I couldn't help but think of Laurie Anderson, deadpanning the words of a calm pilot in the face of disaster, as I see TV clips of a commercial flight landing (safely!) on (in?) the Hudson River. Oh, New York City, you always have such amazing stories to tell!
As for me, it's been a day. Things got done, choices have been made (good ones, I think, though I won't go into detail here) and the momentum of the new year remains strong. And as we watch the lame duck waddle into the sunset, I say yea.
But we're here for the music, so I drop by briefly to add two new Post previews to the assembled archives:
Dave Ihmels (local singer/songwriter) at FireFlies
Bill Emerson and Sweet Dixie (bluegrass) at Holy Cross Lutheran Church.
I have an exit strategy - Say my piece and get out.
words and pictures about music
Thursday, January 15, 2009
Thursday, January 08, 2009
Tally Ho!
Let the Obsessive/CD counting begin!
Today I took a few bags of cast-off items to my local thrift store and, of course, spent time looking through the shelves of CDs, being sold for just $1.50 each! I talked myself out of some that were in less than ideal condition, plus a few that I may well already have at home (such doubts are an occupational hazard of the obsessive collector). Still, I got a dozen:
PRACTICALLY EINSTEIN - I Want To (Oddman Records)
This local NoVA band’s name pops up occasionally when I’m searching venues for shows to cover for the Post. Might as well have a copy of the disc on hand so I can consider them. Uh-oh. Just noticed - this is a 1998 recording!? I wonder if the band sounds anything at all like this anymore. It would probably be a bad sign if they did.
POISON - Poisons Greatest Hits 1986-1996 (Capitol)
Insert joke here about how this full-length should be an EP. My first thought was simply to get it as a joke for Birthday-Coming Girl (Jan. 24), with whom I wasted many hours watching the deliciously wretched “Rock Love” in a perversion of mother/daughter bonding. But then I saw the title “Unskinny Bop” and realized I actually want one of these songs! Also contains two previously unreleased tracks for which I hold out little hope.
U2 - War (Island)
No, it’s not one of the new deluxe reissues, but jeez, it was only a buck and a half! I wonder what my vinyl copy might fetch on amazon...?
CAN YOU SAY HOBOKEN? 6 - Various Artists (Brave Entertainment Group)
I wouldn’t have bothered with another compilation of obscure artists from the hipster enclave, but then I saw the name of an old pal, Chris Butler (late of the Waitresses) doing a song called “Keith Moon!” (love the exclamation point), so I had to check it out.
SWING AROUND THE WORLD - Various Artists (Putumayo World Music)
“A global swing dance party that’s fun for the entire family!” I recognize the Squirrel Nut Zippers and Oscar Peterson, but that’s not the point here. I want to be taken away to exotic lands where I don’t know the language but can still feel the beat. Anybody else remember when Putumayo had a store in Soho with funky, fun fashion?
IMMORTAL BELOVED - Original Motion Picture Soundtrack (SONY Classical)
I almost passed up this CD when I noticed that the contents read “excerpts from...” a list of Ludwig’s best-known numbers. Then I realized I need Beethoven for Dummies.
MADELEINE PEYROUX - Careless Love (Rounder)
I know I have a Peyroux CD somewhere in the house. And I know I like her voice. But is this the title I already have? Oh, heck, it’s still sealed, so I can probably get my money back at the trade-in store if it’s a dupe.
The BLACK CROWES - Greatest Hits 1990-1999 (American)
Back in the summer, I interviewed Grace Potter, who was opening a show for the Crowes at Wolf Trap, for the Post. I really wanted to go to the show, and bought this CD at Best Buy to psyche myself up for the show. But I never broke the shrink-wrap and didn’t get to the show and wound up returning the CD for credit. So now we come full circle.
JOHN MAYER - Room for Squares (Aware/Columbia)
I have a copy of the album with a different cover and, I believe, a few different tracks. That one is, I believe, an earlier (collectible?) release and this is the one that made him a huge star. Want to make a comparison.
BARENAKED LADIES - Everything to Everyone (Reprise)
Slowly but surely (and relatively cheaply), I am working towards the full catalog of this fine, funny band, whose charms I discovered rather late in their career (‘round “Stunt”).
OUTKAST - Speakerboxxx/The Love Below (Arista)
Remember how huge this album was? “Hey-Ya”? “The Way You Move”? “Roses”? At the time, a teenage neighbor burned me a copy, but I like to have the real deal, especially for an album with such a lasting pedigree. Funny/sad note re this once invincible act - even the used CD store wasn’t interested in a copy of “Idlewild” last time I was there. And BTW, while the Korean cashier in the back of the thrift store examines every CD to count the discs, the younger woman at the front cashier doesn’t, so buy your 2-CD sets from her!
American Eagle: AN ESSENTIAL MIX - Various Artists (Warner Bros.)
Except for PM Dawn, Olive and Muse, I don’t recognize the artists on this 10-track compilation, but the latter is a favorite of College Girl’s ex, a nice guy who she’ll hopefully stay friends with, and I’ll pass this one to him. Of the eight tracks I’ve heard so far, only one’s a keeper - “Sunbeam” (as in “Jesus wants me for a...”) by Submarine. I haven’t gotten to the Muse track yet, but I’m not sure ex is gonna want it. Everything here is totally jacked up with hyper dance beats, to numbing effect.
And so, the first O/CD Tally of the New Year: 12
Tonight: Camper Van Beethoven at the State Theatre.
Tomorrow: photos of same (I hope)
Today I took a few bags of cast-off items to my local thrift store and, of course, spent time looking through the shelves of CDs, being sold for just $1.50 each! I talked myself out of some that were in less than ideal condition, plus a few that I may well already have at home (such doubts are an occupational hazard of the obsessive collector). Still, I got a dozen:
PRACTICALLY EINSTEIN - I Want To (Oddman Records)
This local NoVA band’s name pops up occasionally when I’m searching venues for shows to cover for the Post. Might as well have a copy of the disc on hand so I can consider them. Uh-oh. Just noticed - this is a 1998 recording!? I wonder if the band sounds anything at all like this anymore. It would probably be a bad sign if they did.
POISON - Poisons Greatest Hits 1986-1996 (Capitol)
Insert joke here about how this full-length should be an EP. My first thought was simply to get it as a joke for Birthday-Coming Girl (Jan. 24), with whom I wasted many hours watching the deliciously wretched “Rock Love” in a perversion of mother/daughter bonding. But then I saw the title “Unskinny Bop” and realized I actually want one of these songs! Also contains two previously unreleased tracks for which I hold out little hope.
U2 - War (Island)
No, it’s not one of the new deluxe reissues, but jeez, it was only a buck and a half! I wonder what my vinyl copy might fetch on amazon...?
CAN YOU SAY HOBOKEN? 6 - Various Artists (Brave Entertainment Group)
I wouldn’t have bothered with another compilation of obscure artists from the hipster enclave, but then I saw the name of an old pal, Chris Butler (late of the Waitresses) doing a song called “Keith Moon!” (love the exclamation point), so I had to check it out.
SWING AROUND THE WORLD - Various Artists (Putumayo World Music)
“A global swing dance party that’s fun for the entire family!” I recognize the Squirrel Nut Zippers and Oscar Peterson, but that’s not the point here. I want to be taken away to exotic lands where I don’t know the language but can still feel the beat. Anybody else remember when Putumayo had a store in Soho with funky, fun fashion?
IMMORTAL BELOVED - Original Motion Picture Soundtrack (SONY Classical)
I almost passed up this CD when I noticed that the contents read “excerpts from...” a list of Ludwig’s best-known numbers. Then I realized I need Beethoven for Dummies.
MADELEINE PEYROUX - Careless Love (Rounder)
I know I have a Peyroux CD somewhere in the house. And I know I like her voice. But is this the title I already have? Oh, heck, it’s still sealed, so I can probably get my money back at the trade-in store if it’s a dupe.
The BLACK CROWES - Greatest Hits 1990-1999 (American)
Back in the summer, I interviewed Grace Potter, who was opening a show for the Crowes at Wolf Trap, for the Post. I really wanted to go to the show, and bought this CD at Best Buy to psyche myself up for the show. But I never broke the shrink-wrap and didn’t get to the show and wound up returning the CD for credit. So now we come full circle.
JOHN MAYER - Room for Squares (Aware/Columbia)
I have a copy of the album with a different cover and, I believe, a few different tracks. That one is, I believe, an earlier (collectible?) release and this is the one that made him a huge star. Want to make a comparison.
BARENAKED LADIES - Everything to Everyone (Reprise)
Slowly but surely (and relatively cheaply), I am working towards the full catalog of this fine, funny band, whose charms I discovered rather late in their career (‘round “Stunt”).
OUTKAST - Speakerboxxx/The Love Below (Arista)
Remember how huge this album was? “Hey-Ya”? “The Way You Move”? “Roses”? At the time, a teenage neighbor burned me a copy, but I like to have the real deal, especially for an album with such a lasting pedigree. Funny/sad note re this once invincible act - even the used CD store wasn’t interested in a copy of “Idlewild” last time I was there. And BTW, while the Korean cashier in the back of the thrift store examines every CD to count the discs, the younger woman at the front cashier doesn’t, so buy your 2-CD sets from her!
American Eagle: AN ESSENTIAL MIX - Various Artists (Warner Bros.)
Except for PM Dawn, Olive and Muse, I don’t recognize the artists on this 10-track compilation, but the latter is a favorite of College Girl’s ex, a nice guy who she’ll hopefully stay friends with, and I’ll pass this one to him. Of the eight tracks I’ve heard so far, only one’s a keeper - “Sunbeam” (as in “Jesus wants me for a...”) by Submarine. I haven’t gotten to the Muse track yet, but I’m not sure ex is gonna want it. Everything here is totally jacked up with hyper dance beats, to numbing effect.
And so, the first O/CD Tally of the New Year: 12
Tonight: Camper Van Beethoven at the State Theatre.
Tomorrow: photos of same (I hope)
Monday, January 05, 2009
Thinking 'Bout the Best of '08
Midnight tonight is the deadline for the Village Voice's 2008 Pazz & Jop Poll. I finished my ballot about 9 pm, so I felt good about being so early. (Last year, I was pushing the 'send' button as the minute hand was slowly ticking to the day's end).
It's always hard to settle on the final 10 albums/singles and there are always a few late acquisitions that are hard to judge in context against those that have had months to make their mark or fade from attention.
For instance, I've had TV ON THE RADIO CD's “Dear Science” for just the last two weeks and am very much liking it. It’s a little late in the game to consider it for the year’s best, but it slipped past me before and the publicist was kind enough to send it along. Sometimes, the best criteria I have for what makes the list is which albums I would like to run away with and explore fully. This is one of them.
Anyway my Top Ten CDs for 2008, starting with the runaway winner for Best Album of the Year:
Elbow - Seldom Seen Kid (Geffen)
and a close runner-up:
Vampire Weekend - S/T (XL)
The rest are in somewhat descending order:
MGMT - Oracular Spectacular (Columbia)
Johnny Flynn - A Larum (Lost Highway)
TV on the Radio - Dear Science (Interscope/4AD)
Flight Of The Conchords - S/T (Sub Pop)
My Morning Jacket - Evil Urges (ATO)
Death Cab for Cutie - Narrow Stairs (Atlantic)
Gabe Dixon Band - S/T (Fantasy)
Bon Iver - For Emma, Forever Ago (Jagjaguwar)
and my Top Ten Singles (in alphabetical order, by artist):
Coldplay -Viva La Vida (Capitol)
Duffy - Mercy (Mercury)
Ben Folds & Regina Spector - You Don’t Know Me (Epic)
Flobots - Handlebars (Universal/Repubic)
Kings of Leon - Sex on Fire (RCA)
M.I.A. - Paper Planes (XL/Interscope)
Pretenders - Boots of Chinese Plastic (Shangri-La)
Thao and The Get Down Stay Down - Bag of Hammers (Kill Rock Stars)
Ting Tings - That’s Not My Name (Columbia)
Will.i.am - Yes We Can (streaming video)
Comments?
I leave you with a freebie:
Filter magazine online is offering a gratis mp3 from the forthcoming Bell X1 CD, Blue Lights on the Runway, which comes out March 3rd. (That’s the same day the new U2 is supposed to arrive, too, pitting two Irish faves against each other.) Click here for ”How Your Heart is Wired.”
Ooooh, says here that the band has done some “reshuffling” and is now a trio. Last fall, when Bell X1 was promoting its “Flock” CD, I had drinks in a DC Irish bar with lead singer Paul Noonan (mentioned in the Filter note) and Dominic Philips and Brian Crosby. I just went off to Wikipedia and they say that Brian is gone. Awwww....
It's always hard to settle on the final 10 albums/singles and there are always a few late acquisitions that are hard to judge in context against those that have had months to make their mark or fade from attention.
For instance, I've had TV ON THE RADIO CD's “Dear Science” for just the last two weeks and am very much liking it. It’s a little late in the game to consider it for the year’s best, but it slipped past me before and the publicist was kind enough to send it along. Sometimes, the best criteria I have for what makes the list is which albums I would like to run away with and explore fully. This is one of them.
Anyway my Top Ten CDs for 2008, starting with the runaway winner for Best Album of the Year:
Elbow - Seldom Seen Kid (Geffen)
and a close runner-up:
Vampire Weekend - S/T (XL)
The rest are in somewhat descending order:
MGMT - Oracular Spectacular (Columbia)
Johnny Flynn - A Larum (Lost Highway)
TV on the Radio - Dear Science (Interscope/4AD)
Flight Of The Conchords - S/T (Sub Pop)
My Morning Jacket - Evil Urges (ATO)
Death Cab for Cutie - Narrow Stairs (Atlantic)
Gabe Dixon Band - S/T (Fantasy)
Bon Iver - For Emma, Forever Ago (Jagjaguwar)
and my Top Ten Singles (in alphabetical order, by artist):
Coldplay -Viva La Vida (Capitol)
Duffy - Mercy (Mercury)
Ben Folds & Regina Spector - You Don’t Know Me (Epic)
Flobots - Handlebars (Universal/Repubic)
Kings of Leon - Sex on Fire (RCA)
M.I.A. - Paper Planes (XL/Interscope)
Pretenders - Boots of Chinese Plastic (Shangri-La)
Thao and The Get Down Stay Down - Bag of Hammers (Kill Rock Stars)
Ting Tings - That’s Not My Name (Columbia)
Will.i.am - Yes We Can (streaming video)
Comments?
I leave you with a freebie:
Filter magazine online is offering a gratis mp3 from the forthcoming Bell X1 CD, Blue Lights on the Runway, which comes out March 3rd. (That’s the same day the new U2 is supposed to arrive, too, pitting two Irish faves against each other.) Click here for ”How Your Heart is Wired.”
Ooooh, says here that the band has done some “reshuffling” and is now a trio. Last fall, when Bell X1 was promoting its “Flock” CD, I had drinks in a DC Irish bar with lead singer Paul Noonan (mentioned in the Filter note) and Dominic Philips and Brian Crosby. I just went off to Wikipedia and they say that Brian is gone. Awwww....
Thursday, January 01, 2009
And Thus, We Begin Again
So here we are once more, facing the blank pages of a new datebook and hoping to fill in the days of 2009 with fun events, fine music and happy thoughts.
And my resolution is to blog better and more often, so hold me to it. (A few comments would be nice, so stop lurking and let's get interactive!)
The morning began in a nice New Year's way with the morning papers and late breakfast. And there, in the Washington Post, were two new regional section previews:
1. Camper Van Beethoven at the State Theatre
2. and a local band of veteran blues players,
The Deacons at Cowboy Café.
In pulling those pieces up, I saw that the last pair of previews was never posted here, so I'll add them, too:
The Lee Boys at the State Theatre
Levine School of Music Holiday Concert
While I did such bookkeeping, I watched a new DVD from one of my longtime favorite bands
FOUNTAINS OF WAYNE: No Better Place – Live in Chicago DVD (Shout! Factory)
To be released on February 24.
The concert was recorded for a Chicago TV show called "Soundstage," in a beautiful old theatre that gave the band a big stage area and some nifty video screens upon which to project images that related, however tangentially, to the songs.
I have been to a handful of FoW concerts and have always had a great time being in the audience to hear the band’s catchy, clever songs played well. But as much as I love this band, no one’s going to mistake these guys for Aerosmith in terms of presenting a riveting live show. These are not showy people; there’s no rock star attitude, no posturing or long solo indulgences. And in this particular show, shot in 2005, there’s no material from 2007’s wonderful “Traffic and Weather”album.
But you can’t take away from the music that is here – “Radiation Vibe” still makes me smile after all these years. And things lift off to an almost Real Rock Show rousing degree with a fine rendition of “Bright Future in Sales” but they censor a word in the line, “I gotta get my shit together.”
If all you know about Fountains of Wayne is “Stacy’s Mom,” you’re missing out on one of pop’s true pleasures. This DVD can serve as a souvenir for hardcore fans, a pleasant live almost-best-of for newbies, but you can enjoy the music as an audio experience without needing to stay glued to the screen.
According to the Shout! Factory web site, the DVD also features an “all new, never-before seen acoustic mini-set filmed live in the recording studio.” But that wasn’t on my promo advance. ;-(
Two more side notes:
1) FoW's Adam Schlesinger (who has earned Oscar, Tony and Golden Globe nominations for his film, television and theater work outside the band) recently joined with David Javerbaum, executive producer of “The Daily Show,” to write some of the original songs for "A Colbert Christmas: The Greatest Gift Of All."
2) Fountains of Wayne is coming to the Birchmere next month for a rare full-band acoustic set, during which I hope Adam and Chris will open up a bit and talk about their songwriting partnership – and not mumble (the little moments of stage patter on the DVD are barely audible). That will be way better than any video concert.
And that’s all for this first day of the new year. Cheers!
And my resolution is to blog better and more often, so hold me to it. (A few comments would be nice, so stop lurking and let's get interactive!)
The morning began in a nice New Year's way with the morning papers and late breakfast. And there, in the Washington Post, were two new regional section previews:
1. Camper Van Beethoven at the State Theatre
2. and a local band of veteran blues players,
The Deacons at Cowboy Café.
In pulling those pieces up, I saw that the last pair of previews was never posted here, so I'll add them, too:
The Lee Boys at the State Theatre
Levine School of Music Holiday Concert
While I did such bookkeeping, I watched a new DVD from one of my longtime favorite bands
FOUNTAINS OF WAYNE: No Better Place – Live in Chicago DVD (Shout! Factory)
To be released on February 24.
The concert was recorded for a Chicago TV show called "Soundstage," in a beautiful old theatre that gave the band a big stage area and some nifty video screens upon which to project images that related, however tangentially, to the songs.
I have been to a handful of FoW concerts and have always had a great time being in the audience to hear the band’s catchy, clever songs played well. But as much as I love this band, no one’s going to mistake these guys for Aerosmith in terms of presenting a riveting live show. These are not showy people; there’s no rock star attitude, no posturing or long solo indulgences. And in this particular show, shot in 2005, there’s no material from 2007’s wonderful “Traffic and Weather”album.
But you can’t take away from the music that is here – “Radiation Vibe” still makes me smile after all these years. And things lift off to an almost Real Rock Show rousing degree with a fine rendition of “Bright Future in Sales” but they censor a word in the line, “I gotta get my shit together.”
If all you know about Fountains of Wayne is “Stacy’s Mom,” you’re missing out on one of pop’s true pleasures. This DVD can serve as a souvenir for hardcore fans, a pleasant live almost-best-of for newbies, but you can enjoy the music as an audio experience without needing to stay glued to the screen.
According to the Shout! Factory web site, the DVD also features an “all new, never-before seen acoustic mini-set filmed live in the recording studio.” But that wasn’t on my promo advance. ;-(
Two more side notes:
1) FoW's Adam Schlesinger (who has earned Oscar, Tony and Golden Globe nominations for his film, television and theater work outside the band) recently joined with David Javerbaum, executive producer of “The Daily Show,” to write some of the original songs for "A Colbert Christmas: The Greatest Gift Of All."
2) Fountains of Wayne is coming to the Birchmere next month for a rare full-band acoustic set, during which I hope Adam and Chris will open up a bit and talk about their songwriting partnership – and not mumble (the little moments of stage patter on the DVD are barely audible). That will be way better than any video concert.
And that’s all for this first day of the new year. Cheers!
Wednesday, December 31, 2008
Cool Free Music
In keeping with my (almost) new year's resolution to blog more often, even it it's just a quick hit, here's a nice freebie from amazon.com, a sampler of free tracks from the Yep Roc label, home of some great artists like Nick Lowe, Bell X-1 and Robyn Hitchcock. It's called, This is How I Roc
You're welcome!
You're welcome!
Thursday, December 11, 2008
CPF Wishes You a (Belated) Cool Yule
Hey there, CPFs.
I've been on Santa's naughty list, not doing the blog thing in a long time. Thankfully, he cut me some slack, and I had a great holiday, full of fun and nifty gifties.
As for the blog, I'm rethinking it and making plans to start the New Year with a change in format. (Feel free to let me know what you enjoy most and/or need less of.) Details as they develop, film at 11.
This year's Cool Yule compilation was finished about 4 pm on Christmas Eve, right after I filed my last Post stories for this year (actually, the stories will appear in the January 1st regional editions, so they are both the last stories of 2008 and the first of 2009). Anyway, so here's this year's Cool Yule deal...
Rather than distribute discs, I'm going the digital delivery route (and even so, I'm late!). The songs have been posted on my MobileMe site (another Apple perk) and can be downloaded by any and all who know the URL and password. So, send a comment, give me your email eddress and I will let you know how to grab it.
And in the further spirit of giving, with immediate gratification, here's a nice song, called "Rabbit Ears", by the band Pompeii, courtesy of the band's label, Eyeball Records.
A little background: Pompeii's sophomore release, "Nothing Happens for a Reason," was released in October 2008 and produced by CJ Eiriksson (Jack's Mannequin).
One of the ingredients of the new CPF Blog will be more free music!
So, that's all for now.
Happy, Happy, Merry, Merry.
see you again before 2009.
I've been on Santa's naughty list, not doing the blog thing in a long time. Thankfully, he cut me some slack, and I had a great holiday, full of fun and nifty gifties.
As for the blog, I'm rethinking it and making plans to start the New Year with a change in format. (Feel free to let me know what you enjoy most and/or need less of.) Details as they develop, film at 11.
This year's Cool Yule compilation was finished about 4 pm on Christmas Eve, right after I filed my last Post stories for this year (actually, the stories will appear in the January 1st regional editions, so they are both the last stories of 2008 and the first of 2009). Anyway, so here's this year's Cool Yule deal...
Rather than distribute discs, I'm going the digital delivery route (and even so, I'm late!). The songs have been posted on my MobileMe site (another Apple perk) and can be downloaded by any and all who know the URL and password. So, send a comment, give me your email eddress and I will let you know how to grab it.
And in the further spirit of giving, with immediate gratification, here's a nice song, called "Rabbit Ears", by the band Pompeii, courtesy of the band's label, Eyeball Records.
A little background: Pompeii's sophomore release, "Nothing Happens for a Reason," was released in October 2008 and produced by CJ Eiriksson (Jack's Mannequin).
One of the ingredients of the new CPF Blog will be more free music!
So, that's all for now.
Happy, Happy, Merry, Merry.
see you again before 2009.
Wednesday, December 03, 2008
Who Gives a ^$#@ about an Oxford Comma?
The delightful Vampire Weekend asked the musical question last night at the 930 Club at their second show in two nights. In answer to that particular question - I generally avoid such punctuation (it's also known as the serial comma, the one that follows a word in a series, right before the word "and," as in "apples, peaches, and pumpkin pie." I don't see the need for that comma) 
The bigger question for those of us gathered in the sold-out club was whether the band, whose album blasted onto the scene earlier this year as one of the best and brightest new acts in long memory - and still continues to charm - could bring the sound home live. So glad to report that they did, in spades. Played the whole album, plus a few new songs that bode extremely well for the next release, and still came in at just about one hour on stage.
But none of us felt cheated. The drummer kicked everything up another notch - the usual wonky DC crowd actually kinda sorta danced a bit - and the lead singer radiated cute.
Also helping to make the night a full event of fun was opener, The Teenagers, whose lead singer drips irony in a way that would be positively annoying if it weren't so utterly amusing. The sound is herky-jerky rhythms that stood up well as a companion to Vampire Weekend (of course, the Talking Heads songs we heard in the break showed where all these rivers run back to) topped by deadpan monolog lyrics that occasionally bordered on the profane and yet didn't piss me off.
I downloaded
The TEENAGERS - Reality Check
the day of the show so I could get a taste of what was to come. Enjoying it again today (shocked to hear that "Homecoming" really said what I thought it did last night) , though it's still the lead singer's arch charisma that really brings it home.
Anyway, Ferguson is a repeat, so I'm off to bed.
The bigger question for those of us gathered in the sold-out club was whether the band, whose album blasted onto the scene earlier this year as one of the best and brightest new acts in long memory - and still continues to charm - could bring the sound home live. So glad to report that they did, in spades. Played the whole album, plus a few new songs that bode extremely well for the next release, and still came in at just about one hour on stage.
But none of us felt cheated. The drummer kicked everything up another notch - the usual wonky DC crowd actually kinda sorta danced a bit - and the lead singer radiated cute.
Also helping to make the night a full event of fun was opener, The Teenagers, whose lead singer drips irony in a way that would be positively annoying if it weren't so utterly amusing. The sound is herky-jerky rhythms that stood up well as a companion to Vampire Weekend (of course, the Talking Heads songs we heard in the break showed where all these rivers run back to) topped by deadpan monolog lyrics that occasionally bordered on the profane and yet didn't piss me off.
I downloaded
The TEENAGERS - Reality Check
the day of the show so I could get a taste of what was to come. Enjoying it again today (shocked to hear that "Homecoming" really said what I thought it did last night) , though it's still the lead singer's arch charisma that really brings it home.
Anyway, Ferguson is a repeat, so I'm off to bed.
Friday, November 21, 2008
Dug 'em/Dumped 'em
I’ve been keeping an eye out - and an ear (actually both of both) - for Sparky’s Flaw, a regional band that first caught my ear on a mix CD played in the car during a road trip with then-High School, now College Girl.
The band has a melodic, smart pop style, sometimes compared to that of Maroon 5 and The Fray, but I see the group more in the mold of The Format (which, alas, I’ve heard has broken up!) and Jack’s Mannequin.
1. SPARKY’S FLAW – EP
I’ve listed this CD before, but I gave away my last copy to an editor at the Post, in hopes of getting him psyched to do a story on the band when they release their major label debut next spring. So, the nice press contact sent me a handful of copies to keep spreading the love. If you want one, send a comment - I’m not above bribery to discover who’s out there!
Also on the bill that night - headlining, in fact - was Brendan James, a sensitive, keyboard playing, singer/songwriter type more in the style of James Taylor and early Elton John (before the ghost of Liberace possessed him).
James has gotten the support of MTV for his new national tour, with the network sending a videographer out with him to catch moments on the road to be shared with fans in a series of online clips.
Much as I love James’ voice, and the guy was thoroughly charming when I chatted with him after the show, there’s a bit of ponderousness that takes hold in his set as he goes from one strongly emotive song to another. He’s obviously got a great smile and a sense of humor between songs. Would love to hear some of that in the material as well.
2. BRENDAN JAMES – The Day Is Brave (Decca/Velour)
You can read more about both acts in a preview story I wrote for the Washington Post.
And that's a good reminder to list the latest articles from that part of my working life, some of which also add to the O/CD Tally:
Warren Zevon Tribute at the Barns of Wolf Trap
3. WARREN ZEVON – S/T (Rhino)
Those ever-wonderful archivists at the world’s most fun record label have remastered, repackaged – with a bonus disc of alternate takes – and reissued Zevon’s masterful debut album.
Ingrid Michaelson at the Birchmere
4. INGRID MICHAELSON – Be OK
This one came in the form of a digital download zip file, complete with a wealth of PDFs of articles about the charming singer/songwriter. I miss actual discs, but the ease of delivery, especially when I’m on a tight deadline, is really handy-dandy.
Jane Franklin Dance at Community Center
Hanson at the State Theatre
5. HANSON – The Walk (3CG)
I was very impressed with young (but not as young as he used to be!) Zac Hanson, who spoke to me for the Post preview. For a guy who’s been doing the media thing since he was a preteen, he seemed remarkably grounded, poised and never went into Interview Auto Pilot, always stopping to consider his answers and talking as if each new topic was worth putting his attention to.
The concert was equally impressive. These guys can truly write it and play it and perform it. And Taylor is still quite the Cougar Bait he was back in the day when it was my kids who were smitten and I gladly tagged along.
Bio Ritmo
6. BIO RITMO – Bionico (locutor Records)
The O/CD Tally Lightning Round:
Gone (to trade-in) and Possibly Forgotten
Just to clarify - being on this list doesn’t necessarily mean that an album is bad. I’ve just gotten to a point that the pile of promotional discs sent to me, however much I love getting them, is threatening to overwhelm me. I try to listen to everything at least once, and even that is, admittedly, hardly fair to the hard work and good intentions that went into making them.
But sometimes you just have to declare New Release Amnesty and move on to the stuff that’s coming in next, And yes, there have been plenty of times that I’ve gone looking for a disc that I’ve a new reason to check out and saying, “damn, I traded that it!”
7. WHITEY MORGAN and the 78s – Honky Tonks and Cheap Motels (Small Stone Records)
8. EMMANUEL JAHL – Warchild (Sonic 360)
9. HOOTS &HELLMOUTH – S/T (MAD/Ryko)
10. STATE RADIO – Year of the Crow (Ruff/Shod)
11. HOLLY GOLIGHTLY and the BROKEOFFS – Dirt Don’t Hurt (Transdreamer)
Funny, when I put this CD in the disc drive to rip the songs “Getting’ High For Jesus” and “I Wanna Hug Ya, Kiss Ya, Squeeze Ya,” the disc appeared as “Dirty Don’t Hurt,” which puts a whole new twist on the title.
12. KATE CAMPBELL – Save the Day (Large River Music)
Sometimes even guest appearances by John Prine, Nanci Griffith and Mac McAnally, a lovely, organic-feel package design, and a soft, sweet sound aren’t enough. But I know deep in my heart that all that fine pedigree won’t pull me back to listen to it again. I’m not saying granola isn’t good for you; it’s just not my taste.
13. The CRUXSHADOWS – Immortal (Dancing Ferret Discs)
14. ROBBY HECHT – Late Last Night (self-released)
15. FERRAS – Aliens & Rainbows (Capitol)
16. STEVEN ALVARADO – Let It Go (Mott St. Records)
17. LOVE PSYCHEDELICO – This Is…(HackTone Records)
I was more impressed with the cover design – bright red embossed logo – and free clingie – than I was with the music.
18. SOL Y CANTO – Cada Dia Un Regalo (MusicAmador)
I like world music, but this one has too much of a soft jazz vibe, too sweet, not enough sour.
19. ANDREW HELLER – My Beloved: Music to Fall In Love With…(Diamondisc Recordings)
20. ANDREW HELLER – Broadway Love (Diamondisc Recordings)
When the press material proclaims the artist as “Singer, Scientist, Entrepreneur,” there’s a fear that what you’ve got here is a vanity project. And while another area of the material claims that,
“his vocal talent has been compared to the legendary singers such as Frank Sinatra, Dean Martin, or Perry Como. Combine the legends into one voice, fast forward…and you have Andrew Heller,” you need to read the fine print to see that such effusive praise is coming from the publisher of Power Source magazine. (Anyone heard about that mag?) The tenor, formerly an employee with IBM who worked on advanced technology systems, is probably a huge hit at family weddings, and might even make the first round of some kind of Cleveland’s Got Talent cable series, but there’s nothing here to make me put away my Frankie, Dino or Perry.
21. STEVE TYRELL – Back to Bacharach (KOCH)
Okay, so I read the liner notes and learned that Tyrell worked with Bacharach early in both their careers, and had a great time watching as many of the original versions of these songs were being recorded. And I am truly sorry that his wife of 25 years died during the recording. Still, the only track I might ever want to hear again is a version of “What the World Needs Now” featuring Bacharach, James Taylor, Rod Stewart, Dionne Warwick and Martina McBride. It suffers from the same tepid MOR arrangements as the rest of the CD, but at least the interplay of the various voices gives it that happy, “we’re doing a nice thing together here” feeling.
22. The WILDERS – Someone’s Got to Pay (Free Dirt Records)
A fine example, I guess, of a type of music – midtempo country rock – in which I have very little interest.
23. The RED JUMPSUIT APPARATUS – Don’t You Fake It (Virgin)
24. SHAWN MULLINS – Honeydew (Vanguard)
25. RED HURLEY – Based on Songs and Stories: The Concert (SONY/BMG)
26. IFIHADAHIFI – Fame by Proxy (Latest Flame)
27. SUBTLE – Exiting Arm (Lex Records)
28. WAYMAN TISDALE – Rebound (Rendezvous Entertainment)
29. LEMURIA – Get Better (Asian Man Records)
And yet, as if it were pardoned by the governor on the way to execution (how’s that for overstatement?), I popped the following disc in the car stereo on the way to the trade-in store, and liked what I heard well enough to hold it back for further exploration.
30. ROOKIE of the YEAR – Presents Sweet Attention (One Eleven)
A bright sharp-edge pop sound that I want to share with New College Girl to see what she thinks.
And that brings us to…
Year To Date O/CD Tally: 197
The band has a melodic, smart pop style, sometimes compared to that of Maroon 5 and The Fray, but I see the group more in the mold of The Format (which, alas, I’ve heard has broken up!) and Jack’s Mannequin.
1. SPARKY’S FLAW – EP
I’ve listed this CD before, but I gave away my last copy to an editor at the Post, in hopes of getting him psyched to do a story on the band when they release their major label debut next spring. So, the nice press contact sent me a handful of copies to keep spreading the love. If you want one, send a comment - I’m not above bribery to discover who’s out there!
Also on the bill that night - headlining, in fact - was Brendan James, a sensitive, keyboard playing, singer/songwriter type more in the style of James Taylor and early Elton John (before the ghost of Liberace possessed him).
James has gotten the support of MTV for his new national tour, with the network sending a videographer out with him to catch moments on the road to be shared with fans in a series of online clips.
Much as I love James’ voice, and the guy was thoroughly charming when I chatted with him after the show, there’s a bit of ponderousness that takes hold in his set as he goes from one strongly emotive song to another. He’s obviously got a great smile and a sense of humor between songs. Would love to hear some of that in the material as well.
2. BRENDAN JAMES – The Day Is Brave (Decca/Velour)
You can read more about both acts in a preview story I wrote for the Washington Post.
And that's a good reminder to list the latest articles from that part of my working life, some of which also add to the O/CD Tally:
Warren Zevon Tribute at the Barns of Wolf Trap
3. WARREN ZEVON – S/T (Rhino)
Those ever-wonderful archivists at the world’s most fun record label have remastered, repackaged – with a bonus disc of alternate takes – and reissued Zevon’s masterful debut album.
Ingrid Michaelson at the Birchmere
4. INGRID MICHAELSON – Be OK
This one came in the form of a digital download zip file, complete with a wealth of PDFs of articles about the charming singer/songwriter. I miss actual discs, but the ease of delivery, especially when I’m on a tight deadline, is really handy-dandy.
Jane Franklin Dance at Community Center
Hanson at the State Theatre
5. HANSON – The Walk (3CG)
I was very impressed with young (but not as young as he used to be!) Zac Hanson, who spoke to me for the Post preview. For a guy who’s been doing the media thing since he was a preteen, he seemed remarkably grounded, poised and never went into Interview Auto Pilot, always stopping to consider his answers and talking as if each new topic was worth putting his attention to.
The concert was equally impressive. These guys can truly write it and play it and perform it. And Taylor is still quite the Cougar Bait he was back in the day when it was my kids who were smitten and I gladly tagged along.
Bio Ritmo
6. BIO RITMO – Bionico (locutor Records)
The O/CD Tally Lightning Round:
Gone (to trade-in) and Possibly Forgotten
Just to clarify - being on this list doesn’t necessarily mean that an album is bad. I’ve just gotten to a point that the pile of promotional discs sent to me, however much I love getting them, is threatening to overwhelm me. I try to listen to everything at least once, and even that is, admittedly, hardly fair to the hard work and good intentions that went into making them.
But sometimes you just have to declare New Release Amnesty and move on to the stuff that’s coming in next, And yes, there have been plenty of times that I’ve gone looking for a disc that I’ve a new reason to check out and saying, “damn, I traded that it!”
7. WHITEY MORGAN and the 78s – Honky Tonks and Cheap Motels (Small Stone Records)
8. EMMANUEL JAHL – Warchild (Sonic 360)
9. HOOTS &HELLMOUTH – S/T (MAD/Ryko)
10. STATE RADIO – Year of the Crow (Ruff/Shod)
11. HOLLY GOLIGHTLY and the BROKEOFFS – Dirt Don’t Hurt (Transdreamer)
Funny, when I put this CD in the disc drive to rip the songs “Getting’ High For Jesus” and “I Wanna Hug Ya, Kiss Ya, Squeeze Ya,” the disc appeared as “Dirty Don’t Hurt,” which puts a whole new twist on the title.
12. KATE CAMPBELL – Save the Day (Large River Music)
Sometimes even guest appearances by John Prine, Nanci Griffith and Mac McAnally, a lovely, organic-feel package design, and a soft, sweet sound aren’t enough. But I know deep in my heart that all that fine pedigree won’t pull me back to listen to it again. I’m not saying granola isn’t good for you; it’s just not my taste.
13. The CRUXSHADOWS – Immortal (Dancing Ferret Discs)
14. ROBBY HECHT – Late Last Night (self-released)
15. FERRAS – Aliens & Rainbows (Capitol)
16. STEVEN ALVARADO – Let It Go (Mott St. Records)
17. LOVE PSYCHEDELICO – This Is…(HackTone Records)
I was more impressed with the cover design – bright red embossed logo – and free clingie – than I was with the music.
18. SOL Y CANTO – Cada Dia Un Regalo (MusicAmador)
I like world music, but this one has too much of a soft jazz vibe, too sweet, not enough sour.
19. ANDREW HELLER – My Beloved: Music to Fall In Love With…(Diamondisc Recordings)
20. ANDREW HELLER – Broadway Love (Diamondisc Recordings)
When the press material proclaims the artist as “Singer, Scientist, Entrepreneur,” there’s a fear that what you’ve got here is a vanity project. And while another area of the material claims that,
“his vocal talent has been compared to the legendary singers such as Frank Sinatra, Dean Martin, or Perry Como. Combine the legends into one voice, fast forward…and you have Andrew Heller,” you need to read the fine print to see that such effusive praise is coming from the publisher of Power Source magazine. (Anyone heard about that mag?) The tenor, formerly an employee with IBM who worked on advanced technology systems, is probably a huge hit at family weddings, and might even make the first round of some kind of Cleveland’s Got Talent cable series, but there’s nothing here to make me put away my Frankie, Dino or Perry.
21. STEVE TYRELL – Back to Bacharach (KOCH)
Okay, so I read the liner notes and learned that Tyrell worked with Bacharach early in both their careers, and had a great time watching as many of the original versions of these songs were being recorded. And I am truly sorry that his wife of 25 years died during the recording. Still, the only track I might ever want to hear again is a version of “What the World Needs Now” featuring Bacharach, James Taylor, Rod Stewart, Dionne Warwick and Martina McBride. It suffers from the same tepid MOR arrangements as the rest of the CD, but at least the interplay of the various voices gives it that happy, “we’re doing a nice thing together here” feeling.
22. The WILDERS – Someone’s Got to Pay (Free Dirt Records)
A fine example, I guess, of a type of music – midtempo country rock – in which I have very little interest.
23. The RED JUMPSUIT APPARATUS – Don’t You Fake It (Virgin)
24. SHAWN MULLINS – Honeydew (Vanguard)
25. RED HURLEY – Based on Songs and Stories: The Concert (SONY/BMG)
26. IFIHADAHIFI – Fame by Proxy (Latest Flame)
27. SUBTLE – Exiting Arm (Lex Records)
28. WAYMAN TISDALE – Rebound (Rendezvous Entertainment)
29. LEMURIA – Get Better (Asian Man Records)
And yet, as if it were pardoned by the governor on the way to execution (how’s that for overstatement?), I popped the following disc in the car stereo on the way to the trade-in store, and liked what I heard well enough to hold it back for further exploration.
30. ROOKIE of the YEAR – Presents Sweet Attention (One Eleven)
A bright sharp-edge pop sound that I want to share with New College Girl to see what she thinks.
And that brings us to…
Year To Date O/CD Tally: 197
Sunday, November 09, 2008
The (Wonderful) Week That Was
Looking back from the quiet contentment of a late Saturday night/Sunday morning...
Tuesday, we all made history, with the help of President-Elect Barack Oabama (maybe that’ll get old sometime, but it still leaves me smiling).
Wednesday, Post-College Girl left for her sixth-month stay in England (which was wonderful for her, a bit wistful for the dad and me).
Thursday, hubby and I had a real date, down to the ever-lovely Jammin' Java for dinner (they make great chili) and a concert by longtime favorite David Mead, a singer with a gorgeous voice/a songwriter well deserving of the attention of fans of literate, well-crafted material, a la Paul Simon or James Taylor.
The opening act was The Grey Race, a Brooklyn-based band led by a New Zealand ex-pat, singer/songwriter Jon Darling.
Drummer Ethan Eubanks provided some deadpan commentary throughout the set, and warned that a band compatriot would be working the crowd between sets to sell copies of the band's CD. Sure enough, I returned from the ladies room to find that he had come up to Hubby's and my table to seal the deal.
So, we add to the tally:
The GREY RACE - Give it Love (Unfiltered Records)
The band's publicist had sent me a link to an online download of the album last week, but my computer was being repaired and I didn't get a chance to download it.
The publicist also sent an mp3 for sharing, and it happens to be the song that I found most catchy in the band’s fine set. So, enjoy "On The Chin"
Eubanks and bassist Jeff Hill also work as session musicians, playing and recording with the likes of Robert Randolph, Trey Anastasio, Juliana Hatfield and The Scissor Sisters. With the addition of a keyboard player (whose first name I believe, is Andrew), the trio also served as David Mead’s backing band on this night, which made for some great renditions of his material.
Mead explained/joked that he was able to bring the band along since they worked for free, but it was clearly a mutual admiration society that created beautiful harmonies and deft arrangements of the intelligent songs.
Among the between-song intros, Mead revealed that there is a new CD (“Almost and Always”) imminent, but it hadn’t made it back from manufacturing in time for his current road trip. He also said that, though he wasn’t going to get political, he was very happy with the way the election turned out, which gave us all a chance to clap and yell and celebrate our Blue Victory again. And then he did a tender version of “Figure of Eight.”
I took a bunch of photos, but never left my comfy seat, so they’re all pretty much the same angles. To vary the fare after the fact, I played around with the settings, so here’s something with a bit of color fun...
Tuesday, we all made history, with the help of President-Elect Barack Oabama (maybe that’ll get old sometime, but it still leaves me smiling).
Wednesday, Post-College Girl left for her sixth-month stay in England (which was wonderful for her, a bit wistful for the dad and me).
Thursday, hubby and I had a real date, down to the ever-lovely Jammin' Java for dinner (they make great chili) and a concert by longtime favorite David Mead, a singer with a gorgeous voice/a songwriter well deserving of the attention of fans of literate, well-crafted material, a la Paul Simon or James Taylor.
The opening act was The Grey Race, a Brooklyn-based band led by a New Zealand ex-pat, singer/songwriter Jon Darling.
Drummer Ethan Eubanks provided some deadpan commentary throughout the set, and warned that a band compatriot would be working the crowd between sets to sell copies of the band's CD. Sure enough, I returned from the ladies room to find that he had come up to Hubby's and my table to seal the deal.
So, we add to the tally:
The GREY RACE - Give it Love (Unfiltered Records)
The band's publicist had sent me a link to an online download of the album last week, but my computer was being repaired and I didn't get a chance to download it.
The publicist also sent an mp3 for sharing, and it happens to be the song that I found most catchy in the band’s fine set. So, enjoy "On The Chin"
Eubanks and bassist Jeff Hill also work as session musicians, playing and recording with the likes of Robert Randolph, Trey Anastasio, Juliana Hatfield and The Scissor Sisters. With the addition of a keyboard player (whose first name I believe, is Andrew), the trio also served as David Mead’s backing band on this night, which made for some great renditions of his material.
Mead explained/joked that he was able to bring the band along since they worked for free, but it was clearly a mutual admiration society that created beautiful harmonies and deft arrangements of the intelligent songs.
Among the between-song intros, Mead revealed that there is a new CD (“Almost and Always”) imminent, but it hadn’t made it back from manufacturing in time for his current road trip. He also said that, though he wasn’t going to get political, he was very happy with the way the election turned out, which gave us all a chance to clap and yell and celebrate our Blue Victory again. And then he did a tender version of “Figure of Eight.”
I took a bunch of photos, but never left my comfy seat, so they’re all pretty much the same angles. To vary the fare after the fact, I played around with the settings, so here’s something with a bit of color fun...
Friday, November 07, 2008
Yes We Did
savoring the moment.
more anon.
photo by emma "data entry queen" poltrack
thanks for voting!
more anon.
photo by emma "data entry queen" poltrack
thanks for voting!
Thursday, October 30, 2008
The Time is Now?
A quick clarification on the last entry...
The way Blogger works, the date and time of a posting is set when you/I/whoever starts writing. And so, the previous entry is dated Friday even though I mentioned watching Saturday Night Live (and it was live; I don't have a time machine. If I did, a lot of things would be different!)
I thought of going back to delete the post and redo it, but then I would have a date after the correct one. So, as I hope we've all learned in the recent political past, don't believe everything you read.
I'll admit, I have let the blog go. But I have a good reason - I have bigger fish to fry. There are five days left to go before the election and when I'm not working, I'm trying to do my small part by volunteering at the local Obama office.
There will be plenty of time to blog next week, and I hope to do so with a happy heart, under a new administration of hope, change and unity. (I shudder to consider my mood if things go the other way.)
VOTE. VOTE. VOTE. VOTE OBAMA.
I'm Close Personal Friend and I approve this message.
The way Blogger works, the date and time of a posting is set when you/I/whoever starts writing. And so, the previous entry is dated Friday even though I mentioned watching Saturday Night Live (and it was live; I don't have a time machine. If I did, a lot of things would be different!)
I thought of going back to delete the post and redo it, but then I would have a date after the correct one. So, as I hope we've all learned in the recent political past, don't believe everything you read.
I'll admit, I have let the blog go. But I have a good reason - I have bigger fish to fry. There are five days left to go before the election and when I'm not working, I'm trying to do my small part by volunteering at the local Obama office.
There will be plenty of time to blog next week, and I hope to do so with a happy heart, under a new administration of hope, change and unity. (I shudder to consider my mood if things go the other way.)
VOTE. VOTE. VOTE. VOTE OBAMA.
I'm Close Personal Friend and I approve this message.
Friday, October 17, 2008
Not Much.
Just some links.
Is it me, or is Chris Martin's voice shot? I'm watching Saturday Night Live while I prepare this post and he seems to be having trouble projecting much at all, let alone hitting the high notes. Coldplay is set to play DC on Halloween night, but these performances don't bode well for that show.
So, to bizniz - I'm gonna be lame and simply toss up some recent Washington Post links to prove that I'm still alive. And, where applicable (fun word, that), add the accompanying CDs to the Tally.
BTW, those Mushroom and Swiss commercials are such a blatant rip-off of Flight of the
Conchords; When will our delightful New Zealand folkies return?
David Davis and the Warrior River Boys at Holy Cross Church
Lucy Kaplansky, Allegheny Uprising at Church of the Resurrection
1.LUCY KAPLANSKY - Over The Hills (Red House)
Amy Rigby & Wreckless Eric at Jammin’ Java
2.AMY RIGBY & WRECKLESS ERIC - self-titled (Stiff)
Alternate Routes at IOTA Club and Cafe
3.The ALTERNATE ROUTES - The Watershed EP (Vanguard)
Johnny Flynn and the Sussex Wit at the Birchmere
In thinking ahead to the show, I picked up
4.LAURA MARLING – S/T (Astralwerks)
and, at the show, I bought Post College Girl the beautifully designed
5., 6.JOHNNY FLYNN – A Larum (Lost Highway)
12" vinyl LP version, presented in cool deluxe gatefold style ($17).
I'm counting this title twice, as I also received a CD of the commercially released CD. Add in the advance CD and a few 7" vinyl singles that PCG ordered from overseas, and we've got a freakin' lot of Flynn! (And I still haven't figured out if anyone wlll reimburse me for the $100+ phone call to England to do the interview with him for the story.)
Hmmmm...Chris Martin must have heard me talking about him...Coldplay's third (!) song on SNL was a pretty strong version of "Yellow."
Music Builds: Jars of Clay, Switchfoot et al. at Nissan Pavilion
The Motels at The State Theatre
O/CD Tally Year-to-Date: 166
Is it me, or is Chris Martin's voice shot? I'm watching Saturday Night Live while I prepare this post and he seems to be having trouble projecting much at all, let alone hitting the high notes. Coldplay is set to play DC on Halloween night, but these performances don't bode well for that show.
So, to bizniz - I'm gonna be lame and simply toss up some recent Washington Post links to prove that I'm still alive. And, where applicable (fun word, that), add the accompanying CDs to the Tally.
BTW, those Mushroom and Swiss commercials are such a blatant rip-off of Flight of the
Conchords; When will our delightful New Zealand folkies return?
David Davis and the Warrior River Boys at Holy Cross Church
Lucy Kaplansky, Allegheny Uprising at Church of the Resurrection
1.LUCY KAPLANSKY - Over The Hills (Red House)
Amy Rigby & Wreckless Eric at Jammin’ Java
2.AMY RIGBY & WRECKLESS ERIC - self-titled (Stiff)
Alternate Routes at IOTA Club and Cafe
3.The ALTERNATE ROUTES - The Watershed EP (Vanguard)
Johnny Flynn and the Sussex Wit at the Birchmere
In thinking ahead to the show, I picked up
4.LAURA MARLING – S/T (Astralwerks)
and, at the show, I bought Post College Girl the beautifully designed
5., 6.JOHNNY FLYNN – A Larum (Lost Highway)
12" vinyl LP version, presented in cool deluxe gatefold style ($17).
I'm counting this title twice, as I also received a CD of the commercially released CD. Add in the advance CD and a few 7" vinyl singles that PCG ordered from overseas, and we've got a freakin' lot of Flynn! (And I still haven't figured out if anyone wlll reimburse me for the $100+ phone call to England to do the interview with him for the story.)
Hmmmm...Chris Martin must have heard me talking about him...Coldplay's third (!) song on SNL was a pretty strong version of "Yellow."
Music Builds: Jars of Clay, Switchfoot et al. at Nissan Pavilion
The Motels at The State Theatre
O/CD Tally Year-to-Date: 166
Friday, October 03, 2008
Let Me Tell You ‘Bout the Bird and the Bee
Greetings from Philadelphia! In “1776,” the singing John Adams decried, “foul, fetid, fuming, foggy, filthy Philadelphia!” Maybe it was back in the day when the founding fathers were hammering out the Declaration of Independence, but I’m certainly enjoying my visit here, having only had one brief day trip here some years ago.
And I must now tell the citizens of this city to cherish its superb venue, World Café Live, where I spent a most lovely first night in town. Located in a beautiful building that also houses the offices and studios of WXPN radio, there are actually two venues – a smaller upstairs space that had a jazz band playing (what I heard wandering the halls was pretty good), and the bigger, two level downstairs theatre that hosted The Bird and The Bee, the act I came to see.
As befits a venue created and served by a radio station, the sound was impeccable. And it was worth hearing every note played by this band which, I confess, I had little prior knowledge of (yes, I’m ending a sentence with a preposition. Sue me.) I just bought the iTunes version of the duo’s debut CD the night before leaving Virginia (see O/CD Tally, below) and what I heard on the drive was impressive – bright electropop with an artsy/indie spirit, marked by distinctive female vocals. Frankly, I was worried that the act would have trouble replicating the sophisticated sound live.
And yet, with just the two players on stage, the sound was rich, supplemented by careful use of tapes. But the real highlight was watching vocalist and (frequently) bassist Inara George, daughter of the late Little Feat leader, Lowell George. Dressed in a simple white dress that flared dramatically, George was, in a word, adorable. Her voice was clear and unaffected, her banter charming and her charisma undeniable. She reminded me of the great Jane Siberry in her earlier, poppier years, with a touch of Bjork (without the sometimes off-putting insistence on always being avant-garde).
I missed the opening set by Willoughby, but the trio came out to help on a few mid-set songs. I chatted with the band afterward and wound up buying a limited edition copy of the self-titled CD, party out of curiosity and party because I didn’t feel I could walk away from the merch booth without contributing.)
The Bird and The Bee is (are?) releasing a new CD early next year, and played a few of the new songs in this show, including a poptastic Japanese-tinged number that I think could be a huge hit in a Gwen Stefani mode. There were also two covers that took cheesy oldies and breathed fresh air into them – a playful take on Hall and Oates’ “I Can’t Go For That (No Can Do)” and a wistful, affecting “How Deep Is Your Love” (used in the “Sex and the City” movie) which reminds me that the BeeGees deserve their props.
The Bird and The Bee, plus Willoughby, will be playing at Jammin’ Java in Vienna (VA) on Friday night. Highly, highly recommended, If I were going to be home, I’d be sorely tempted to go right back again for more.
So, let’s add:
1. The BIRD and The BEE – S/T (Blue Note)
2. WILLOUGHBY – I Know What You're Up To (self-released)
Year to Date O/CD Tally: 160
Saturday, September 27, 2008
My Own Cash Money (Cheapo Edition)
I’ve purchased a lot of music in the last few days, most of it at bargain basement prices!
On Wednesday, I took a bag of trade-ins to the wonderful CD Cellar in Falls Church and, even with $35 credit, wound up spending almost an equal amount of my own cash money (it was the deluxe anniversary of “Nightmare Before Christmas” for Post-College Girl that tipped the scales).
I came home with:
1. BEN FOLDS – Sunny 16 (Epic)
I was actually on the prowl for the new CD, after Hubby told me that he’d heard a great advance track featuring Regina Spektor, but that isn’t due, I now realize, until the end of the month. This 6-track EP opens strong with “There’s Always Someone Cooler Than You,” and has one seemingly obligatory song riddled with curse words. ($6)
2. LONG TIME GONE: 15 All-New American Music Classics (UNCUT)
I have finally broken the habit of buying each and every monthly British magazine that comes with a free CD sampler, but I can’t resist getting the music for a mere two bucks, as they’re great in the car. This one offers Fleet Foxes, Joan as Police Woman, Silver Jews, and the usual newcomers that might lead to happy discoveries. ($2)
3. ASTRALWERKS: Sampler 2001 Vol. 1 (Astralwerks)
A brief hop back in the time machine to hear what the fine dancey/alternative label was betting on seven years ago. I know Air, Beta Band, Doves and Basement Jaxx made a good impression, but can’t say why the likes of Neu!, Scanty Sandwich, Uberzone and a few others never made the grade. Monday Morning A&R Quarterbacking, here I come. ($2)
4. TODD RUNDGREN – Re-Mixes (Brilliant)
I’m a little nervous about The Runt redoing his classic tunes, but it’ll kill some time on the ride to work. ($2)
5. The KLF –The White Room/Justified & Ancient (Arista)
A 2-disc set in a generic (advance?) case, one of which is the full album, the other a 5-track EP of “Justified…” More backwards time-tripping. ($2)
6. DAPTONE RECORDS REMXIXED
A 2-disc set, one of original material and one of remixes, with plenty of Sharon Jones and the Dap-Kings on hand. ($2)
7. YES – In a Word (Elektra/Rhino)
A 5-disc box set from the always-skillful archivists at Rhino. An excuse to relive college memories (my boyfriend of the time was a huge fan, with a “Tale of Topographic Oceans” mural painted in the hallway of his dorm room) and maybe to clear out some of the old vinyl. I may never get past disc three, since I lost patience around the time of “Owner of a Lonely Heart” – and that’s here on disc four! Still, I can’t resist “I’ve Seen All Good People.” ($10)
8. SIGUR ROS – Heima (XL Recordings)
A 2-disc DVD set that I’ve read brilliant things about.
And Thursday, I was at the local Thrift Store, for these finds:
9. EDDIE FROM OHIO – Actually Not (Virginia Soul)
1993 release, marked as a promotional copy; one of about a half dozen copies from the popular local outfit. Who is clearing out their closet?
10. NIRVANA – In Utero (DGC)
If I ever get a good price on my clear vinyl LP copy (not that I’m sure I’ll ever want to part with it), I’ll have the CD ready.
11. RIGHTEOUS BROTHERS – Best Of…(CURB)
Generic slim-line case, with no liner notes, but it is the actual CD. Good for making oldies compilations for the older family members.
12. JACK JOHNSON – Brushfire Fairytales (Enjoy/Universal)
One of those CDs that I might already own but, at these prices, I won’t risk missing out. It’s in excellent condition, so I can always sell it off again later.
13. DAVID BOWIE – Earthling (Virgin)
A cheap chance to catch up with a well-respected artist whose always interesting, even if it turns out to be one of his lesser works. Includes “I’m Afraid of Americans,” more true now that when he first recorded it in 1997.
14. FRANK SINATRA – Christmas Cabaret (KRB/Passport)
Geez, I guess it’s getting on that time of year when the holiday records are promoted (Enya just announced one, and Reliet K has a reissue on the schedule), so I’ll begin long-range planning for the 2008 “Cool Yule” mix. This one is a mixed bag of tracks from the Chairman and friends – Rosemary Clooney, Bing Crosby, and Enzo Stuarti and Lou Monte (who are those last two guys?!).
15. TORI AMOS – To Venus and Back (Atlantic)
I was hoping that the regular cashier at the back of the store wouldn’t notice that this is a 2-disc set, and I might get away with it for $1.50, but she’s a sharp one, and charged the whole (!) $3. I might have hesitated had I known, not being a major Amos fan, but hey, it’s still less than the tall chai latte I bought on the way home.
Year to Date O/CD Tally: 158
On Wednesday, I took a bag of trade-ins to the wonderful CD Cellar in Falls Church and, even with $35 credit, wound up spending almost an equal amount of my own cash money (it was the deluxe anniversary of “Nightmare Before Christmas” for Post-College Girl that tipped the scales).
I came home with:
1. BEN FOLDS – Sunny 16 (Epic)
I was actually on the prowl for the new CD, after Hubby told me that he’d heard a great advance track featuring Regina Spektor, but that isn’t due, I now realize, until the end of the month. This 6-track EP opens strong with “There’s Always Someone Cooler Than You,” and has one seemingly obligatory song riddled with curse words. ($6)
2. LONG TIME GONE: 15 All-New American Music Classics (UNCUT)
I have finally broken the habit of buying each and every monthly British magazine that comes with a free CD sampler, but I can’t resist getting the music for a mere two bucks, as they’re great in the car. This one offers Fleet Foxes, Joan as Police Woman, Silver Jews, and the usual newcomers that might lead to happy discoveries. ($2)
3. ASTRALWERKS: Sampler 2001 Vol. 1 (Astralwerks)
A brief hop back in the time machine to hear what the fine dancey/alternative label was betting on seven years ago. I know Air, Beta Band, Doves and Basement Jaxx made a good impression, but can’t say why the likes of Neu!, Scanty Sandwich, Uberzone and a few others never made the grade. Monday Morning A&R Quarterbacking, here I come. ($2)
4. TODD RUNDGREN – Re-Mixes (Brilliant)
I’m a little nervous about The Runt redoing his classic tunes, but it’ll kill some time on the ride to work. ($2)
5. The KLF –The White Room/Justified & Ancient (Arista)
A 2-disc set in a generic (advance?) case, one of which is the full album, the other a 5-track EP of “Justified…” More backwards time-tripping. ($2)
6. DAPTONE RECORDS REMXIXED
A 2-disc set, one of original material and one of remixes, with plenty of Sharon Jones and the Dap-Kings on hand. ($2)
7. YES – In a Word (Elektra/Rhino)
A 5-disc box set from the always-skillful archivists at Rhino. An excuse to relive college memories (my boyfriend of the time was a huge fan, with a “Tale of Topographic Oceans” mural painted in the hallway of his dorm room) and maybe to clear out some of the old vinyl. I may never get past disc three, since I lost patience around the time of “Owner of a Lonely Heart” – and that’s here on disc four! Still, I can’t resist “I’ve Seen All Good People.” ($10)
8. SIGUR ROS – Heima (XL Recordings)
A 2-disc DVD set that I’ve read brilliant things about.
And Thursday, I was at the local Thrift Store, for these finds:
9. EDDIE FROM OHIO – Actually Not (Virginia Soul)
1993 release, marked as a promotional copy; one of about a half dozen copies from the popular local outfit. Who is clearing out their closet?
10. NIRVANA – In Utero (DGC)
If I ever get a good price on my clear vinyl LP copy (not that I’m sure I’ll ever want to part with it), I’ll have the CD ready.
11. RIGHTEOUS BROTHERS – Best Of…(CURB)
Generic slim-line case, with no liner notes, but it is the actual CD. Good for making oldies compilations for the older family members.
12. JACK JOHNSON – Brushfire Fairytales (Enjoy/Universal)
One of those CDs that I might already own but, at these prices, I won’t risk missing out. It’s in excellent condition, so I can always sell it off again later.
13. DAVID BOWIE – Earthling (Virgin)
A cheap chance to catch up with a well-respected artist whose always interesting, even if it turns out to be one of his lesser works. Includes “I’m Afraid of Americans,” more true now that when he first recorded it in 1997.
14. FRANK SINATRA – Christmas Cabaret (KRB/Passport)
Geez, I guess it’s getting on that time of year when the holiday records are promoted (Enya just announced one, and Reliet K has a reissue on the schedule), so I’ll begin long-range planning for the 2008 “Cool Yule” mix. This one is a mixed bag of tracks from the Chairman and friends – Rosemary Clooney, Bing Crosby, and Enzo Stuarti and Lou Monte (who are those last two guys?!).
15. TORI AMOS – To Venus and Back (Atlantic)
I was hoping that the regular cashier at the back of the store wouldn’t notice that this is a 2-disc set, and I might get away with it for $1.50, but she’s a sharp one, and charged the whole (!) $3. I might have hesitated had I known, not being a major Amos fan, but hey, it’s still less than the tall chai latte I bought on the way home.
Year to Date O/CD Tally: 158
Tuesday, September 16, 2008
After a Long (Shameful?) Absence...
I'm going to take charge and get this mofo back in gear!
Or maybe I'll just try to be better at signing in more often.
Anyhoo, let's recap a few recent Washington Post previews:
Music Builds Tour featuring Switchfoot, Jars of Clay and Third Day
Johnny Flynn, Post College Girl's British discovery, whom we'll be seeing later this week at the Birchmere
Planet Arlington World Music Festival with Solas, Ricardo Lemvo and others
The Motels, featuring Martha Davis
Melody Gardot
The Wiggles And yes, I interviewed the Blue Wiggle!
Some of these shows involved CDs, so I'll add them to the O/CD Tally:
1.JARS OF CLAY - Closer EP (Gray Matters)
2.SOLAS - For Love and Laughter (Compass Records)
3.MELODY GARDOT - Worrisome Heart (Verve)
4.THIRD DAY - Revelation (Sony)
And, while I'm at it, I'll toss a bunch of other albums in that haven't made a strong impression, but might as well be mentioned so I can move on. I declare New Release Amnesty!
5.The FUTUREHEADS – This Is Not the World (Nul Records)
6.LUKE DOUCET and the WHITE FALCON – Blood’s Too Rich (Six Shooter Records)
7.The SLACKERS – Self Medication (Indication Records)
8.CAROLINE HERRING – Lantana (Signature Sounds)
9.TIM LEE 3 – Good2b3 (The Paisley Pop Label)
10. SUBTLE – ExitingARM (Lex Records)
11.PORCUPINE TREE – Lightbulb Sun (Kscope)
12.RACHEL SAGE – Chandelier (Mpress Records)
13.FRIGHTENED RABBIT – The Midnight Organ Fight (FatCat)
14.The INFAMOUS STRINGDUSTERS – S/T (Sugar Hill Records)
15.BEAT UNION – Disconnected (Science)
16.MOTION CITY SOUNDTRACK – Even If It Calls Me (Epitaph)
17.The M’S – Real Close Ones (Polyvinyl Record Co.)
18.The SUBMARINES – Honeysuckle (Nettwerk)
which brings us to
YTD O/CD Tally: 143
As Post-Collge Girl said to me, "You'd better get to it, if you're gonna reach 1,000"
Or maybe I'll just try to be better at signing in more often.
Anyhoo, let's recap a few recent Washington Post previews:
Music Builds Tour featuring Switchfoot, Jars of Clay and Third Day
Johnny Flynn, Post College Girl's British discovery, whom we'll be seeing later this week at the Birchmere
Planet Arlington World Music Festival with Solas, Ricardo Lemvo and others
The Motels, featuring Martha Davis
Melody Gardot
The Wiggles And yes, I interviewed the Blue Wiggle!
Some of these shows involved CDs, so I'll add them to the O/CD Tally:
1.JARS OF CLAY - Closer EP (Gray Matters)
2.SOLAS - For Love and Laughter (Compass Records)
3.MELODY GARDOT - Worrisome Heart (Verve)
4.THIRD DAY - Revelation (Sony)
And, while I'm at it, I'll toss a bunch of other albums in that haven't made a strong impression, but might as well be mentioned so I can move on. I declare New Release Amnesty!
5.The FUTUREHEADS – This Is Not the World (Nul Records)
6.LUKE DOUCET and the WHITE FALCON – Blood’s Too Rich (Six Shooter Records)
7.The SLACKERS – Self Medication (Indication Records)
8.CAROLINE HERRING – Lantana (Signature Sounds)
9.TIM LEE 3 – Good2b3 (The Paisley Pop Label)
10. SUBTLE – ExitingARM (Lex Records)
11.PORCUPINE TREE – Lightbulb Sun (Kscope)
12.RACHEL SAGE – Chandelier (Mpress Records)
13.FRIGHTENED RABBIT – The Midnight Organ Fight (FatCat)
14.The INFAMOUS STRINGDUSTERS – S/T (Sugar Hill Records)
15.BEAT UNION – Disconnected (Science)
16.MOTION CITY SOUNDTRACK – Even If It Calls Me (Epitaph)
17.The M’S – Real Close Ones (Polyvinyl Record Co.)
18.The SUBMARINES – Honeysuckle (Nettwerk)
which brings us to
YTD O/CD Tally: 143
As Post-Collge Girl said to me, "You'd better get to it, if you're gonna reach 1,000"
Saturday, August 23, 2008
A Tale of Two Adams
We're back from vacation! It was a most excellent time, full of all the things I love - boat and beach action, good food, bargain shopping, "Dark Knight" at the drive-in, mountain storms and music.
Thanks to a former work associate and (still) good pal of Terry's, we scored primo seats to the Counting Crows/Maroon 5 show at Saratoga Performing Arts Center, a great "shed" venue in upstate New York. I didn't have a photo pass, but the seats were close enough that, using Post-College Girl's new tiny digital camera, I still got a few shots.
Sara Bareilles opened the show with a short, sweet set after a gracious introduction by the Crows' Adam Duritz. Her catchy hit, "Love Song," got the biggest reaction, of course, but her other material made for a nice, low-key start to the night, and she included a throaty cover of the Beatles, "Oh, Darlin'" as well.
I'd heard that this CC/M5 show was a co-headline deal, so we weren't sure who would be up next. Turned out to be Maroon 5, whom I have seen before and knew would wear thin quickly. As catchy as the band's songs are, I have little patience for Adam Levine's posturings. The show was a study in rock star poses, laser lights and loud guitar solos, which the crowd lapped up, but I went wandering toward the end of the set, tired as I was of Levine's "Ain't I Great?" 'tude.
In contrast, Counting Crows let the music create the magic, with Duritz in compelling, compelled rare form. He started the show with a stunning version of "Round Here," a song I hear they rarely play anymore, and his impassioned vocals bordered on a breakdown - and I mean that in a good way. This guy doesn't hold back and, unlike the Adam onstage just before, the honesty of his delivery is almost painful and fully cathartic.
After about a half dozen songs, when the band tore into "Rain King," the hardcore fans in the show (like my older daughter) hit upon the realization that the band was performing its brilliant debut album, "August and Everything After" in order and in its entirety. Duritz made mention of Isaac Haye's recent death and said that he wanted to do a special show as a big fan of the soul legend. And such it was.
Though Duritz is, clearly, the driving force behind the songs, and a riveting frontman in his Sideshow Bob dreadlocks, you never lose sight (sound) of the fact that the band is there to cushion, support and sometimes hang on for dear life as they follow him on his emotional wanderings. It makes for a riveting show.
Thanks to a former work associate and (still) good pal of Terry's, we scored primo seats to the Counting Crows/Maroon 5 show at Saratoga Performing Arts Center, a great "shed" venue in upstate New York. I didn't have a photo pass, but the seats were close enough that, using Post-College Girl's new tiny digital camera, I still got a few shots.
Sara Bareilles opened the show with a short, sweet set after a gracious introduction by the Crows' Adam Duritz. Her catchy hit, "Love Song," got the biggest reaction, of course, but her other material made for a nice, low-key start to the night, and she included a throaty cover of the Beatles, "Oh, Darlin'" as well.
I'd heard that this CC/M5 show was a co-headline deal, so we weren't sure who would be up next. Turned out to be Maroon 5, whom I have seen before and knew would wear thin quickly. As catchy as the band's songs are, I have little patience for Adam Levine's posturings. The show was a study in rock star poses, laser lights and loud guitar solos, which the crowd lapped up, but I went wandering toward the end of the set, tired as I was of Levine's "Ain't I Great?" 'tude.
In contrast, Counting Crows let the music create the magic, with Duritz in compelling, compelled rare form. He started the show with a stunning version of "Round Here," a song I hear they rarely play anymore, and his impassioned vocals bordered on a breakdown - and I mean that in a good way. This guy doesn't hold back and, unlike the Adam onstage just before, the honesty of his delivery is almost painful and fully cathartic.
After about a half dozen songs, when the band tore into "Rain King," the hardcore fans in the show (like my older daughter) hit upon the realization that the band was performing its brilliant debut album, "August and Everything After" in order and in its entirety. Duritz made mention of Isaac Haye's recent death and said that he wanted to do a special show as a big fan of the soul legend. And such it was.
Though Duritz is, clearly, the driving force behind the songs, and a riveting frontman in his Sideshow Bob dreadlocks, you never lose sight (sound) of the fact that the band is there to cushion, support and sometimes hang on for dear life as they follow him on his emotional wanderings. It makes for a riveting show.
Sunday, August 10, 2008
No Vacation from the Blog
Ah, life at the lake house....!
The two-week escape to update New York is underway and, having put in some real working class efforts for Apple over the last eight weeks, I am reveling in the ability to sleep late and start each day with a simple, "what do I feel like doing today?" The temptation to loll on the couch and sip cocktails while watching the Olympics is strong, but I do want to get caught up with the blog, and establish a more steady habit thereupon. And so, to begin, here are the most recent Washington Post previews:
Grace Potter & the Nocturnals, Black Crowes at Wolf Trap
What a hoot this gal is! A down-to-earth, straight-talking, fun-loving young woman who also happens to write fine songs and play them like a house a'fire. I had plans to see the show - and finally catch the infamous Crowes in person - but it was a crazy busy time shortly before leaving for vay-cay, so I stayed home instead and watched a DVD, of which I will tell you more anon.
The Section Quartet at IOTA Club
Darling Husband and I got out of the house to see this show two days before leaving town, and were most glad we did. TSQ play genuine rock and roll songs in a genuine classical string quartet style, which results in a greater appreciation of both. This night was billed as a night of Radiohead songs, but that was a bit of bait-and-switch.
The first half of the show lived up to the title, including great versions of "Paranoid Android" and "Karma Police," but then the group veered off into songs mostly pulled from TSQ's recent CD, "Fuzzbox." I love the quartet's version of the Strokes' "Juicebox," and they are so totally proficient at their instruments that nearly everything they play sounds terrific, but I wanted more Radiohead (they'd done a previous tour of the entire "OK Computer" album, so I knew they had more songs in the catalog). Minor quibble, though, for a night of invigorating, unusual music.
And these were the two stories that appeared in the previous Post cycle:
Slapsticon film festival at Rosslyn Spectrum
Hoots & Hellmouth, Robinella at Jammin Java
As for the long-neglected O/CD Tally, I brought a bag of recent acquisitions with me, and will be dealing with them as the week progresses. For now, I have one recommendation:
1. SUPERGRASS – Diamond Hoo Ha (Astralwerks)
The spunky Brits join a new label but retain the same engaginly scruffy sound. Easy to take these guys for granted but you put on the album and start to smile. “Rough Knuckles” has a gotta-dance keyboard hook that would do Jerry Harrison proud.
And then, alas, there are those that left me disappointed:
2. WE ARE SCIENTISTS – Brain Thrust Mastery (Astralwerks)
Now positioned as a duo (didn't there used to be three?), WAS made a nice splash with their debut CD, but this new one flowed past me on a recent drive without one making a solid impression and a few driving me to push the FF button. Now I hear they're opening for Kings of Leon in the fall, and the track "After Hours" is getting radio airplay, so I may revisit. But first impression was dull.
3.LACH – The Calm Before (Fortified)
This CD is stickered with a PR note that says “RIYD [recommended if you dig] Paul Westerberg, Beck and Paul Weller.” Fine artists, all of them, but I don’t hear a lick of that high-quality creation in the music here.
4. The CAT EMPIRE – So Many Nights (Velour)
I loved the first Cat Empire so much, it made it to my Top Ten list for the year, which makes it hurt to say that this one is a true sophomore slumper. The lyrics are often cringe-worthy and the rhythms, so playful and seemingly spontaneous in the debut, feel forced. Guys,what happened?!
5. A NEW REVOLUTION – Rise (KOCH)
Simply not my bag, baby. Produced and mixed by a guy named Mudrock.
YTD Total:125
The two-week escape to update New York is underway and, having put in some real working class efforts for Apple over the last eight weeks, I am reveling in the ability to sleep late and start each day with a simple, "what do I feel like doing today?" The temptation to loll on the couch and sip cocktails while watching the Olympics is strong, but I do want to get caught up with the blog, and establish a more steady habit thereupon. And so, to begin, here are the most recent Washington Post previews:
Grace Potter & the Nocturnals, Black Crowes at Wolf Trap
What a hoot this gal is! A down-to-earth, straight-talking, fun-loving young woman who also happens to write fine songs and play them like a house a'fire. I had plans to see the show - and finally catch the infamous Crowes in person - but it was a crazy busy time shortly before leaving for vay-cay, so I stayed home instead and watched a DVD, of which I will tell you more anon.
The Section Quartet at IOTA Club
Darling Husband and I got out of the house to see this show two days before leaving town, and were most glad we did. TSQ play genuine rock and roll songs in a genuine classical string quartet style, which results in a greater appreciation of both. This night was billed as a night of Radiohead songs, but that was a bit of bait-and-switch.
The first half of the show lived up to the title, including great versions of "Paranoid Android" and "Karma Police," but then the group veered off into songs mostly pulled from TSQ's recent CD, "Fuzzbox." I love the quartet's version of the Strokes' "Juicebox," and they are so totally proficient at their instruments that nearly everything they play sounds terrific, but I wanted more Radiohead (they'd done a previous tour of the entire "OK Computer" album, so I knew they had more songs in the catalog). Minor quibble, though, for a night of invigorating, unusual music.
And these were the two stories that appeared in the previous Post cycle:
Slapsticon film festival at Rosslyn Spectrum
Hoots & Hellmouth, Robinella at Jammin Java
As for the long-neglected O/CD Tally, I brought a bag of recent acquisitions with me, and will be dealing with them as the week progresses. For now, I have one recommendation:
1. SUPERGRASS – Diamond Hoo Ha (Astralwerks)
The spunky Brits join a new label but retain the same engaginly scruffy sound. Easy to take these guys for granted but you put on the album and start to smile. “Rough Knuckles” has a gotta-dance keyboard hook that would do Jerry Harrison proud.
And then, alas, there are those that left me disappointed:
2. WE ARE SCIENTISTS – Brain Thrust Mastery (Astralwerks)
Now positioned as a duo (didn't there used to be three?), WAS made a nice splash with their debut CD, but this new one flowed past me on a recent drive without one making a solid impression and a few driving me to push the FF button. Now I hear they're opening for Kings of Leon in the fall, and the track "After Hours" is getting radio airplay, so I may revisit. But first impression was dull.
3.LACH – The Calm Before (Fortified)
This CD is stickered with a PR note that says “RIYD [recommended if you dig] Paul Westerberg, Beck and Paul Weller.” Fine artists, all of them, but I don’t hear a lick of that high-quality creation in the music here.
4. The CAT EMPIRE – So Many Nights (Velour)
I loved the first Cat Empire so much, it made it to my Top Ten list for the year, which makes it hurt to say that this one is a true sophomore slumper. The lyrics are often cringe-worthy and the rhythms, so playful and seemingly spontaneous in the debut, feel forced. Guys,what happened?!
5. A NEW REVOLUTION – Rise (KOCH)
Simply not my bag, baby. Produced and mixed by a guy named Mudrock.
YTD Total:125
Wednesday, July 30, 2008
Remembering When with R.E.M.
Okay, so I've been really bad about keeping up with the blog. I could tell you about how I've been crazy busy working for Apple, but then Steve Jobs would have to kill me. So, let's just take a deep breath and dive in.
First order of delayed business is catching up with a set of shamefully old concert shots. You saw Modest Mouse pics a while back, and now here's R.E.M., who headlined that same show back in June.
I'll admit, despite being a fan of R.E.M.'s from the band's earliest days when I met and interviewed them for a story as "Murmur" was launched, I've had issues with the past few releases and was fairly bored by the concert I saw during the "Around the Sun" tour. Hubby has remained more (blindly?) loyal, but I needed to be re-convinced that the band still had its power, and its sense of humor. (Michael Stipe, dear boy as he is, had been coming across a bit stridently of late.)
Anyway, from the first moments in the photo pit, where I spotted the dinosaur display along the top of Peter Buck's amplifiers, I felt that things were looking up...
The band was in fine form and good humor, Master Stipe exuding just the right mix of Shiny Happy People-ness and rage against the political machine. When he's on - and without that distracting blue facepaint - he's still one of rock's most charismatic showmen.
The group tore threw a well-paced set list (I got a copy from the road manager!) of new tracks from the "Accelerate" CD, which has revived their reputation for hard-driving alt. rock, along with classics from the past.
Grace, who had come along mostly to see Modest Mouse, grew a little restless toward the end. Given my previously stated apprehensions about the last R.E.M. show I'd seen, I made the mistake of saying I might be willing to leave early. But I was swept up in the band's momentum, grateful to feel a rekindling of my admiration/affection for the guys, and we stayed until the end.
R.E.M.. welcome back. All is forgiven.
First order of delayed business is catching up with a set of shamefully old concert shots. You saw Modest Mouse pics a while back, and now here's R.E.M., who headlined that same show back in June.
I'll admit, despite being a fan of R.E.M.'s from the band's earliest days when I met and interviewed them for a story as "Murmur" was launched, I've had issues with the past few releases and was fairly bored by the concert I saw during the "Around the Sun" tour. Hubby has remained more (blindly?) loyal, but I needed to be re-convinced that the band still had its power, and its sense of humor. (Michael Stipe, dear boy as he is, had been coming across a bit stridently of late.)
Anyway, from the first moments in the photo pit, where I spotted the dinosaur display along the top of Peter Buck's amplifiers, I felt that things were looking up...
The band was in fine form and good humor, Master Stipe exuding just the right mix of Shiny Happy People-ness and rage against the political machine. When he's on - and without that distracting blue facepaint - he's still one of rock's most charismatic showmen.
The group tore threw a well-paced set list (I got a copy from the road manager!) of new tracks from the "Accelerate" CD, which has revived their reputation for hard-driving alt. rock, along with classics from the past.
Grace, who had come along mostly to see Modest Mouse, grew a little restless toward the end. Given my previously stated apprehensions about the last R.E.M. show I'd seen, I made the mistake of saying I might be willing to leave early. But I was swept up in the band's momentum, grateful to feel a rekindling of my admiration/affection for the guys, and we stayed until the end.
R.E.M.. welcome back. All is forgiven.
Wednesday, July 09, 2008
Fleet of Fox, if Not of Feet
Last night, I heard the live online broadcast on NPR of The Fleet Foxes, playing some 25 miles away at the Black Cat in DC. So that reminds me...
1.FLEET FOXES - self-titled (Sub Pop)
I bought this CD last week, at a genuine old skool record store, Plan 9, in Richmond while Soon-To-Be-College Girl and I were in the city for a VCU orientation. I went into the store as if into a church, a quick visit to pay respects to the vanishing house of music worship, and to ask if they had the Johnny Flynn vinyl single that I’d heard was being serviced to independent stores as a teaser for his full-length debut.
The nice older guy (owner) and younger cashier chatted with me about what they had listed in the upcoming release charts, but the vinyl itself was nowhere to be seen, and then I caught sight of the Fleet Foxes CD, lined up in a row just above a set of My Morning Jacket CDs. That seemed fully appropriate as I find the Foxes tapping a similar vein of fiercely beautiful, near-choral indie rock, though the Foxes have a slightly more pastoral take that made me initially think they were British. As I paid for the album, the older gent remarked, "Album of the year!" and said he was driving to DC for the show.
The band members trace their music to that which their parents played: The Beach Boys, Simon and Garfunkel, The Zombies, Joni Mitchell, Bob Dylan, Crosby Stills and Nash. The Foxes’ harmonies harken particularly to the latter, and frontman Robin Pecknold was quoted on the NPR web site as explaining, "To me, the most enjoyable thing in the world is to sing harmony with people.” It shows.
Oh, and since we were talking about them, I’ll add to the tally my emusic purchase of:
2. MY MORNING JACKET – Evil Urges (ATO)
Have seen and enjoyed the band in the past, but this album is really sticking with me in a big way. On track as one of the best of the year.
Here's a shot from the band's appearance at the 930 Club in 2005. It's not so much a concert shot as a cool image I use as a desktop.
O/CD Year to Date Tally: 120
1.FLEET FOXES - self-titled (Sub Pop)
I bought this CD last week, at a genuine old skool record store, Plan 9, in Richmond while Soon-To-Be-College Girl and I were in the city for a VCU orientation. I went into the store as if into a church, a quick visit to pay respects to the vanishing house of music worship, and to ask if they had the Johnny Flynn vinyl single that I’d heard was being serviced to independent stores as a teaser for his full-length debut.
The nice older guy (owner) and younger cashier chatted with me about what they had listed in the upcoming release charts, but the vinyl itself was nowhere to be seen, and then I caught sight of the Fleet Foxes CD, lined up in a row just above a set of My Morning Jacket CDs. That seemed fully appropriate as I find the Foxes tapping a similar vein of fiercely beautiful, near-choral indie rock, though the Foxes have a slightly more pastoral take that made me initially think they were British. As I paid for the album, the older gent remarked, "Album of the year!" and said he was driving to DC for the show.
The band members trace their music to that which their parents played: The Beach Boys, Simon and Garfunkel, The Zombies, Joni Mitchell, Bob Dylan, Crosby Stills and Nash. The Foxes’ harmonies harken particularly to the latter, and frontman Robin Pecknold was quoted on the NPR web site as explaining, "To me, the most enjoyable thing in the world is to sing harmony with people.” It shows.
Oh, and since we were talking about them, I’ll add to the tally my emusic purchase of:
2. MY MORNING JACKET – Evil Urges (ATO)
Have seen and enjoyed the band in the past, but this album is really sticking with me in a big way. On track as one of the best of the year.
Here's a shot from the band's appearance at the 930 Club in 2005. It's not so much a concert shot as a cool image I use as a desktop.
O/CD Year to Date Tally: 120
Friday, July 04, 2008
Happy Fourth of July!
We celebrate as we always do - with a screening of "1776," in which we lustily sing all the songs (Terry abstains, courteously), preceded by a short subject - the "Freedom" number from "Holiday Inn," in which Fred Astaire dances while tossing firecrackers.
As "dreamy" (Post-College Girl's word) Thomas Jefferson moves ever closer toward completing the Declaration of Independence, I share some of the remaining concert photos of recent vintage.
Here is Modest Mouse, who opened for R.E.M. at Merriweather Post last month...
As I stood in the photo pit, waiting for the show to begin, a guitar tech strummed Johnny Marr's guitar and it rang with that distinctive wah-wah sound that marked so many Smiths songs. I got chills.
A fine performance, though as glad as I was to hear "Dashboard," I think I prefer the studio version.
Isaac Brock is an interesting character, an obvious musical talent with a slightly deranged air.
And Johnny Marr...? A wizard. A true star.
And while the Continental Congress continues to "piddle" (John Adams' word), I found and bought and downloaded a nifty collection from amazon.com. It's called
INDEPENDENTS DAY '08 - VARIOUS ARTISTS
A compilation of independent artists that's being sold only from July 4 to July 6. Tracks from artists like Ani Difranco, Frank Black, Atmosphere, Dr. Dog and some less savory (Slipknot). 25 songs for $2.99. Good deal.
Year to Date O/CD Tally: 118
As "dreamy" (Post-College Girl's word) Thomas Jefferson moves ever closer toward completing the Declaration of Independence, I share some of the remaining concert photos of recent vintage.
Here is Modest Mouse, who opened for R.E.M. at Merriweather Post last month...
As I stood in the photo pit, waiting for the show to begin, a guitar tech strummed Johnny Marr's guitar and it rang with that distinctive wah-wah sound that marked so many Smiths songs. I got chills.
A fine performance, though as glad as I was to hear "Dashboard," I think I prefer the studio version.
Isaac Brock is an interesting character, an obvious musical talent with a slightly deranged air.
And Johnny Marr...? A wizard. A true star.
And while the Continental Congress continues to "piddle" (John Adams' word), I found and bought and downloaded a nifty collection from amazon.com. It's called
INDEPENDENTS DAY '08 - VARIOUS ARTISTS
A compilation of independent artists that's being sold only from July 4 to July 6. Tracks from artists like Ani Difranco, Frank Black, Atmosphere, Dr. Dog and some less savory (Slipknot). 25 songs for $2.99. Good deal.
Year to Date O/CD Tally: 118
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