts fair than a professional music club. Chances are, you'll never hear of them again, but here they are:
After the awkwardness of Jesus Licks, we toyed with leaving, but chose to give the headliner a chance and I'm glad we did. Arthur Brick was everything the other band wasn't - confident, accomplished, interesting. Made up of two older guys - one on stand-up bass, the other a Jack of many trades, mostly intriguing folk-y instruments - and two young snappers - one on drums and occasional rappy vocals, the other a keyboard/sampler and theremin wizard - the Brick (is there an Arthur in the bunch?) veered from a punky. somewhat Pogues-ian, tradtional sound to beat-dominated grooves that reminded me and hubby of Talking Heads. All in all, a happy discovery, and a band I'd like to know more about.
A visit to the band's not-very-intuitve web siteoffers links (if you can find 'em) to some sound samples.
I haven't put up any photos in a while, so let me get out these few from the England trip.
It turned out that our artist's sublet was not only in the hipster territory of Hoxton Square, but also literally around the corner from a live concert venue. We didn't realize it the first night, when Terry and I went to the bar for a few drinks, but behind a curtain past the bathrooms was a square room with space for about 100 people and a raised stage. I knew something was up when I saw five guys sporting guitars and teased hair leave with a rowdy entourage. Terry came out of the men's room a few moments later to tell me about the boorish boys he'd just encountered, comparing the size of their manhoods (boyhoods?). I immediately went on a fact-finding mission and discovered the venue area, where the bartender told me that the band in question was "crap" (he didn't know their name), but Amy Winehouse's brother (posters for Ms. Winehouse were all around town during our visit) had also performed that night and he was pretty good.
So, I checked into my copy of Time Out London and lo, the next night was a triple feature of Ghosts, Jesus Licks and Arthur Brick.
(Ooops. Perhaps I spoke too soon. This video station just played Fergie's "London Bridge" nonsense and now there's a trashy Latino pop video. I'm outta here.)
The way TO described the acts it seemed like a good way to spend a night, so we left the kids in the apartment (they had a chance to come, but were tired. HA! Let the old-timers show the kids how it's done) and headed over to the bar, where a mere 5 pound cover got us in.
Can't say much about Ghosts, since we arrived during the last song, but Jesus Licks was almost comically bad. Two men, who seemed to know how to play, and two women - the world's most listless drunmer, plus a "lead singer" whose voice was so fragile that I was reminded of my daughter's vocal recital, where most of the audience held its breath nervously for fear the singers might break and leave the stage crying. The sound - a wannabe Fairport Convention-style folk-rock - and its pained execution seemed better suited to an afternoon arts and crafts fair than a professional music club. Chances are, you'll never hear of them again, but here they are:
After the awkwardness of Jesus Licks, we toyed with leaving, but chose to give the headliner a chance and I'm glad we did. Arthur Brick was everything the other band wasn't - confident, accomplished, interesting. Made up of two older guys - one on stand-up bass, the other a Jack of many trades, mostly intriguing folk-y instruments - and two young snappers - one on drums and occasional rappy vocals, the other a keyboard/sampler and theremin wizard - the Brick (is there an Arthur in the bunch?) veered from a punky. somewhat Pogues-ian, tradtional sound to beat-dominated grooves that reminded me and hubby of Talking Heads. All in all, a happy discovery, and a band I'd like to know more about.
A visit to the band's not-very-intuitve web siteoffers links (if you can find 'em) to some sound samples.
Tuesday, January 23, 2007
One Pound = Two Dollars
And finally, for the O/CD project, here's the musical acquisitions from the Trip Across the Pond:
From the newsstand at the tube station:
1.VARIOUS ARTISTS - The Playlist Vol. 3 (Playmusic Magazine)
I thought I would load up on all my favorite British magazines and save money doing so, but with the awful dollar value, I would save very little $ and have to lug the extra weight, so I grabbed only this one, which I haven’t seen in the U.S. Grace immediately fell in love with the cute band on the cover, so I picked up the CD for her later in the trip.
At the TESCO Express across from Liverpool Station:
2. VARIOUS ARTISTS - NME: The Essential Bands
Why is it that the British do such good compilations? This 2-CD set cost me almost $25, but it is jam-packed with all the names I’ve been reading about, and offers genuine hits (now I don’t have to buy the only Killers single worth hearing from the new CD) and great new discoveries.
3. PAOLO NUTINI - These Streets (Atantic)
He’s young and he’s Scottish and he’s cute, so when I saw a good write-up – with nice photo – in a magazine some time ago, I “gave” him to my teenage neighbor/cat sister as her new boyfriend and promised to find the CD in our travels. He’s not bad – bright pop/rock with a bit more credibility than the usual pretty boys.
4. The AUTOMATIC - Not Accepted Anywhere (B-Unique/Polydor)
The cute band Grace spied on the cover of Playmusic magazine. The single “Monster” is silly rock fun.
At the HMV store in The Oracle, Reading:
5. GET CAPE. WEAR CAPE. FLY - The Chronicles of a Bohemian Teenager (Atlantic)
LOVED the band name, and the sticker promised a sound (Billy Bragg-ish) that I might like, so I took the chance.
6. LILY ALLEN - Still, Alright (Transgressive)
She’s a big star in Britain, and is about to launch her U.S. assault next month. Grace immediately took to her, and I like the sassy female vibe. She sounds bright and poppy, but listen closely and she’s telling off the boys in no uncertain terms, while celebrating a sunny day in London, watching crack whores and granny thieves at work. We like our ladies sweetly subversive.
7. The FRATELLIS - Costello Music (Drop the Sun Recordings)
Grace took to their song on the NME compilation, and the buzz was good, so we took another chance, and it paid off. Goofy but talented, with a distinctly British dance hall theatricality and juvenile (in a nice way) spunk, kinda like The Faces’ little brothers. Songs with whistling and engaging singalong ‘na-na-na” chorus and titles like "Vince the Loveable Stoner" and "Got Ma Nuts from a Hippy." What’s not to love?
8. SPIRITUALIZED - Amazing Grace (Sanctuary)
I've followed this band for awhile, but like them more in theory (great packaging) than in practice (I rarely listen through an entire CD). Since this title was on super-sale (2 pounds), I took another chance, but can't say a first listen changed my mind. Elements I liked, but not consistently.
9. The YOUNG KNIVES - Voices of Animals and Men (Transgressive)
When Terry came back from a trip to England last Novemeber, he said this was the band he kept hearing about. I found a single of theirs in the Tower records clearance and was quite taken with it, so the band was top o' the radar for this trip's music search. And the full CD lives up to my expectations - plenty of spiky hooks, odd detours and angular rhythms - real alternative rock.
10. DOCTOR WHO - Radio Times freebie (BBC Audiobooks)
Gifts from my British friends
11. JAMES BROWN - Funky Christmas (Polygram)
I have a variation of this album in another form – probably just the American release.
12. VARIOUS ARTISTS - In the City - Unsigned
Three discs of new alternative rock. Will be a challenge to know who’s who, since the iTunes playlist print-out stopped with disc one.
Virgin Records store at airport:
13. SCOTT MATTHEWS - Passing Strangers (San Remo)
Heard this playing in-store at the HMV in Reading, and thought it sounded neat, but the price was close to $20 American, and I had plenty of others to buy. Luckily, saw it again at the airport store for about $15, and am glad I brought it home. A soulful voice and a sweet vibe.
14. BASEMENT JAXX- The Singles (XL Recordings)
Gracie’s choice, and a great car album, full of fist-pumping fun. Favorite tracks: “Romeo” and “Where’s Your Head At?”
YTD total: 16
From the newsstand at the tube station:
1.VARIOUS ARTISTS - The Playlist Vol. 3 (Playmusic Magazine)
I thought I would load up on all my favorite British magazines and save money doing so, but with the awful dollar value, I would save very little $ and have to lug the extra weight, so I grabbed only this one, which I haven’t seen in the U.S. Grace immediately fell in love with the cute band on the cover, so I picked up the CD for her later in the trip.
At the TESCO Express across from Liverpool Station:
2. VARIOUS ARTISTS - NME: The Essential Bands
Why is it that the British do such good compilations? This 2-CD set cost me almost $25, but it is jam-packed with all the names I’ve been reading about, and offers genuine hits (now I don’t have to buy the only Killers single worth hearing from the new CD) and great new discoveries.
3. PAOLO NUTINI - These Streets (Atantic)
He’s young and he’s Scottish and he’s cute, so when I saw a good write-up – with nice photo – in a magazine some time ago, I “gave” him to my teenage neighbor/cat sister as her new boyfriend and promised to find the CD in our travels. He’s not bad – bright pop/rock with a bit more credibility than the usual pretty boys.
4. The AUTOMATIC - Not Accepted Anywhere (B-Unique/Polydor)
The cute band Grace spied on the cover of Playmusic magazine. The single “Monster” is silly rock fun.
At the HMV store in The Oracle, Reading:
5. GET CAPE. WEAR CAPE. FLY - The Chronicles of a Bohemian Teenager (Atlantic)
LOVED the band name, and the sticker promised a sound (Billy Bragg-ish) that I might like, so I took the chance.
6. LILY ALLEN - Still, Alright (Transgressive)
She’s a big star in Britain, and is about to launch her U.S. assault next month. Grace immediately took to her, and I like the sassy female vibe. She sounds bright and poppy, but listen closely and she’s telling off the boys in no uncertain terms, while celebrating a sunny day in London, watching crack whores and granny thieves at work. We like our ladies sweetly subversive.
7. The FRATELLIS - Costello Music (Drop the Sun Recordings)
Grace took to their song on the NME compilation, and the buzz was good, so we took another chance, and it paid off. Goofy but talented, with a distinctly British dance hall theatricality and juvenile (in a nice way) spunk, kinda like The Faces’ little brothers. Songs with whistling and engaging singalong ‘na-na-na” chorus and titles like "Vince the Loveable Stoner" and "Got Ma Nuts from a Hippy." What’s not to love?
8. SPIRITUALIZED - Amazing Grace (Sanctuary)
I've followed this band for awhile, but like them more in theory (great packaging) than in practice (I rarely listen through an entire CD). Since this title was on super-sale (2 pounds), I took another chance, but can't say a first listen changed my mind. Elements I liked, but not consistently.
9. The YOUNG KNIVES - Voices of Animals and Men (Transgressive)
When Terry came back from a trip to England last Novemeber, he said this was the band he kept hearing about. I found a single of theirs in the Tower records clearance and was quite taken with it, so the band was top o' the radar for this trip's music search. And the full CD lives up to my expectations - plenty of spiky hooks, odd detours and angular rhythms - real alternative rock.
10. DOCTOR WHO - Radio Times freebie (BBC Audiobooks)
Gifts from my British friends
11. JAMES BROWN - Funky Christmas (Polygram)
I have a variation of this album in another form – probably just the American release.
12. VARIOUS ARTISTS - In the City - Unsigned
Three discs of new alternative rock. Will be a challenge to know who’s who, since the iTunes playlist print-out stopped with disc one.
Virgin Records store at airport:
13. SCOTT MATTHEWS - Passing Strangers (San Remo)
Heard this playing in-store at the HMV in Reading, and thought it sounded neat, but the price was close to $20 American, and I had plenty of others to buy. Luckily, saw it again at the airport store for about $15, and am glad I brought it home. A soulful voice and a sweet vibe.
14. BASEMENT JAXX- The Singles (XL Recordings)
Gracie’s choice, and a great car album, full of fist-pumping fun. Favorite tracks: “Romeo” and “Where’s Your Head At?”
YTD total: 16
Thursday, January 18, 2007
The Latest Links
Today was a day to update the Close Personal Friend web site archives with the most recent articles I've written for the Washington Post. And, while I finish off the list of new music acquired in England, and that which was waiting for me upon my return, I share those links here, for your one-stop reading pleasure...
Bottle Rockets at IOTA Club and Cafe
Steep Canyon Rangers at State Theatre
Jimmie's Chicken Shack at Fat Tuesday's
The Grandsons at Clarendon Ballroom
And this one, from last year, 'cause it was fun to catch up with the man who once Blinded Me With Science:
Thomas Dolby, BT at the Birchmere
Bottle Rockets at IOTA Club and Cafe
Steep Canyon Rangers at State Theatre
Jimmie's Chicken Shack at Fat Tuesday's
The Grandsons at Clarendon Ballroom
And this one, from last year, 'cause it was fun to catch up with the man who once Blinded Me With Science:
Thomas Dolby, BT at the Birchmere
Friday, January 12, 2007
Greetings from the U.K.
Well, it's been six great days in the U.K. and we leave tomorrow. I have photos (on another computer) and stories to share, but there's no time now! Just wanted you all (whoever you are) that I haven't forgotten you.
Tune in later this weekend for on-stage pics of Jesus Licks (didn't like them), Arthur Brick (liked them quite a bit) and a list of cool new music collected abroad....
cheerio!
Tune in later this weekend for on-stage pics of Jesus Licks (didn't like them), Arthur Brick (liked them quite a bit) and a list of cool new music collected abroad....
cheerio!
Friday, January 05, 2007
Get The Party Started
I'm leaving for London tomorrow, for a week, to see the College Girl settled into her sping semester abroad. I tend to go into a nesting ritual before such trips, trying to put the entire house in order while I figure out what to pack. But I don't want to leave before dropping a few lines here.
I wanted to start the New Year off on the right foot, with something positive, but there wasn't a lot happening in my musical world the past few days, 'cept for being annoyed at the promo pic for the new Rolling Stone reality series, in which one of the two female wanna-be reporters is posed sitting up on the desk around which the male candidates are gathered, showing off her leggy, mini-skirted journalistic credentials. Perhaps I can plan to be out of the country every Sunday night.
But, as I said, it's too early in the year for bitchery. Thanks to an email from the PR folks at Tell All Your Friends, I found something much more fun to share. In touting a new act, Fujiya & Miyagi, whose "Transparent Things" comes out February 6th, the group included a link to a video of a dude named Charles dancing to the track, "Photocopier".
The link takes you to the YouTube collection of said Charles Dancing, a beefy young man who just lets his groove thing go in front of a camera, with "costume" (jeans and t-shirt) and "cinematography" that make the OK Go clip for "A Million Ways" look like "Lord of the Rings." He's loose and natural and throughly appealing, and I can see bands submitting songs to him just to see how he interprets them. Is Charles Dancing the next Viral Video hit?
In other press mailing news, the lovely people at Team Clermont have announced their new Digital Delivery service, and so will not be sending out hard copies of new CDs. Instead, they sent a link to a download of the new CD by The Couch and Four (I don't think I'm authorized to share it). As they said it:
" While there are certainly some drawbacks to moving away from sending physical promos, we can't help but be excited by these facets of our Digital Delivery plans:
* Cuts down on the expense and time it takes to mail
* Eliminates a substantial amount of waste from bubble mailers, bios, and the like
* Does not contribute to cluttering your office/apartment/house
* Allows for delivery of audio and biographical content in a convenient package"
I'll check it out, but I may still take them up on the promise to send physical copies to those who ask. And no, it's not a way to beef up the stack of stuff I sometimes take to the trade-in store. Call me old school - or just call me old - but as much as I love my iPod, I have a hard time keeping track of even those digital files I buy for myself out of genuine interest. I keep a stack of the new promo acquistions near the stereo and rotate a few each week into the car, so that I can just plug 'em in and test them out. And I still like looking at the covers, reading liner notes and gleaning what I can from the packages before/as I hear the music. Digital direct is the way of the future, sure, but that doesn't automatically mean it's always better.
Case in point, takes me to the first new musical acquisitons of the new year:
1. Arthur Dodge - The Perfect Face (Remedy Records)
An unexpected, but most welcome, surprise from YARRR! PR. A singer/songwriter with a a definite young Dylan vibe, less obstuse, more romantic and initially quite impressive.
2. Hero Pattern - The Deception EP (self-released?)
A little hint of early Elvis Costello rhythms and attitude (always a good thing) in a relatively generic alt-rock package.
And so, the Year-to-Date total (at least until I test out the Team Clermont offering) is...
YTD: 2
I wanted to start the New Year off on the right foot, with something positive, but there wasn't a lot happening in my musical world the past few days, 'cept for being annoyed at the promo pic for the new Rolling Stone reality series, in which one of the two female wanna-be reporters is posed sitting up on the desk around which the male candidates are gathered, showing off her leggy, mini-skirted journalistic credentials. Perhaps I can plan to be out of the country every Sunday night.
But, as I said, it's too early in the year for bitchery. Thanks to an email from the PR folks at Tell All Your Friends, I found something much more fun to share. In touting a new act, Fujiya & Miyagi, whose "Transparent Things" comes out February 6th, the group included a link to a video of a dude named Charles dancing to the track, "Photocopier".
The link takes you to the YouTube collection of said Charles Dancing, a beefy young man who just lets his groove thing go in front of a camera, with "costume" (jeans and t-shirt) and "cinematography" that make the OK Go clip for "A Million Ways" look like "Lord of the Rings." He's loose and natural and throughly appealing, and I can see bands submitting songs to him just to see how he interprets them. Is Charles Dancing the next Viral Video hit?
In other press mailing news, the lovely people at Team Clermont have announced their new Digital Delivery service, and so will not be sending out hard copies of new CDs. Instead, they sent a link to a download of the new CD by The Couch and Four (I don't think I'm authorized to share it). As they said it:
" While there are certainly some drawbacks to moving away from sending physical promos, we can't help but be excited by these facets of our Digital Delivery plans:
* Cuts down on the expense and time it takes to mail
* Eliminates a substantial amount of waste from bubble mailers, bios, and the like
* Does not contribute to cluttering your office/apartment/house
* Allows for delivery of audio and biographical content in a convenient package"
I'll check it out, but I may still take them up on the promise to send physical copies to those who ask. And no, it's not a way to beef up the stack of stuff I sometimes take to the trade-in store. Call me old school - or just call me old - but as much as I love my iPod, I have a hard time keeping track of even those digital files I buy for myself out of genuine interest. I keep a stack of the new promo acquistions near the stereo and rotate a few each week into the car, so that I can just plug 'em in and test them out. And I still like looking at the covers, reading liner notes and gleaning what I can from the packages before/as I hear the music. Digital direct is the way of the future, sure, but that doesn't automatically mean it's always better.
Case in point, takes me to the first new musical acquisitons of the new year:
1. Arthur Dodge - The Perfect Face (Remedy Records)
An unexpected, but most welcome, surprise from YARRR! PR. A singer/songwriter with a a definite young Dylan vibe, less obstuse, more romantic and initially quite impressive.
2. Hero Pattern - The Deception EP (self-released?)
A little hint of early Elvis Costello rhythms and attitude (always a good thing) in a relatively generic alt-rock package.
And so, the Year-to-Date total (at least until I test out the Team Clermont offering) is...
YTD: 2
Sunday, December 31, 2006
It's the End of the Year As We Know It
Okay, so I've been less than diligent in keeping the blog going this past/last month. The holidays kept me hopping, and the end of Tower Records (so sad to see you go, Red and Yellow Retail Wonder) had me scarfing up music at a rate that would have been hard to track while maintaining a real life. I estimate I bought nearly 200 CDs in the past month, as prices dropped to ridiculous lows. At the bittersweet end, full-length CDs were less than a buck each, and singles were 10 cents. I found stuff I'd been waiting for, made great discoveries, was free to experiment with bands I'd only heard about, and bought CDs just because I liked the covers. It'll take the next few weeks just to test them out, a lovely way to start the year (though I'd gladly have passed it up if it meant keeping the store open).
The CPF blog will be revamped in the new year. I resolve to obesess less and write more, true to the Blog Spirit. More photos, links, and reports from the music field as things happen. Here's to the Clean Slate, the Fresh Approach.
For the final entry of 2006, here's my ballot for the Village Voice Pazz and Jop Poll, which I sent off today, the final day to submit. (I love deadlines. I like the sound they make as they whoosh by!)
Top Ten Albums of the Year:
Josh Ritter - The Animal Years (V2)
The Decemberists – The Crane Wife (Capitol)
Jose Gonzalez – Veneer (Mute)
Regina Spektor – Begin to Hope (Sire)
Matt Nathanson – At the Point (Acrobat)
The Cat Empire (Velour)
Elbow - Leaders of the Free World (V2)
Teitur – Stay Under the Stars (Equator)
World/Inferno Friendship Society - Red-Eyed Soul (Chunksaah)
The Thermals – The Body the Blood the Machine (SubPop)
The Other Ones That Almost Made It:
Julian Velard – The Movies Without You (Saing)
Arctic Monkeys – Whatever You Say I Am… (Domino)
Scritti Politti – White Bread Black Bear (Nonesuch/Rough Trade)
Silversun Pickups – Carnavas (Dangerbird)
Thom Yorke – The Eraser (XL)
SINGLES:
Justin Timberlake – SexyBack (Jive)
Gnarls Barkley – Crazy (Downtown/Atlantic)
Neil Young – Let’s Impeach the President (Reprise)
My Chemical Romance – Welcome to The Black Parade (Reprise)
The Raconteurs – Steady As She Goes (V2)
Editors – Munich (Fader)
Green Day and U2 – The Saints are Coming (Universal/Mercury)
The Rapture – Get Myself Into It (Universal)
Keane – Is It Any Wonder (Island)
OK Go – Here It Goes Again (Capitol)
YTD: >1,000 I lost count, but with the Tower feeding frenzy, I'm sure I topped 1,000 CDs for the year.
Much as I love the jewel box approach, with all the digital downloading I've been doing lately - even labels are sending links to free mp3's rather than hard copies - I'm guessing we won't hit that mark in 2007.
But that's not to say we won't try!
Happy New Year, close personal friends. Peace.
The CPF blog will be revamped in the new year. I resolve to obesess less and write more, true to the Blog Spirit. More photos, links, and reports from the music field as things happen. Here's to the Clean Slate, the Fresh Approach.
For the final entry of 2006, here's my ballot for the Village Voice Pazz and Jop Poll, which I sent off today, the final day to submit. (I love deadlines. I like the sound they make as they whoosh by!)
Top Ten Albums of the Year:
Josh Ritter - The Animal Years (V2)
The Decemberists – The Crane Wife (Capitol)
Jose Gonzalez – Veneer (Mute)
Regina Spektor – Begin to Hope (Sire)
Matt Nathanson – At the Point (Acrobat)
The Cat Empire (Velour)
Elbow - Leaders of the Free World (V2)
Teitur – Stay Under the Stars (Equator)
World/Inferno Friendship Society - Red-Eyed Soul (Chunksaah)
The Thermals – The Body the Blood the Machine (SubPop)
The Other Ones That Almost Made It:
Julian Velard – The Movies Without You (Saing)
Arctic Monkeys – Whatever You Say I Am… (Domino)
Scritti Politti – White Bread Black Bear (Nonesuch/Rough Trade)
Silversun Pickups – Carnavas (Dangerbird)
Thom Yorke – The Eraser (XL)
SINGLES:
Justin Timberlake – SexyBack (Jive)
Gnarls Barkley – Crazy (Downtown/Atlantic)
Neil Young – Let’s Impeach the President (Reprise)
My Chemical Romance – Welcome to The Black Parade (Reprise)
The Raconteurs – Steady As She Goes (V2)
Editors – Munich (Fader)
Green Day and U2 – The Saints are Coming (Universal/Mercury)
The Rapture – Get Myself Into It (Universal)
Keane – Is It Any Wonder (Island)
OK Go – Here It Goes Again (Capitol)
YTD: >1,000 I lost count, but with the Tower feeding frenzy, I'm sure I topped 1,000 CDs for the year.
Much as I love the jewel box approach, with all the digital downloading I've been doing lately - even labels are sending links to free mp3's rather than hard copies - I'm guessing we won't hit that mark in 2007.
But that's not to say we won't try!
Happy New Year, close personal friends. Peace.
Saturday, December 02, 2006
Way to Go, Silversun Pickups!
As I started tap-typing away, the California quartet was tearing it up on Letterman and reminding me that I need to revisit the album. They’ve got a female bass player/support vocalist, and a fiery sound that moves from quiet to raucous in the same song, so the Pixies comparisons hold, but they’ve got their own twist in the mad doctor on the keyboards. Always nice to see a promising young band get a major break – but if they get huge, will I still be able to get into their show next year when they tour with Snow Patrol?
It was a quiet Friday night, so I gave myself a trip out to Tower records yet again, since they’ve now entered the 50% off stage (or more) on everything. I got there only about 40 minutes before closing, so it was a quick hit:
1. BRITISH SEA POWER – The Decline Of…(Rough Trade)
I had my eye on this one the last time I was at Tower, but decided to be frugal. A week later, another 10% off – and it was still there! – so I gave in.
2. BLONDIE – Parallel Lines (Capitol/Chrysalis)
Another one I had my eye on. And, for some lovely reason, after ringing it up for what I thought was the price ($6.50), the nice cashier dude goes back and re-enters it – for $2.50! The original breakthrough album, remastered, plus 4 bonus tracks, including a live take on “Bang a Gong.”
3. CHRISTINA AQUILERA – Ain’t No Other Man (RCA)
Singles are 70% off, so this was all of $1.50. It’s for my girl Gracie, who loves the tune. I think it’s catchy, but I can’t stand the fact that she rhymes “class” with “ass.” That was a joke in a song from the original “Chicago,” but such subtleties are not for the likes of Christina who, BTW, did a terrible job of lip-syncing at the Rockefeller Center tree lighting. And why did she get to sing her single when everyone else did a holiday song? Bah, humbug!
4. GORILLAZ – Kids with Guns (EMI)
I can’t imagine spending $8 for this 3-track single, but for $2.oo, I can surprise Grace, who’ll enjoy the new track (“Stop the Dams”) and the fold-out mini-poster of Noodle.
5. BEBEL GILBERTO – eponymous (Six Degrees)
There are some albums that are so horribly overstocked that the store is desparate to get them going. This album was in a bunch offered for a mere $4 each. She’s got that ultra-chill bossa-nova vibe.
6. VARIOUS ARTISTS – Christmas Remixed (Six Degrees)
The second volume of the world music label’s holiday series, which is becoming a new holiday classic. The label does a type of mash-up, mating vintage crooners with electronica rhythm beds. The results have the comfort of familiarity with the right amount of cool, fresh attitude. Soon to appear on this year’s Cool Yule collection – Bing Crosby and Ella Fitzgerald’s “Rudolph the Red-Nosed Reindeer.”
Went to the second-hand store yesterday to drop off a few bags of unwanted clothing, books and other stuff. As per usual, checked out the racks of donated music and found a few nice CDs for $1.50 each. It’s odd and somewhat amusing to recognize some things that I had dropped off last time, and saw that someone had recently given up some nice music in great condition. I took home:
7. LOW MILLIONS – Ex-Girlfriends (Manhattan)
Never actually heard this band before, but when it first came out, I recall listening to a few tracks at the Tower listening station and liking it, so this was a happy find. Listening again on the car ride home, I was taken by the immediately catchy melodies and the singer’s confident voice. Initial lyric scan was cool, too.
8. COWBOY JUNKIES – The Caution Horses (BMG)
I bought this soley for the cover of Neil Young’s “Powderfinger,” a song I’ve always loved. I may actually have it on an old freebie sampler, but I couldn’t remember, so what the hell for this price? I popped it into the car player to hear the Young track and was immediately reminded that Margo Timmins’ voice – and the Junkies’ lethargic tempos – wear very thin very quickly.
9. VARIOUS ARTISTS – Italian Love Songs (K-Tel)
Wow – how long since I’ve heard the name K-Tel?! This 10-song cheapass collection has Dean Martin’s “That’s Amore,” Vic Dana’s “More,” Connie Francis’ “Forget Domani” and a few I don’t quite know. What the ?? is “Non Dimenticar” by Frankie Avalon? Whatever; I thought my Italophile hubby would find it fun.
10. VARIOUS ARTISTS – Happy Valentine’s Day (Musicmaker.com)
Homemade mix CDs don’t have quite the same charm as mix cassettes, but this one caught my eye because someone had gone to the trouble of designing a cover and had the taste to include some old skool funk – “Atomic Dog,” “What is Hip?”- a few K.C. and the Sunshine Band hoot-a-longs, and even some downright silliness (“The Chicken Dance” – seriously). Musical voyeurism is fun.
11. BARRY MANILOW – Swing Street (Arista)
I haven’t forgiven him for getting the EMMY over Stephen Colbert and Jon Stewart, but if Craig Ferguson can, I guess I should let it go. (Still, it was way more fun to watch Ferguson dancing than listening to Manilow sing when the latter appeared on the former’s show.) I’ll listen to this once to see if there’s anything to crib, but it’s really just a stocking stuffer for Mom.
12. EVANESCENCE – Fallen
I’m not that into it, but it’s for Grace, who is, and saw the band perform some weeks ago with a pal who’s a huge fan. They hung out afterward and Grace got her pocketbook (the only thing she had!) signed by the band.
Also yesterday:
13. RAY CHARLES – A Ray Charles Christmas (Rhino)
Was in Kohl’s, filling up some packages for one of my Christmas Angels, and found this for a mere $5. Who else but Ray could make “The Little Drummer Boy” not merely tolerable but downright righteously good?
My Husband Went to England and All I Got Was This Lousy CD:
14. VARIOUS ARTISTS – Now Hear This, Word magazine, Dec. 2006
It’s not lousy at all, but I liked the headline. Here’s a band called Joan as Police Woman? Lloyd Cole is looking rather scrubby on the cover.
Trade-In Store missing from last time:
15. The DIVINE COMEDY – Absent Friends (Parlaphone)
Studio and live version, plus video, of the title track, plus a live version of “Something for the Weekend.” Bought out of curiosity, but he’s too grand by half for me.
16. JUDY GARLAND – A Star is Born (Columbia)
$2.oo clearance bin stocking stuffer for my olde-time-musicals- lovin’ college girl.
Coming to Town:
17. SISTER HAZEL – Absolutely (Croakin’ Poets Records)
13 songs of roots rock. The first single, “Mandolin Moon,” features guest vocals from band pal Shawn Mullins.
18. TEITUR – Stay Under the Stars (Equator Music)
The una-nominal Scandinavian singer/songwriter will be appearing at Jammin java next Thursday (December 7th) and I am really looking forward to hearing him. Hope he does “I Run the Carousel” – it’s like a bittersweet short story in a song – and his stripped-down, slowed-down version of “Great Balls of Fire.”
Purchases:
More acquisitions from Tower, scattered over a few visits:
More Tower Music, Trip 3:
19. KRAAK & SMAAK – Boogie Angst (Quango)
The double-disc American version was cheaper than the single disc import and, since the former had all the tracks of the latter plus a whole ‘nother side of remixes, that’s a no-brainer. Another discovery I owe to KCRW’s “Morning Becomes Eclectic” radio show, since I doubt I would have encountered them otherwise, and the name would never have probably made me think they were something totally other. The group, BTW, takes its name from an old Dutch phrase meaning ‘crunchy & tasty.’
20, FEIST – Open Season: Remixes and Collabs (Cherrytree/Interscope)
Just under $7.50.
21. BEACH BOYS – Pet Sounds (Capitol)
Deluxe 2-CD edition in the green fake suede package. A joy to rediscover.
22. BEN FOLDS – Live at Tower Records
Three tracks recorded at the Lincoln Center store in NYC on 4/26/05. “Jesusland” and “Trusted” and “Bastard” and no frills; not even a decent picture of Ben. But it was $2.00 with the 50% off singles pricing. Ripped to iTunes and right into the trade-in bag.
23. CESARIA EVORA – Club Sodade (RCA)
Remixes by the likes of Carl Craig and Senor Coconut.
24. BJORK – Minuscule (One Little Indian DVD)
I thought I was a hardcore Bjork fan when I got the Gling Glo CD as an import, but I gave up being a completist around the time she began releasing multiple versions of singles from the Vespertine CD and I couldn’t keep up with all the variations. She’s the same with DVDs now, with so many promo video compilations and concert videos, I don’t have the time or patience. But this DVD, a backstage look at the 2001 Vespertine world tour, was only about $7.oo after discount, and I thought it would be a good companion to the one music video set I do have.
25. BRIGHT BLACK MORNING LIGHT – S/T (Matador)
Nifty packaging, with prismatic glasses that make my head hurt.
26. The MINUS 5 – Down with Wilco (Yep Roc)
Slowly replacing the favorite CDs that some bastard stole out of Terry’s luggage on his (halfway)cross-country trip.
27. VARIOUS ARTISTS – Music Ahead sampler (Verve)
Freebie sampler with Costello & Toussaint, Jamie Cullum, (skinny boy) Rhett Miller and others.
28. The LIBERTINES – Can’t Stand Me Now (Rough Trade)
3-track single for $1.25.
YTD Total: 714
It was a quiet Friday night, so I gave myself a trip out to Tower records yet again, since they’ve now entered the 50% off stage (or more) on everything. I got there only about 40 minutes before closing, so it was a quick hit:
1. BRITISH SEA POWER – The Decline Of…(Rough Trade)
I had my eye on this one the last time I was at Tower, but decided to be frugal. A week later, another 10% off – and it was still there! – so I gave in.
2. BLONDIE – Parallel Lines (Capitol/Chrysalis)
Another one I had my eye on. And, for some lovely reason, after ringing it up for what I thought was the price ($6.50), the nice cashier dude goes back and re-enters it – for $2.50! The original breakthrough album, remastered, plus 4 bonus tracks, including a live take on “Bang a Gong.”
3. CHRISTINA AQUILERA – Ain’t No Other Man (RCA)
Singles are 70% off, so this was all of $1.50. It’s for my girl Gracie, who loves the tune. I think it’s catchy, but I can’t stand the fact that she rhymes “class” with “ass.” That was a joke in a song from the original “Chicago,” but such subtleties are not for the likes of Christina who, BTW, did a terrible job of lip-syncing at the Rockefeller Center tree lighting. And why did she get to sing her single when everyone else did a holiday song? Bah, humbug!
4. GORILLAZ – Kids with Guns (EMI)
I can’t imagine spending $8 for this 3-track single, but for $2.oo, I can surprise Grace, who’ll enjoy the new track (“Stop the Dams”) and the fold-out mini-poster of Noodle.
5. BEBEL GILBERTO – eponymous (Six Degrees)
There are some albums that are so horribly overstocked that the store is desparate to get them going. This album was in a bunch offered for a mere $4 each. She’s got that ultra-chill bossa-nova vibe.
6. VARIOUS ARTISTS – Christmas Remixed (Six Degrees)
The second volume of the world music label’s holiday series, which is becoming a new holiday classic. The label does a type of mash-up, mating vintage crooners with electronica rhythm beds. The results have the comfort of familiarity with the right amount of cool, fresh attitude. Soon to appear on this year’s Cool Yule collection – Bing Crosby and Ella Fitzgerald’s “Rudolph the Red-Nosed Reindeer.”
Went to the second-hand store yesterday to drop off a few bags of unwanted clothing, books and other stuff. As per usual, checked out the racks of donated music and found a few nice CDs for $1.50 each. It’s odd and somewhat amusing to recognize some things that I had dropped off last time, and saw that someone had recently given up some nice music in great condition. I took home:
7. LOW MILLIONS – Ex-Girlfriends (Manhattan)
Never actually heard this band before, but when it first came out, I recall listening to a few tracks at the Tower listening station and liking it, so this was a happy find. Listening again on the car ride home, I was taken by the immediately catchy melodies and the singer’s confident voice. Initial lyric scan was cool, too.
8. COWBOY JUNKIES – The Caution Horses (BMG)
I bought this soley for the cover of Neil Young’s “Powderfinger,” a song I’ve always loved. I may actually have it on an old freebie sampler, but I couldn’t remember, so what the hell for this price? I popped it into the car player to hear the Young track and was immediately reminded that Margo Timmins’ voice – and the Junkies’ lethargic tempos – wear very thin very quickly.
9. VARIOUS ARTISTS – Italian Love Songs (K-Tel)
Wow – how long since I’ve heard the name K-Tel?! This 10-song cheapass collection has Dean Martin’s “That’s Amore,” Vic Dana’s “More,” Connie Francis’ “Forget Domani” and a few I don’t quite know. What the ?? is “Non Dimenticar” by Frankie Avalon? Whatever; I thought my Italophile hubby would find it fun.
10. VARIOUS ARTISTS – Happy Valentine’s Day (Musicmaker.com)
Homemade mix CDs don’t have quite the same charm as mix cassettes, but this one caught my eye because someone had gone to the trouble of designing a cover and had the taste to include some old skool funk – “Atomic Dog,” “What is Hip?”- a few K.C. and the Sunshine Band hoot-a-longs, and even some downright silliness (“The Chicken Dance” – seriously). Musical voyeurism is fun.
11. BARRY MANILOW – Swing Street (Arista)
I haven’t forgiven him for getting the EMMY over Stephen Colbert and Jon Stewart, but if Craig Ferguson can, I guess I should let it go. (Still, it was way more fun to watch Ferguson dancing than listening to Manilow sing when the latter appeared on the former’s show.) I’ll listen to this once to see if there’s anything to crib, but it’s really just a stocking stuffer for Mom.
12. EVANESCENCE – Fallen
I’m not that into it, but it’s for Grace, who is, and saw the band perform some weeks ago with a pal who’s a huge fan. They hung out afterward and Grace got her pocketbook (the only thing she had!) signed by the band.
Also yesterday:
13. RAY CHARLES – A Ray Charles Christmas (Rhino)
Was in Kohl’s, filling up some packages for one of my Christmas Angels, and found this for a mere $5. Who else but Ray could make “The Little Drummer Boy” not merely tolerable but downright righteously good?
My Husband Went to England and All I Got Was This Lousy CD:
14. VARIOUS ARTISTS – Now Hear This, Word magazine, Dec. 2006
It’s not lousy at all, but I liked the headline. Here’s a band called Joan as Police Woman? Lloyd Cole is looking rather scrubby on the cover.
Trade-In Store missing from last time:
15. The DIVINE COMEDY – Absent Friends (Parlaphone)
Studio and live version, plus video, of the title track, plus a live version of “Something for the Weekend.” Bought out of curiosity, but he’s too grand by half for me.
16. JUDY GARLAND – A Star is Born (Columbia)
$2.oo clearance bin stocking stuffer for my olde-time-musicals- lovin’ college girl.
Coming to Town:
17. SISTER HAZEL – Absolutely (Croakin’ Poets Records)
13 songs of roots rock. The first single, “Mandolin Moon,” features guest vocals from band pal Shawn Mullins.
18. TEITUR – Stay Under the Stars (Equator Music)
The una-nominal Scandinavian singer/songwriter will be appearing at Jammin java next Thursday (December 7th) and I am really looking forward to hearing him. Hope he does “I Run the Carousel” – it’s like a bittersweet short story in a song – and his stripped-down, slowed-down version of “Great Balls of Fire.”
Purchases:
More acquisitions from Tower, scattered over a few visits:
More Tower Music, Trip 3:
19. KRAAK & SMAAK – Boogie Angst (Quango)
The double-disc American version was cheaper than the single disc import and, since the former had all the tracks of the latter plus a whole ‘nother side of remixes, that’s a no-brainer. Another discovery I owe to KCRW’s “Morning Becomes Eclectic” radio show, since I doubt I would have encountered them otherwise, and the name would never have probably made me think they were something totally other. The group, BTW, takes its name from an old Dutch phrase meaning ‘crunchy & tasty.’
20, FEIST – Open Season: Remixes and Collabs (Cherrytree/Interscope)
Just under $7.50.
21. BEACH BOYS – Pet Sounds (Capitol)
Deluxe 2-CD edition in the green fake suede package. A joy to rediscover.
22. BEN FOLDS – Live at Tower Records
Three tracks recorded at the Lincoln Center store in NYC on 4/26/05. “Jesusland” and “Trusted” and “Bastard” and no frills; not even a decent picture of Ben. But it was $2.00 with the 50% off singles pricing. Ripped to iTunes and right into the trade-in bag.
23. CESARIA EVORA – Club Sodade (RCA)
Remixes by the likes of Carl Craig and Senor Coconut.
24. BJORK – Minuscule (One Little Indian DVD)
I thought I was a hardcore Bjork fan when I got the Gling Glo CD as an import, but I gave up being a completist around the time she began releasing multiple versions of singles from the Vespertine CD and I couldn’t keep up with all the variations. She’s the same with DVDs now, with so many promo video compilations and concert videos, I don’t have the time or patience. But this DVD, a backstage look at the 2001 Vespertine world tour, was only about $7.oo after discount, and I thought it would be a good companion to the one music video set I do have.
25. BRIGHT BLACK MORNING LIGHT – S/T (Matador)
Nifty packaging, with prismatic glasses that make my head hurt.
26. The MINUS 5 – Down with Wilco (Yep Roc)
Slowly replacing the favorite CDs that some bastard stole out of Terry’s luggage on his (halfway)cross-country trip.
27. VARIOUS ARTISTS – Music Ahead sampler (Verve)
Freebie sampler with Costello & Toussaint, Jamie Cullum, (skinny boy) Rhett Miller and others.
28. The LIBERTINES – Can’t Stand Me Now (Rough Trade)
3-track single for $1.25.
YTD Total: 714
Saturday, November 18, 2006
'Tis (Almost) The Season!
I've broken out the boxes of holiday tunes, much to my husband's chagrin. He doesn't believe in any Christmas music before we finish the Thanksgiving turkey and, while I can see his point, I have the annual Cool Yule collection to think about, so I'm getting my jingle bell groove on while he's out of town.
First out of the box, literally, is "Sounds of the Season," a Target collection that offers a fine set of choices, like the cuurently playing "Santa Claus is Coming to Town" by Ray Charles (need I say more?). There's nice rendition of "My Favorite Things" by Rod Stewart, but I'm not sure I can use it - he says "snitzel with noodles"! C'mon Rod, that's "schnitzel,' you fool.
Let's clear the decks of recent purchases....No pics, just picks.
Yet Another Visit to the CD Trade-In Store:
Getting lean – a bag full of a few dozen used CDs nets only $39 in credit, so I wind up owing them $11 when I come home with these:
1. ROSEWOOD THIEVES – From the Decker House (V2)
The band I wrote about in the last entry…
2. The RAPTURE – Pieces of the People We Love (Universal/Motown)
Ditto, in the previous entry. Although, now that I check the label, I think it’s rather funny that these ever-so-white downtown hipsters are on Motown. Anyway, this one’s become a big hit in our house. Still giving “Get Myself Into It” a daily spin, and Grace has stolen the CD for her morning wake-up call.
3. DAMON ALBARN and FRIENDS – Mali Music (Astralwerks/EMI Records)
Is this an import version? Made in Holland sticker, soft cover, like a CD tucked into a small paperback book. I haven’t had a chance to give it a good listen, but I’ve heard it in passing while hubby cooks, and he loves it.
4. B*WITCHED – Jump Down: The Mixes (Sony Music)
Three remixes and a video by the Spice Girl wannabe/also-rans. If I get around to it, I’ll have quite the nice little lot for an eBay offering, including some cure friendship bracelets and stickers the record company sent when they were pushing these not-so-bad babes.
5. ELBOW – Not a Job CD single (V2)
Title track plus alternate video of same, and two more tracks.
6. SECRET ANNEX – What Is it About This Place? (Ocelot Records)
It was 50cents and I liked the title, plus a few of the song titles, too – “Cello Love Song,” “The Fatal Glory of Steamboat Racing,” etc. No big risk.
7. SUZZY and MAGGIE ROCHE – Zero Church (Red House Records)
A lovely surprise – those two siblings with the gorgeous harmonies in a pan-denomination set of church songs, sung with guest stars and the ghosts of 9-11 hovering over it all.
8. DIRTY PRETTY THINGS – Waterloo to Anywhere (Interscope)
It was playing when I walked into the store and caught my ear right away.
9. COUNTING CROWS – New Amsterdam: Live at Heineken Music Hall (Geffen)
A gift for the college girl, who’s a faithful fan – and I enjoy them, too.
And once more to Tower Records, where it’s up to 30% off most merchandise.
10. VARIOUS ARTISTS – Ones to Watch, Vol. 03/magazine
15 tracks, “choice cuts of your future favourites” and the only name I recognize is Two Gallants. But magazines are 60% off cover price and this glossy British rag, which I’ve never seen before, has Dirty Pretty Things on the cover (it’s a sign!), so I want to check out both print and audio.
11. PRINCE – Te Amo Corazon (NPG/Universal)
Full sized jewel case for 40cents – and hey, there’s a Prince single here, too.
12. U2 – City of Blinding Lights (Island Records)
The song I know as “oh, you are so beautiful,” in a 2-track import, which I will spring $2.50 on to hear the Killahurtz Fly mix.
13. XTC – Apple Box (Idea Records)
British import, 4-CD set, collected both the Wasp and Apple Venus CDs, plus companion discs of demos and alternate versions. Now that the discount takes it under $25, it’s mine, mine, all mine!
14. BUZZCOCKS/VARIOUS ARTISTS – Ever Fallen in Love with Someone You Shouldn’t’ve (EMI)
Two-track import (also $2.50) with the original hit, plus a new version performed by the likes of Futureheads, Elton John, Pete Shelley and Robert Plant, done as tribute to John Peel, with proceeds donated to Amnesty International.
15. MASSIVE ATTACK – Collected (Virgin)
This month’s yourmusic top-of-queue item. $5.99, shipping included. Great stuff. “Protection” with Tracey Thorn, “Karmacoma” with Tricky and stuff I don’t know – yet.
Sent:
16. KRISTOFFER RAGNSTAM – Do You Want a Piece of Me EP (bluhammock)
17. CUTE IS WHAT WE AIM FOR – The Same Old Blood Rush with a New Touch (Fueled By Ramen)
They opened for Hellogoodbye at Irving Plaza during CMJ, and the publicist asked me to check ‘em out when he heard I was going to the show. I meant well, but got there late, so I asked if he could send a copy. It was waiting for me when I got home. Now that’s what I call service! Grace has asked to hear it, so I know there’s teenage buzz.
18. EL GOODO – S/T (Empyrean Records)
Advances:
19. ERIN McKEOWN – Sing You Sinners (Nettwerk)
Out in January.
20. CLEMENTE - …Whilst Honey Hums (Moodswing)
Coming January 30th.
Pitches:
21. PARTICLE – Transformations Live: For the People CD and DVD (Shout! Factory)
They appeared at the State Theatre recently, and the publicist sent the collected works in hopes of a preview (but my editor chose a different show). Will I ever watch over 2 hours of video, even with special guests (Blackalicious, Robby Kreiger, Joe Satriani, DJ Logic)? Answer would have been no, but I put the CD on and it was noodle-dancing music in a nice way.
Duplicates:
22. GOB IRON – Death Songs for the Living (Transmit Sound/Legacy)
Full release copy, with enhancements, of an advance I got earlier.
23. MEAT LOAF – Bat Out of Hell III: The Monster is Loose (Virgin)
Same as above. Speaking of Mr. Loaf (I love when the New York Times calls him that), his record company sent a transcript of a tele-conference the Meat held recently, and it's a great document of inane conversation, opening like this:
"And our first question comes from Brad Topel from About.com.
FRED TOPEL: Hi, it’s actually Fred, but that’s okay.
MEATLOAF: Fred? Hi Fred.
FRED TOPEL: But my question is how hard is it to find other writers who can write songs for you like Simon did?"
Simon, who is referenced throughout the dozens of pages, has to be, by reason of deduction, Jim Steinman, co-creator of the whole "Bat Out Of Hell" phenomenon. Why didn't anyone correct this before sending out the transcript?!
Rock journalism is not brain surgery. Thank god. We'd have a lot (more) zombies out there.
YTD Total: 686
First out of the box, literally, is "Sounds of the Season," a Target collection that offers a fine set of choices, like the cuurently playing "Santa Claus is Coming to Town" by Ray Charles (need I say more?). There's nice rendition of "My Favorite Things" by Rod Stewart, but I'm not sure I can use it - he says "snitzel with noodles"! C'mon Rod, that's "schnitzel,' you fool.
Let's clear the decks of recent purchases....No pics, just picks.
Yet Another Visit to the CD Trade-In Store:
Getting lean – a bag full of a few dozen used CDs nets only $39 in credit, so I wind up owing them $11 when I come home with these:
1. ROSEWOOD THIEVES – From the Decker House (V2)
The band I wrote about in the last entry…
2. The RAPTURE – Pieces of the People We Love (Universal/Motown)
Ditto, in the previous entry. Although, now that I check the label, I think it’s rather funny that these ever-so-white downtown hipsters are on Motown. Anyway, this one’s become a big hit in our house. Still giving “Get Myself Into It” a daily spin, and Grace has stolen the CD for her morning wake-up call.
3. DAMON ALBARN and FRIENDS – Mali Music (Astralwerks/EMI Records)
Is this an import version? Made in Holland sticker, soft cover, like a CD tucked into a small paperback book. I haven’t had a chance to give it a good listen, but I’ve heard it in passing while hubby cooks, and he loves it.
4. B*WITCHED – Jump Down: The Mixes (Sony Music)
Three remixes and a video by the Spice Girl wannabe/also-rans. If I get around to it, I’ll have quite the nice little lot for an eBay offering, including some cure friendship bracelets and stickers the record company sent when they were pushing these not-so-bad babes.
5. ELBOW – Not a Job CD single (V2)
Title track plus alternate video of same, and two more tracks.
6. SECRET ANNEX – What Is it About This Place? (Ocelot Records)
It was 50cents and I liked the title, plus a few of the song titles, too – “Cello Love Song,” “The Fatal Glory of Steamboat Racing,” etc. No big risk.
7. SUZZY and MAGGIE ROCHE – Zero Church (Red House Records)
A lovely surprise – those two siblings with the gorgeous harmonies in a pan-denomination set of church songs, sung with guest stars and the ghosts of 9-11 hovering over it all.
8. DIRTY PRETTY THINGS – Waterloo to Anywhere (Interscope)
It was playing when I walked into the store and caught my ear right away.
9. COUNTING CROWS – New Amsterdam: Live at Heineken Music Hall (Geffen)
A gift for the college girl, who’s a faithful fan – and I enjoy them, too.
And once more to Tower Records, where it’s up to 30% off most merchandise.
10. VARIOUS ARTISTS – Ones to Watch, Vol. 03/magazine
15 tracks, “choice cuts of your future favourites” and the only name I recognize is Two Gallants. But magazines are 60% off cover price and this glossy British rag, which I’ve never seen before, has Dirty Pretty Things on the cover (it’s a sign!), so I want to check out both print and audio.
11. PRINCE – Te Amo Corazon (NPG/Universal)
Full sized jewel case for 40cents – and hey, there’s a Prince single here, too.
12. U2 – City of Blinding Lights (Island Records)
The song I know as “oh, you are so beautiful,” in a 2-track import, which I will spring $2.50 on to hear the Killahurtz Fly mix.
13. XTC – Apple Box (Idea Records)
British import, 4-CD set, collected both the Wasp and Apple Venus CDs, plus companion discs of demos and alternate versions. Now that the discount takes it under $25, it’s mine, mine, all mine!
14. BUZZCOCKS/VARIOUS ARTISTS – Ever Fallen in Love with Someone You Shouldn’t’ve (EMI)
Two-track import (also $2.50) with the original hit, plus a new version performed by the likes of Futureheads, Elton John, Pete Shelley and Robert Plant, done as tribute to John Peel, with proceeds donated to Amnesty International.
15. MASSIVE ATTACK – Collected (Virgin)
This month’s yourmusic top-of-queue item. $5.99, shipping included. Great stuff. “Protection” with Tracey Thorn, “Karmacoma” with Tricky and stuff I don’t know – yet.
Sent:
16. KRISTOFFER RAGNSTAM – Do You Want a Piece of Me EP (bluhammock)
17. CUTE IS WHAT WE AIM FOR – The Same Old Blood Rush with a New Touch (Fueled By Ramen)
They opened for Hellogoodbye at Irving Plaza during CMJ, and the publicist asked me to check ‘em out when he heard I was going to the show. I meant well, but got there late, so I asked if he could send a copy. It was waiting for me when I got home. Now that’s what I call service! Grace has asked to hear it, so I know there’s teenage buzz.
18. EL GOODO – S/T (Empyrean Records)
Advances:
19. ERIN McKEOWN – Sing You Sinners (Nettwerk)
Out in January.
20. CLEMENTE - …Whilst Honey Hums (Moodswing)
Coming January 30th.
Pitches:
21. PARTICLE – Transformations Live: For the People CD and DVD (Shout! Factory)
They appeared at the State Theatre recently, and the publicist sent the collected works in hopes of a preview (but my editor chose a different show). Will I ever watch over 2 hours of video, even with special guests (Blackalicious, Robby Kreiger, Joe Satriani, DJ Logic)? Answer would have been no, but I put the CD on and it was noodle-dancing music in a nice way.
Duplicates:
22. GOB IRON – Death Songs for the Living (Transmit Sound/Legacy)
Full release copy, with enhancements, of an advance I got earlier.
23. MEAT LOAF – Bat Out of Hell III: The Monster is Loose (Virgin)
Same as above. Speaking of Mr. Loaf (I love when the New York Times calls him that), his record company sent a transcript of a tele-conference the Meat held recently, and it's a great document of inane conversation, opening like this:
"And our first question comes from Brad Topel from About.com.
FRED TOPEL: Hi, it’s actually Fred, but that’s okay.
MEATLOAF: Fred? Hi Fred.
FRED TOPEL: But my question is how hard is it to find other writers who can write songs for you like Simon did?"
Simon, who is referenced throughout the dozens of pages, has to be, by reason of deduction, Jim Steinman, co-creator of the whole "Bat Out Of Hell" phenomenon. Why didn't anyone correct this before sending out the transcript?!
Rock journalism is not brain surgery. Thank god. We'd have a lot (more) zombies out there.
YTD Total: 686
Sunday, November 12, 2006
Our House Is a Very, Very, Very Fine House
And our Senate is looking better, too.
As SNL put it last night - in an ironic twist, Iraq has forced regime change in the United States. I live in a purple state, a mix of red and blue that feels like the future. And as the button I now wear on my lapel simply states: Optimism.
Okay, so I need to harken back to the CMJ Marathon, and to the joy of Halloween in New York City…
After a few years of frantically racing uptown and down, from venue to venue, trying to catch as many events as possible, I have developed a lazy person’s approach to the festival - Pick an area and concentrate on all the events within its boundaries instead of ricocheting throughout the city, where even a distance of 10 blocks can take a half hour to traverse. Keep it simple. Go with the flow.
If there’s a Merge party on Ave A and 11th Street that starts at 3 pm, even getting to 14th and Broadway for the Silversun Pickups Puma in-store may be a stretch, especially if you’re surprised by the arrival of a favorite friendly publicist and want to sit and chat. Besides, you might hear the people in the booth behind you announce that there’s another party down the block, and a good showcase happening ninety minutes later around the corner. Bottom line – don’t have unrealistic expectations.
Pick the showcase with the maximum ratio of (possibly) good bands to those unknown and just settle into the club as I did the night I went to Tonic to see The Slip and Oppenheimer. I broke my own rule and left before the Mosquitos went on, in a fools errand to try and catch the Knife at Webster Hall, where I had only a dim hope of being guest-listed. Didn’t get in, but had a pleasant conversation with the music reporter from Newsday, who was also bounced. I know I’m small beans, but when the gate-keepers bar one of the city’s major papers from getting in, you wonder where their priorities are.
Anyhoo, The Slip show was a good discovery. I’d heard them from a distance as they played the Day Stage at Avery Fisher while I checked email in the press room. Though I couldn’t catch the vocals, I liked the strong guitar sound, aggressive without being assaulltive, with surprising bits of melody, like soft marshmallows in the crunchy Lucky Charms. They were playing right before Oppenheimer, one of the few bands I had made a firm promise to see (I had written about them for the Post, liked the album a lot, and told the publicist I would definitely check 'em out) so I made a point of getting there early. Wanted to catch Hotel Lights, too, since I liked that CD – and the pedigree of a former Ben Folds Five member, but got caught up in dinner with College Girl.) Live and up close, The Slip turned out to be a trio making that mighty noise and lived up to the fine first impression.
OPPENHEIMER were great fun. Only two guys – drummer/singer and guitarist/keyboard creating a bright, buoyant pop party that’s reminiscent of Air.
ROSEWOOD THIEVES were another Day Stage revelation – along with the fact that I could sit comfortably in the Mountain Dew lounge and get wireless through the exhibitors’ system (the press room was small and dingy, though I always appreciate the thought). There I sat, happily typing away - except for when someone splashed water out of the freebie cooler (I don’t want another $1200 ruined computer incident) - and listening to the Thieves, who seemed initially downcast by the small audience, but warmed as they earned genuine applause. The singer opened with Dylan’s “Tonight I’ll be Staying Here with You,” which fit both his flawed-yet-expressive voice and the band’s overall slightly-country, smart rock vibe. And the keyboard player looked like the girl who started out on “Freaks and Geeks” and then popped up on “ER.” I gave lead singer a card ‘cause I sincerely hope to see them again if they come down DC Way.
Despite a passing interest in “House of Jealous Lovers,” I hadn’t given much thought to The RAPTURE either way, but when a dinner companion/publicist mentioned how much he was looking forward to their Monday night show, and followed up Tuesday with a glowing report, my CMJ pal Shari and I decided to try the door schmooze. Luckily, the press/photo pass combination (and, I’d like to think, my polite inquiries to the door man) worked, and we got in. It was a rousing good night all ‘round. Dewars hosted, which meant cheap scotch and cool swag (a nice T-shirt and an adorable guitar mini-amplifier) and the Rapture was great! Even if they should be paying royalties to Talking Heads for the “Remain in Light” rhythms and some to Adam Ant for the tribal lyric chants, the combination is killer. And how can you not love a band that dresses in full-body skeleton suits for Halloween?! “Get Myself Into It” is new to the Daily Playlist, so hey Rob, thanks for the lovely meal and fine musical recommendation.
On Monday, while Rob was enjoying The Rapture, I was bouncing to the pop-rocky goodness of HELLOGOODBYE at Irving Plaza, where the SoCal goofballs were starting a two-night stand as headliners.
I’d seen them before, as the lowly opening act on a multi-act bill with The Academy Is… and Panic! At the Disco, and as players on a Warped side stage, so it was quite a shock to see them getting full star response at this show, along with a back-drop and stand-up creatures stage setting. These guys radiate warmth in the manner of my dear, departed Troubled Hubble, and they even gave the crowd a balloon drop during the encore. Another winner!
Speaking of Halloween in New York City, it’s a truly wonderful trip in that sometimes you’re not 100% sure if you’re looking at a person in costume or just another uniquely New York personality. For instance, I leave the Verizon Store and an Arab sheik walks by. I’m guessing Middle Eastern royalty is in town, then notice that there’s an 8-year-old princess in pink by his side. A costume then…probably.
(photo by Shari, from a parallel moving cab)
Other favorite moments during what must rival the Carnivale as the world’s largest street costume party:
*A priest with a teddy bear and inflatable female date
*Zorro on roller skates
*Captain Hook walking east on 8th street, and Peter Pan walking west (I was dispappointed that the didn’t acknowledge each other)
*A dalmation dog (real canine) being walked by a dalmation dog (man in costume)
*Death (long black robe, skull head) hailing a cab
* Four different supermen – all in suits with the logo shirt underneath.
* The ham hock tribute to Scout in “To Kill a Mockingbird” that actually looked kinda like a pile of poo, so the poor girl inside had to write “HAM” on the outside.
One trend I could have done without: skimpily-dressed girls in brightly colored wigs. Too easy, in both senses of the word.
With all the free music being handed out (more on that next time), I only purchased one CD while in New York:
1. AMINA – Animamina (Worker’s Institute)
I had previously seen the winsome Scandinavian women open for Sigur Ros last year, at a moving performance that took place, appropriately enough, on 9-11. Hearing that they were appearing at Joe’s Pub, just around the corner from Shari’s place (my home for the festival) was too good a chance as we walked home from the Rapture show. It was late (almost one a.m.) but the group was still onstage, casting their soft spell on a nearly breathlessly quiet audience (two yapping guys at the bar should have been smacked down). I bought the oh-so-quiet CD on the way out. Then discovered it was just an EP - $15?!! (Karmic payback for the missing cocktail glass…)
YTD total: 663
As SNL put it last night - in an ironic twist, Iraq has forced regime change in the United States. I live in a purple state, a mix of red and blue that feels like the future. And as the button I now wear on my lapel simply states: Optimism.
Okay, so I need to harken back to the CMJ Marathon, and to the joy of Halloween in New York City…
After a few years of frantically racing uptown and down, from venue to venue, trying to catch as many events as possible, I have developed a lazy person’s approach to the festival - Pick an area and concentrate on all the events within its boundaries instead of ricocheting throughout the city, where even a distance of 10 blocks can take a half hour to traverse. Keep it simple. Go with the flow.
If there’s a Merge party on Ave A and 11th Street that starts at 3 pm, even getting to 14th and Broadway for the Silversun Pickups Puma in-store may be a stretch, especially if you’re surprised by the arrival of a favorite friendly publicist and want to sit and chat. Besides, you might hear the people in the booth behind you announce that there’s another party down the block, and a good showcase happening ninety minutes later around the corner. Bottom line – don’t have unrealistic expectations.
Pick the showcase with the maximum ratio of (possibly) good bands to those unknown and just settle into the club as I did the night I went to Tonic to see The Slip and Oppenheimer. I broke my own rule and left before the Mosquitos went on, in a fools errand to try and catch the Knife at Webster Hall, where I had only a dim hope of being guest-listed. Didn’t get in, but had a pleasant conversation with the music reporter from Newsday, who was also bounced. I know I’m small beans, but when the gate-keepers bar one of the city’s major papers from getting in, you wonder where their priorities are.
Anyhoo, The Slip show was a good discovery. I’d heard them from a distance as they played the Day Stage at Avery Fisher while I checked email in the press room. Though I couldn’t catch the vocals, I liked the strong guitar sound, aggressive without being assaulltive, with surprising bits of melody, like soft marshmallows in the crunchy Lucky Charms. They were playing right before Oppenheimer, one of the few bands I had made a firm promise to see (I had written about them for the Post, liked the album a lot, and told the publicist I would definitely check 'em out) so I made a point of getting there early. Wanted to catch Hotel Lights, too, since I liked that CD – and the pedigree of a former Ben Folds Five member, but got caught up in dinner with College Girl.) Live and up close, The Slip turned out to be a trio making that mighty noise and lived up to the fine first impression.
OPPENHEIMER were great fun. Only two guys – drummer/singer and guitarist/keyboard creating a bright, buoyant pop party that’s reminiscent of Air.
ROSEWOOD THIEVES were another Day Stage revelation – along with the fact that I could sit comfortably in the Mountain Dew lounge and get wireless through the exhibitors’ system (the press room was small and dingy, though I always appreciate the thought). There I sat, happily typing away - except for when someone splashed water out of the freebie cooler (I don’t want another $1200 ruined computer incident) - and listening to the Thieves, who seemed initially downcast by the small audience, but warmed as they earned genuine applause. The singer opened with Dylan’s “Tonight I’ll be Staying Here with You,” which fit both his flawed-yet-expressive voice and the band’s overall slightly-country, smart rock vibe. And the keyboard player looked like the girl who started out on “Freaks and Geeks” and then popped up on “ER.” I gave lead singer a card ‘cause I sincerely hope to see them again if they come down DC Way.
Despite a passing interest in “House of Jealous Lovers,” I hadn’t given much thought to The RAPTURE either way, but when a dinner companion/publicist mentioned how much he was looking forward to their Monday night show, and followed up Tuesday with a glowing report, my CMJ pal Shari and I decided to try the door schmooze. Luckily, the press/photo pass combination (and, I’d like to think, my polite inquiries to the door man) worked, and we got in. It was a rousing good night all ‘round. Dewars hosted, which meant cheap scotch and cool swag (a nice T-shirt and an adorable guitar mini-amplifier) and the Rapture was great! Even if they should be paying royalties to Talking Heads for the “Remain in Light” rhythms and some to Adam Ant for the tribal lyric chants, the combination is killer. And how can you not love a band that dresses in full-body skeleton suits for Halloween?! “Get Myself Into It” is new to the Daily Playlist, so hey Rob, thanks for the lovely meal and fine musical recommendation.
On Monday, while Rob was enjoying The Rapture, I was bouncing to the pop-rocky goodness of HELLOGOODBYE at Irving Plaza, where the SoCal goofballs were starting a two-night stand as headliners.
I’d seen them before, as the lowly opening act on a multi-act bill with The Academy Is… and Panic! At the Disco, and as players on a Warped side stage, so it was quite a shock to see them getting full star response at this show, along with a back-drop and stand-up creatures stage setting. These guys radiate warmth in the manner of my dear, departed Troubled Hubble, and they even gave the crowd a balloon drop during the encore. Another winner!
Speaking of Halloween in New York City, it’s a truly wonderful trip in that sometimes you’re not 100% sure if you’re looking at a person in costume or just another uniquely New York personality. For instance, I leave the Verizon Store and an Arab sheik walks by. I’m guessing Middle Eastern royalty is in town, then notice that there’s an 8-year-old princess in pink by his side. A costume then…probably.
(photo by Shari, from a parallel moving cab)Other favorite moments during what must rival the Carnivale as the world’s largest street costume party:
*A priest with a teddy bear and inflatable female date
*Zorro on roller skates
*Captain Hook walking east on 8th street, and Peter Pan walking west (I was dispappointed that the didn’t acknowledge each other)
*A dalmation dog (real canine) being walked by a dalmation dog (man in costume)
*Death (long black robe, skull head) hailing a cab
* Four different supermen – all in suits with the logo shirt underneath.
* The ham hock tribute to Scout in “To Kill a Mockingbird” that actually looked kinda like a pile of poo, so the poor girl inside had to write “HAM” on the outside.
One trend I could have done without: skimpily-dressed girls in brightly colored wigs. Too easy, in both senses of the word.
With all the free music being handed out (more on that next time), I only purchased one CD while in New York:
1. AMINA – Animamina (Worker’s Institute)
I had previously seen the winsome Scandinavian women open for Sigur Ros last year, at a moving performance that took place, appropriately enough, on 9-11. Hearing that they were appearing at Joe’s Pub, just around the corner from Shari’s place (my home for the festival) was too good a chance as we walked home from the Rapture show. It was late (almost one a.m.) but the group was still onstage, casting their soft spell on a nearly breathlessly quiet audience (two yapping guys at the bar should have been smacked down). I bought the oh-so-quiet CD on the way out. Then discovered it was just an EP - $15?!! (Karmic payback for the missing cocktail glass…)
YTD total: 663
Monday, November 06, 2006
B-4 CPF went 2 NYC 4 CMJ
The CMJ wrap-up will come next - hopefully, after we celebrate good news on the election (or is it really an intervention?) front.
DON'T FORGET TO VOTE!!
(unless you're Republican; then, feel free to take the day off)
But here's where we were before I split for the Big Apple...
Getting Out and About:
1.The MILES – The Story of Yourself (self-released)
2.The MILES – Making of The Story of Yourself (DVD)
The odd ways in which bands get discovered: I went to Jammin’ Java to see a band named Husky Rescue, which I had previewed for the Post. When I arrived, the opening act was onstage and I liked what I heard, so I signed the band’s mailing list, sitting on a speaker in front of the stage. But then, the band onstage introduced itself and it was NOT the one I signed to receive info about. And I had written in the “notes” section: “Liked your set. I write about music. Get in touch.”
Well, the next week, I get a sweet note from this band I knew nothing about and I had to admit the mistake. But the guy kept in touch, kept me informed about other gigs, and so I felt almost obliged to attend the band’s CD release party.
Happy ending: I liked them! A nice muscular but melodic sound, with hints of U2 anthemic rock and some neat Radiohead-style sonic noodling. Lead singer guy is as cute as his emails were gracious and I intend to keep track of what they do next.
Also on the bill this night:
Chris Trapper, former leader of the PushStars and a straight shooter of the singer/songwriter school, popular in my household for the Irish wake sing-along, “Keg on My Coffin.”
and the opener:
3. JANN KLOSE – Black Box EP
In a brief echo of the Miles’ story, I caught only the last two songs of Klose’s set and, while they didn’t make a strong impression, I snapped off a few shots and send them to his publicist, who had mentioned his appearance previously. She forwards the shots to him and I get an appreciative note asking if he can post two on his site and would I like a copy of the CD. Sure, and now I feel it’s the good karma thing to catch his show in its entirety next time he comes around.
Another Day, Another Show:
4. The ROOSEVELT, DELETED SCENES, GARY B and the NOTIONS - sampler
This freebie was handed out as we left the Regina Spektor show at the 930 Club – a clear baggie with a prescription pad page listing the bands as if they were medicines to take at prescribed times, promoting a show later that week at a newish club, The Red and The Black.
And Yet Another:
5. YOUNG LOVE - YL (Island)
Two-song sampler from the cute boys who opened for Good Charlotte and the Pink Spiders last month at the 930 Club, given out at the club, along with my new collection passion – 1” pinbacks. Leader Dan Keyes is tall, thin and good-looking in a mop-topped Brit-rock kind of way, and there seems to be a push on to get him the heartthrob vote. Be careful Island- it seems like a nice hook now, but the music I heard sounds better than that which you sell at a discounted cred rate to the TRL crowd.
6. YOUNG LOVE – Too Young to Fight It (Island)
In the weeks before the concert, the publicist reached out to promote YL’s set and I asked if she could send music. I get an overnight delivery (so I know they weren’t skipping on cost) and inside is unlabeled CD, not even in a cardboard or paper sleeve.
7. VARIOUS ARTISTS – State of the Union: DC Benefit Compilation (Dischord)
Good Charlotte may be MTV stars now, but they haven’t forgotten where they came from. They gave over the merch booth to the socially conscious local charity Positive Force, and let the organization’s main man give a little speech before their set. This sampler was among the get smarter swag being given away at the booth.
And, BTW, the Madden boys are looking mighty buff these days. Benji has a stance that even recalls Springsteen at his ripped peak...
Yeah, I Paid Cash Money for Some Stuff, Too
8. VARIOUS ARTISTS – Soul Legends (Motown)
When Mom visits, she likes to check into a local discount chain called Tuesday Morning. I go along and drift through the aisles, and usually wind up with some weird licensed merchandise toy at an absurdly low price. There’s not much in the musical coll
9. VARIOUS ARTISTS – Best of 60s British Beat
Another visit with mom to a discount store, another find (I thought), but Caveat Emptor, music fans. Be sure to read the fine print, which I didn’t do carefully enough. “Big beat stars from pop’s brightest decade interpret their hits as only they know how…great versions of memorable songs…” As in, not the original versions. So I’ve got lame, recent reworkings of “Yeh, Yeh” by Georgie Fame,“Bad to Me” by Billy J. Kramer, “Hello Little Girl” by Foremost and other pale imitations.
10. VARIOUS ARTISTS – Take It Easy: 15 Soft Rock Anthems (Q magazine)
11. VARIOUS ARTISTS – Paste # 26
12. CYNDI LAUPER – The Body Acoustic (Epic/Daylight)
This month’s $5.99 order from yourmusic.com. Lauper revisits some of her greatest hits in sometimes striking new arrangements. Not all of them work, but it’s nice to hear her stretching out – while making a living.
At the CD trade-in store:
13. VARIOUS ARTISTS – Joni Mitchell Artist’s Choice (Hear Music/Rhino)
As you’d expect, Mitchell’s selection is eclectic and jazz-tinged (two Duke Ellington, Miles Davis) with some classical stuff and classic singer/songwriters (Bob Dylan, Leonard Cohen). A few surprises – she includes one of her own songs (“Harlem in Havana”), highlights two tracks from Deep Forest (instead of spreading the love to another obscure band) and ends with a one-hit wonder, New Radicals’ “You Get What You Give.”
14. RHETT MILLER – World Café Live (DVD)
'Round my house, we call him Skinny boy Rhett” 'cause he looks so lean and cute in his slim black jeans. And he's a great songwriter, too.
15. ELVIS COSTELLO – It’s Time (Warner Bros.)
Three track single with a cover of Springsteen’s “Brilliant Disguise” done as twangy country blues.
Oh, No, Tower Records, Don’t Go:
Music geeks are in despair but we also know a bargain when we hear about one, so the next few weeks will be an ongoing pilgrimage to the beloved retail store, tracking the drop in prices (20% off everything now, due to drop as the weeks go) and calculating how few XTC box sets are on the shelves before we commit. At this first visit, I got:
16. VARIOUS ARTISTS – The Remix FM2 (Virgin EMI)
Two CDs with an odd collection of tunes. $7.50
17. DIANA KRALL – Temptation (Verve)
The tan stickers mean 25% off, which leads to these two tracks costing less than the price of a jewel box. True music geek confession – I think I already have the album, but I have to adopt these orphans (besides, she’s married to Elvis Costello!)
18. PHOENIX – Everything is Everything (Virgin)
Four tracks for under $2 – the catchy title track in audio and video versions, a live take of “Run Run Run” and a medley of early demos, which shows that many of the band’s catchy tunes hold up as songs and don’t need the playful studio production.
19. BRUCE SPRINGSTEEN – Devils & Dust (Columbia)
Another 20-center. Just the single song in a cardboard cover.
20. VARIOUS ARTISTS – I Want My ‘80s! sampler (Universal Music)
Free with purchase. Grand, cheesy anthems.
Pitches:
21. MATTHEW RYAN – From a Late Night High Rise (00:02:59)
Coming to the IOTA on November 6th. The album comes out December 5th.
22. BARENAKED LADIES – Are Me (Desperation Records)
Nothing as directly humorous as on previous CDs (though “Bank Job” takes on an unusual subject for a pop song – a botched heist), but BNL have a way with a melody and a hook. Played the Patriot Center on November 4th.
23. MIKE DOUGHTY – Haughty Melodic (ATO Records)
He opened for BNL on November 4th, which adds to the odds that it was a fine show. The former leader of Soul Coughing sounds much like you imagine it would – not that there’s anything wrong with that. Much as I love the ubiquitous java joint, how could I not also love a song entitled “Busting Up a Starbucks”?
Palpable Hits:
24. The DECEMBERISTS – The Crane Wife (Capitol)
I read one comparison to Jethro Tull and endless repetitions of the term "Prog-folk," but to me it's just more great Decemberists. “The Perfect Crime” has the galloping beat of Talking Heads in their “Life During Wartime” prime.
25. NIGHTMARE BEFORE CHRISTMAS
Double CD with the original soundtrack, a disc of new recordings by the likes of Panic! at the Disco and Fiona Apple, and some of Danny Elfman's demos. All great, 'cept for the She Wants Revenge version of "Kidnap the Sandy Claws," which trades all the charm for a gothy, Human Leaguey rendition.
26. MY CHEMICAL ROMANCE – The Black Parade (Reprise)
When the band preformed the title track on SNL, I knew I had to get the CD right away, just so I could hear it again. Not because I was sure I liked it; more because it was so outrageous, I needed to know if I could believe me ears. It has lived up to the cost and then some.
Fine First Impressions:
27. The BALDWIN BROTHERS – The Return of the Golden Rhodes (TVT)
Why do I keep thinking they should be on Astralwerks? This band has that uber-hip dance feel that the label specializes in, and TVT is known for much raw-er stuff.
28. PAUL MICHEL – Quiet State of Panic
When was he in Army of Me?
29. The KOOKS – Inside In/Inside Out (Astralwerks)
Strokes style, but more fun.
30. CHRISTINE FELLOWS – Paper Anniversary (Six Shooter Records)
Soft-voiced woman with intriguing musical vignettes, reminiscent of other favorites like Jane Siberry.
31. SONNY ROLLINS – Sonny, Please (Doxy)
32. WHITEY – The Light at the End of the Tunnel is a Train (Dim Mak)
33. SIERRA LEONE’S REFUGEE ALL-STARS - Living Like a Refugee (Anti-Records)
34. MICHAEL FRANTI – Yell Fire! (Anti- Records)
He’s pissed, and I share his outrage. Luckily, he also couches the anger in varied, skillful tunes.
BTW...
and did I mention? DON'T FORGET TO VOTE!!
Jury’s Still Out:
35. KT TUNSTALL – Acoustic Extravaganza (Relentless/Virgin)
An audio CD and a DVD at a single disc price; still, aren't they just cashing in?
36. K-OS – Atlantis:Hymns for Disco (Virgin)
37. AIRPUSHERS – Themes for the Ordinary Strange (Sarathan)
Swag, of sorts: an Airpushers air freshener that you can hang in the car, or a funky closet.
38. The STRAYS – Le Futur Noir (TVT Records)
About to hit the road with The Cult.
39. VERUCA SALT – IV (Sympathy for the Record Industry Records)
Missed the Jaxx show last month.
40. VIVA VOCE – Get Yr Blood Sucked Out (Barsuk Records)
41. RACHEL JACOBS – Friend Overseas
Nice pairing of a 7” vinyl EP and a CD – the same music in two versions.
42. SASHA DOBSON – Modern Romance
“Plangent, almost vibrato-free voice” says the sheet, but the title track is a cover of the Yeah Yeah Yeahs.
43. PAPER CRANES – Vidalia (Mother May I Records)
44. The BLUE VAN – Dear Independence (TVT Records)
45. CARL TANNER – Hear the Angle Voices (Timeless)
Big voice/operatic Christmas songs, heavy on the religious carols.
46. The LOW FREQUENCY IN STEREO – The Last Temptation of…(Gigantic)
Uh-oh. I listened once in the car and kinda liked it, so I wanted to go back and hear it again. But, when I opened the digipack, the CD was cracked right through. I fear it was trod upon by the school carpool.
47. BREAKS CO-OP – The Sound Inside (Astralwerks)
48. GOB IRON – Death Songs for the Living (Transmit Sound/Legacy)
Jay Farrar and Anders Parker
49. AS TALL AS LIONS – S/T (Triple Crown/East West)
Says here it's “British influenced contemporary indie rock” and makes comparisons to Sunny Day Real Estate meets Elbow, or Doves meet the Police. Sorry, but I don't hear it.
50. DANGEROUS MUSE – Give Me Danger EP (Cordless Recordings)
Second EP from the Electro-clash band.
Direct from the band:
51. ENVIE – S/T (self-released)
I’m Just Not That Into You:
52. POLLY PANIC – Painkiller (Greyday Records)
Pitched as a PJ Harvey, Siouxie Sioux style artsy tough mama, and I always love the sound of the cello, but this is just a bit too harsh for me. I do like the back cover – a photo of two prescription bottles, with the song titles listed on the labels.
53. ESTEBAN – Best of Esteban (Dreambox Records)
16th studio album from a new age worker on the direct-sales-through-TV beat. Skillful but noncompelling versions of “Fernando” “Here Comes the Sun,” “Runaway” and some Latin-tinged originals.
54. BADLY DRAWN BOY – Born in the U.K. (Astralwerks)
There are times when, much as you like an artist, his (of her) album makes you yawn or, in the case of some of the lyrics here, wince. The press kit says this album came out after tortured fits and starts. It doesn’t sound belabored, it just sounds limp.
55. BRIAN SETZER – Lucky 13 (Surfdog Records)
56. The CARS – Unlocked (Documrama DVD)
Why would I want to watch a DVD of the Cars in concert? When I saw them at Madison Square Garden at the height of their popularity, they were one of the most boring live shows I'd ever seen.
57. LISA PALLESCHI – Released (Lightyear Entertainment)
Here are the kind of lyrics you can play “what’s the rhyme?” with – she starts a couplet with “Maybe I’m a fool for trying” and you know it’s heading for something like “I don’t see the point in lying.” You can play, too:
“After what you put me though/After what you made me…do!” Generic female ballad pop, with strings. The cover of the Cure’s “Just Like Heaven” stands out, but only as simple relief that it’s not more of the same.
Kids Stuff:
58. DAVID GROVER – Passin’ It On (KOCH)
subtitled “Pickin’ & Grinnin’ & Singin’ Them Old Time Tunes: American Folk Music from Our Living Room to Yours”
59. DAVID GROVER - There’s a Light in You (KOCH)
A David Grover sampler
60. DAVID GROVER & the BIG BEAR BAND - As Different as We Are (We’re All the Same) (KOCH)
(Koch Records)
61. MEREDITH VIERA - TUBBY The TUBA (Koch)
The new co-host of the Today show narrates a kids classic. Can there be a picture book far behind?
It’s Mostly a Waste of Time to Send Me Country Music…
62. MARK CHESNUTT – Heard It In a Love Song
63. TOM WURTH
I wanted to count how many variations on “Wurth hearing” were inl his press kit, but I got tired.
64. HEARTLAND – I Loved Her First (Lofton Creek Records)
wedding song of the year?
…But Then Again, There’s Stuff I Like:
65. CHRIS SMITHER – Leave the Light On (Signature Sounds)
I first heard “Origin of [the] Species” on NPR and liked the wry take on evolution. The rest of the album is more straightforward Steve Earle-edged country blues rock, and much of it is quite catchy.
YTD: 662
DON'T FORGET TO VOTE!!
(unless you're Republican; then, feel free to take the day off)
But here's where we were before I split for the Big Apple...
Getting Out and About:
1.The MILES – The Story of Yourself (self-released)
2.The MILES – Making of The Story of Yourself (DVD)
The odd ways in which bands get discovered: I went to Jammin’ Java to see a band named Husky Rescue, which I had previewed for the Post. When I arrived, the opening act was onstage and I liked what I heard, so I signed the band’s mailing list, sitting on a speaker in front of the stage. But then, the band onstage introduced itself and it was NOT the one I signed to receive info about. And I had written in the “notes” section: “Liked your set. I write about music. Get in touch.”
Well, the next week, I get a sweet note from this band I knew nothing about and I had to admit the mistake. But the guy kept in touch, kept me informed about other gigs, and so I felt almost obliged to attend the band’s CD release party.
Happy ending: I liked them! A nice muscular but melodic sound, with hints of U2 anthemic rock and some neat Radiohead-style sonic noodling. Lead singer guy is as cute as his emails were gracious and I intend to keep track of what they do next.
Also on the bill this night:
Chris Trapper, former leader of the PushStars and a straight shooter of the singer/songwriter school, popular in my household for the Irish wake sing-along, “Keg on My Coffin.”
and the opener:
3. JANN KLOSE – Black Box EP
In a brief echo of the Miles’ story, I caught only the last two songs of Klose’s set and, while they didn’t make a strong impression, I snapped off a few shots and send them to his publicist, who had mentioned his appearance previously. She forwards the shots to him and I get an appreciative note asking if he can post two on his site and would I like a copy of the CD. Sure, and now I feel it’s the good karma thing to catch his show in its entirety next time he comes around.
Another Day, Another Show:
4. The ROOSEVELT, DELETED SCENES, GARY B and the NOTIONS - sampler
This freebie was handed out as we left the Regina Spektor show at the 930 Club – a clear baggie with a prescription pad page listing the bands as if they were medicines to take at prescribed times, promoting a show later that week at a newish club, The Red and The Black.
And Yet Another:
5. YOUNG LOVE - YL (Island)
Two-song sampler from the cute boys who opened for Good Charlotte and the Pink Spiders last month at the 930 Club, given out at the club, along with my new collection passion – 1” pinbacks. Leader Dan Keyes is tall, thin and good-looking in a mop-topped Brit-rock kind of way, and there seems to be a push on to get him the heartthrob vote. Be careful Island- it seems like a nice hook now, but the music I heard sounds better than that which you sell at a discounted cred rate to the TRL crowd.
6. YOUNG LOVE – Too Young to Fight It (Island)
In the weeks before the concert, the publicist reached out to promote YL’s set and I asked if she could send music. I get an overnight delivery (so I know they weren’t skipping on cost) and inside is unlabeled CD, not even in a cardboard or paper sleeve.
7. VARIOUS ARTISTS – State of the Union: DC Benefit Compilation (Dischord)
Good Charlotte may be MTV stars now, but they haven’t forgotten where they came from. They gave over the merch booth to the socially conscious local charity Positive Force, and let the organization’s main man give a little speech before their set. This sampler was among the get smarter swag being given away at the booth.
And, BTW, the Madden boys are looking mighty buff these days. Benji has a stance that even recalls Springsteen at his ripped peak...
Yeah, I Paid Cash Money for Some Stuff, Too
8. VARIOUS ARTISTS – Soul Legends (Motown)
When Mom visits, she likes to check into a local discount chain called Tuesday Morning. I go along and drift through the aisles, and usually wind up with some weird licensed merchandise toy at an absurdly low price. There’s not much in the musical coll
9. VARIOUS ARTISTS – Best of 60s British Beat
Another visit with mom to a discount store, another find (I thought), but Caveat Emptor, music fans. Be sure to read the fine print, which I didn’t do carefully enough. “Big beat stars from pop’s brightest decade interpret their hits as only they know how…great versions of memorable songs…” As in, not the original versions. So I’ve got lame, recent reworkings of “Yeh, Yeh” by Georgie Fame,“Bad to Me” by Billy J. Kramer, “Hello Little Girl” by Foremost and other pale imitations.
10. VARIOUS ARTISTS – Take It Easy: 15 Soft Rock Anthems (Q magazine)
11. VARIOUS ARTISTS – Paste # 26
12. CYNDI LAUPER – The Body Acoustic (Epic/Daylight)
This month’s $5.99 order from yourmusic.com. Lauper revisits some of her greatest hits in sometimes striking new arrangements. Not all of them work, but it’s nice to hear her stretching out – while making a living.
At the CD trade-in store:
13. VARIOUS ARTISTS – Joni Mitchell Artist’s Choice (Hear Music/Rhino)
As you’d expect, Mitchell’s selection is eclectic and jazz-tinged (two Duke Ellington, Miles Davis) with some classical stuff and classic singer/songwriters (Bob Dylan, Leonard Cohen). A few surprises – she includes one of her own songs (“Harlem in Havana”), highlights two tracks from Deep Forest (instead of spreading the love to another obscure band) and ends with a one-hit wonder, New Radicals’ “You Get What You Give.”
14. RHETT MILLER – World Café Live (DVD)
'Round my house, we call him Skinny boy Rhett” 'cause he looks so lean and cute in his slim black jeans. And he's a great songwriter, too.
15. ELVIS COSTELLO – It’s Time (Warner Bros.)
Three track single with a cover of Springsteen’s “Brilliant Disguise” done as twangy country blues.
Oh, No, Tower Records, Don’t Go:
Music geeks are in despair but we also know a bargain when we hear about one, so the next few weeks will be an ongoing pilgrimage to the beloved retail store, tracking the drop in prices (20% off everything now, due to drop as the weeks go) and calculating how few XTC box sets are on the shelves before we commit. At this first visit, I got:
16. VARIOUS ARTISTS – The Remix FM2 (Virgin EMI)
Two CDs with an odd collection of tunes. $7.50
17. DIANA KRALL – Temptation (Verve)
The tan stickers mean 25% off, which leads to these two tracks costing less than the price of a jewel box. True music geek confession – I think I already have the album, but I have to adopt these orphans (besides, she’s married to Elvis Costello!)
18. PHOENIX – Everything is Everything (Virgin)
Four tracks for under $2 – the catchy title track in audio and video versions, a live take of “Run Run Run” and a medley of early demos, which shows that many of the band’s catchy tunes hold up as songs and don’t need the playful studio production.
19. BRUCE SPRINGSTEEN – Devils & Dust (Columbia)
Another 20-center. Just the single song in a cardboard cover.
20. VARIOUS ARTISTS – I Want My ‘80s! sampler (Universal Music)
Free with purchase. Grand, cheesy anthems.
Pitches:
21. MATTHEW RYAN – From a Late Night High Rise (00:02:59)
Coming to the IOTA on November 6th. The album comes out December 5th.
22. BARENAKED LADIES – Are Me (Desperation Records)
Nothing as directly humorous as on previous CDs (though “Bank Job” takes on an unusual subject for a pop song – a botched heist), but BNL have a way with a melody and a hook. Played the Patriot Center on November 4th.
23. MIKE DOUGHTY – Haughty Melodic (ATO Records)
He opened for BNL on November 4th, which adds to the odds that it was a fine show. The former leader of Soul Coughing sounds much like you imagine it would – not that there’s anything wrong with that. Much as I love the ubiquitous java joint, how could I not also love a song entitled “Busting Up a Starbucks”?
Palpable Hits:
24. The DECEMBERISTS – The Crane Wife (Capitol)
I read one comparison to Jethro Tull and endless repetitions of the term "Prog-folk," but to me it's just more great Decemberists. “The Perfect Crime” has the galloping beat of Talking Heads in their “Life During Wartime” prime.
25. NIGHTMARE BEFORE CHRISTMAS
Double CD with the original soundtrack, a disc of new recordings by the likes of Panic! at the Disco and Fiona Apple, and some of Danny Elfman's demos. All great, 'cept for the She Wants Revenge version of "Kidnap the Sandy Claws," which trades all the charm for a gothy, Human Leaguey rendition.
26. MY CHEMICAL ROMANCE – The Black Parade (Reprise)
When the band preformed the title track on SNL, I knew I had to get the CD right away, just so I could hear it again. Not because I was sure I liked it; more because it was so outrageous, I needed to know if I could believe me ears. It has lived up to the cost and then some.
Fine First Impressions:
27. The BALDWIN BROTHERS – The Return of the Golden Rhodes (TVT)
Why do I keep thinking they should be on Astralwerks? This band has that uber-hip dance feel that the label specializes in, and TVT is known for much raw-er stuff.
28. PAUL MICHEL – Quiet State of Panic
When was he in Army of Me?
29. The KOOKS – Inside In/Inside Out (Astralwerks)
Strokes style, but more fun.
30. CHRISTINE FELLOWS – Paper Anniversary (Six Shooter Records)
Soft-voiced woman with intriguing musical vignettes, reminiscent of other favorites like Jane Siberry.
31. SONNY ROLLINS – Sonny, Please (Doxy)
32. WHITEY – The Light at the End of the Tunnel is a Train (Dim Mak)
33. SIERRA LEONE’S REFUGEE ALL-STARS - Living Like a Refugee (Anti-Records)
34. MICHAEL FRANTI – Yell Fire! (Anti- Records)
He’s pissed, and I share his outrage. Luckily, he also couches the anger in varied, skillful tunes.
BTW...
and did I mention? DON'T FORGET TO VOTE!!
Jury’s Still Out:
35. KT TUNSTALL – Acoustic Extravaganza (Relentless/Virgin)
An audio CD and a DVD at a single disc price; still, aren't they just cashing in?
36. K-OS – Atlantis:Hymns for Disco (Virgin)
37. AIRPUSHERS – Themes for the Ordinary Strange (Sarathan)
Swag, of sorts: an Airpushers air freshener that you can hang in the car, or a funky closet.
38. The STRAYS – Le Futur Noir (TVT Records)
About to hit the road with The Cult.
39. VERUCA SALT – IV (Sympathy for the Record Industry Records)
Missed the Jaxx show last month.
40. VIVA VOCE – Get Yr Blood Sucked Out (Barsuk Records)
41. RACHEL JACOBS – Friend Overseas
Nice pairing of a 7” vinyl EP and a CD – the same music in two versions.
42. SASHA DOBSON – Modern Romance
“Plangent, almost vibrato-free voice” says the sheet, but the title track is a cover of the Yeah Yeah Yeahs.
43. PAPER CRANES – Vidalia (Mother May I Records)
44. The BLUE VAN – Dear Independence (TVT Records)
45. CARL TANNER – Hear the Angle Voices (Timeless)
Big voice/operatic Christmas songs, heavy on the religious carols.
46. The LOW FREQUENCY IN STEREO – The Last Temptation of…(Gigantic)
Uh-oh. I listened once in the car and kinda liked it, so I wanted to go back and hear it again. But, when I opened the digipack, the CD was cracked right through. I fear it was trod upon by the school carpool.
47. BREAKS CO-OP – The Sound Inside (Astralwerks)
48. GOB IRON – Death Songs for the Living (Transmit Sound/Legacy)
Jay Farrar and Anders Parker
49. AS TALL AS LIONS – S/T (Triple Crown/East West)
Says here it's “British influenced contemporary indie rock” and makes comparisons to Sunny Day Real Estate meets Elbow, or Doves meet the Police. Sorry, but I don't hear it.
50. DANGEROUS MUSE – Give Me Danger EP (Cordless Recordings)
Second EP from the Electro-clash band.
Direct from the band:
51. ENVIE – S/T (self-released)
I’m Just Not That Into You:
52. POLLY PANIC – Painkiller (Greyday Records)
Pitched as a PJ Harvey, Siouxie Sioux style artsy tough mama, and I always love the sound of the cello, but this is just a bit too harsh for me. I do like the back cover – a photo of two prescription bottles, with the song titles listed on the labels.
53. ESTEBAN – Best of Esteban (Dreambox Records)
16th studio album from a new age worker on the direct-sales-through-TV beat. Skillful but noncompelling versions of “Fernando” “Here Comes the Sun,” “Runaway” and some Latin-tinged originals.
54. BADLY DRAWN BOY – Born in the U.K. (Astralwerks)
There are times when, much as you like an artist, his (of her) album makes you yawn or, in the case of some of the lyrics here, wince. The press kit says this album came out after tortured fits and starts. It doesn’t sound belabored, it just sounds limp.
55. BRIAN SETZER – Lucky 13 (Surfdog Records)
56. The CARS – Unlocked (Documrama DVD)
Why would I want to watch a DVD of the Cars in concert? When I saw them at Madison Square Garden at the height of their popularity, they were one of the most boring live shows I'd ever seen.
57. LISA PALLESCHI – Released (Lightyear Entertainment)
Here are the kind of lyrics you can play “what’s the rhyme?” with – she starts a couplet with “Maybe I’m a fool for trying” and you know it’s heading for something like “I don’t see the point in lying.” You can play, too:
“After what you put me though/After what you made me…do!” Generic female ballad pop, with strings. The cover of the Cure’s “Just Like Heaven” stands out, but only as simple relief that it’s not more of the same.
Kids Stuff:
58. DAVID GROVER – Passin’ It On (KOCH)
subtitled “Pickin’ & Grinnin’ & Singin’ Them Old Time Tunes: American Folk Music from Our Living Room to Yours”
59. DAVID GROVER - There’s a Light in You (KOCH)
A David Grover sampler
60. DAVID GROVER & the BIG BEAR BAND - As Different as We Are (We’re All the Same) (KOCH)
(Koch Records)
61. MEREDITH VIERA - TUBBY The TUBA (Koch)
The new co-host of the Today show narrates a kids classic. Can there be a picture book far behind?
It’s Mostly a Waste of Time to Send Me Country Music…
62. MARK CHESNUTT – Heard It In a Love Song
63. TOM WURTH
I wanted to count how many variations on “Wurth hearing” were inl his press kit, but I got tired.
64. HEARTLAND – I Loved Her First (Lofton Creek Records)
wedding song of the year?
…But Then Again, There’s Stuff I Like:
65. CHRIS SMITHER – Leave the Light On (Signature Sounds)
I first heard “Origin of [the] Species” on NPR and liked the wry take on evolution. The rest of the album is more straightforward Steve Earle-edged country blues rock, and much of it is quite catchy.
YTD: 662
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